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EARMILK EARMILK
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    • Daily 2%
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Dance Bass

1178 posts

BeauDamian's 'Bipolar' is a beautiful juxtaposition of light and dark [EP]

  • October 29, 2018
  • Vivian Lin
Arguably, our existence, exists on the idea of duality – the dichotomy of good and evil, day and night, light and dark. Our emotions ebb and flow in between, a…
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All aboard for Tokyo Machine's "EPIC" chiptune adventure

  • October 19, 2018
  • Vivian Lin
Enigmatic producer Tokyo Machine is back with another chiptune, electronic adventure aptly named "EPIC", released off of powerhouse label Monstercat.  In true, classic Tokyo Machine style, "EPIC" is a quirky, eclectic song…
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Full flex with Whipped Cream's new single "Blood"

  • October 5, 2018
  • Alshaan Kassam
 Since her debut Shambhala Music Festival set in 2015, Caroline Cecil, aka Whipped Cream, has worked her magic to enrich fans with positive vibes through her music. By being one of the…
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Noisestorm and Foreign Beggars' collaboration is a dark "Breakout" of music norms

  • October 2, 2018
  • Vivian Lin
Irish producer Noisestorm took the world by storm with his fearlessly creative endeavours in music, particularly in jungle, drum'n'bass and most recently, turning to drumstep – the incestuous lovechild of drum'n'bass…
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Get ready to scream with Kayzo on this latest bass track "FAKE FAKE FAKE" feat. xo sad

  • October 1, 2018
  • Alshaan Kassam
Climbing up to the top of the charts, Hayden Capuozzo also known as Kayzo is an experienced artist providing immersive live sets fueled with creativity and energy. From bass filled to hardstyle…
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Hi I'm Ghost weighs in Spooky Riddim from Valhalla [Interview]

  • September 26, 2018
  • Alex Leonard
Photography by Joe Weshefsky Nathan Davis & Tiago Nunez are two talented producers in the bass scene. You’ve more likely heard of their alias, Hi I’m Ghost, which is taking…
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The Cobra has been unleashed with BTSM's and Yookie’s new collaboration “Snakes”

  • September 22, 2018
  • Alshaan Kassam
The crowd chants “BTSM” repeatedly as the lights slowly begin to brighten, gradually fueling the crowd with great anticipation. Time to go to church? Well, this time there’s a twist.…
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Fytch's "Saltwater" is a chilling, visceral testament of his honed sound [Interview]

  • September 17, 2018
  • Vivian Lin
Carving out dark, melodic and ethereal takes of electronic bass music, tastemaker Stéphane or otherwise known as Fytch, has spent 2018 grinding away at solidifying his sound and honing his craft. A luminary…
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Five acts you won't want to miss at Forbidden Forest Festival

  • August 22, 2018
  • Amy Fielding
Created by a team of rave enthusiasts with a desire to challenge convention within today’s festival and club circuit, Forbidden Forest returns for their second edition of the year, and…
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Shadient returns from playing his first DJ set with "COLLIDER"

  • August 17, 2018
  • Alshaan Kassam
Interdimensional travel becomes a reality on the new release from UK electronic producer Shadient. With his debut winter=reality EP release, he has quickly developed a distinct sound filled with mid-tempo bass…
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Carnage drops stage name "Papi Gordo" with release of new single “El Diablo” featuring Sludge

  • August 15, 2018
  • Alshaan Kassam
Guatemalan-American producer Carnage still has a strong presence in the hip hop and trap scene. Following the release of Battered Bruised and Bloody, featuring collaborations with recognizable artists such as Steve Aoki,…
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"Death Letter" is an eptitaph to anonymity for CARACAL

  • August 14, 2018
  • Raz Ahmad
Every time I think dubstep is dead, an artist on Soundcloud with fewer than 1000 followers runs up on me trying hard to convince me otherwise. With just over 540…
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