EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Electronic
  • Feature
  • Mainstage
  • Pop

#WomenCrushWednesday Volume 001: Elohim

  • March 8, 2018
  • Jason Heffler
Total
0
Shares
0
0

Yes, today is Thursday, but is there a better day to launch EARMILK's new #WomenCrushWednesday series than International Women's Day? Today and every Wednesday for the foreseeable future, EARMILK will profile one female musician or music industry professional and celebrate the contributions they have made to the current musical zeitgeist.

For the first installment of the weekly series, we're shining a light on burgeoning electro-pop musician Elohim. The mystique of the LA-based artist lies not only in her powerful name, but also in her status as a bona fide dual threat. She can sing and produce, and do them so seamlessly and with such joie de vivre that she makes it look easy. A self-taught musician hellbent on galvanizing the crossover scene, she is an out-of-the-box thinker whose approach on any given day is as easy to guess as the next words out of Donald Trump's mouth. We're talking about a woman who once took one of her own tracks and made a mariachi version.

Take, for instance, the music video for her latest anthem "Fuck Your Money," where she gets dragged through a hospital in a spell of hysteria before flipping off the doctors through the security camera. Needless to say, she does not blur out the middle fingers. In a day and age where artists use their music videos as vehicles to arrogantly plug desperate gimmicks and clickbait tactics, resorting to hackneyed images of bikini-clad women frolicking on white sand beaches and the 'Cash Me Ousside' gremlin standing on a Cadillac she probably stole, Elohim challenges the norm. The unique video serves as a prime example of her ability to not only tell stories with her music but also produce alluring visuals with dark undertones that contain just the right amount of glamour to make other artists envy her style.

An artist with the audacity to adopt a sacred Hebrew word for "God" as her stage name had better bring it during live shows too, right? Combining her herculean name with beguilingly gloomy live elements, Elohim creates a spellbinding contrast that makes her a force to be reckoned with in the live area. You will find her striking the keyboard with angst and belting out the tunes that put her on the map as one of the most promising crossover artists in the game, like her intoxicating Louis The Child collaboration "Love Is Alive" and her plucky synthpop-inspired electronic jam "The Wave."

Elohim is set to join The Glitch Mob on tour this summer, which culminates in what should be a rip-roaring show at Red Rocks on 6/28. You can purchase tickets via her website here.

Connect with Elohim: Facebook | Twitter | SoundCloud | Instagram

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Elohim
Jason Heffler

E: jason@earmilk.com

Previous Article
  • Jazz
  • Mainstage

Kenneka Cook peers through the cosmos in jazzy single "Moonchild"

  • March 8, 2018
  • Tayo Odutola
View Article
Next Article
  • Electronic

SISTER Collective drops "SISTERHOOD" playlist to celebrate IWD [Premiere]

  • March 8, 2018
  • Jess Bartlet
View Article
You May Also Like
Cosmic Canna Beats
View Article
  • Indie
  • Mainstage
  • R&B
  • Rap

Cosmic Canna Beats drops “Blue Trap” where emotion meets 808s and electric blue vibes

  • November 12, 2025
View Article
  • Afrobeats
  • Pop

Mr Eazi shares reflective new EP 'Maison Rouge'

  • November 12, 2025
View Article
  • Alternative Rock
  • Indie Rock
  • Mainstage
  • Rock

SilverKing delivers classic rock energy on new single “In My Eyes”

  • November 12, 2025
View Article
  • Music Videos
  • Pop
  • Soul

[Video] Bradley Jago captures the thrill of falling in love on soulful track "Killer Queen"

  • November 12, 2025
View Article
  • Indie
  • Pop

Ava Franks "Every Day" is a shimmery indie pop banger

  • November 12, 2025
View Article
  • Indie
  • Interviews
  • Pop

Phoebe Katis chats 'A Coming of Age' album, a nudist tent at Glastonbury, London and more! [Interview]

  • November 11, 2025
Goldie Scott
View Article
  • Indie
  • Mainstage
  • Pop

Goldie Scott paints a cinematic masterpiece with “Sand & Stone”

  • November 11, 2025
Neurolapse
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Neurolapse returns with “Am I Wrong?”

  • November 11, 2025
Popular Music
  • Cosmic Canna Beats
    Cosmic Canna Beats drops “Blue Trap” where emotion meets 808s and electric blue vibes
    • November 12, 2025
  • Mr Eazi shares reflective new EP 'Maison Rouge'
    • November 12, 2025
  • Essy Sparrow shares emotional, raw and vulnerable new indie-folk single "Footnote"
    • November 12, 2025
  • [Interview] PSYCHIC FEVER talk latest single "SWISH DAT," performing live and memorable moments
    • November 12, 2025
  • [Video] Bradley Jago captures the thrill of falling in love on soulful track "Killer Queen"
    • November 12, 2025
Recent Scoops
  • Winter Music Conference returns to Miami Music Week with new home for 2026
    • November 6, 2025
  • Simone Feroci establishes his towering presence in the world of bass guitars with hopeful track "California Forever"
    • October 30, 2025
  • UK Festivals Wrapped Up: A diverse weekend of music, food and culture
    • October 2, 2025
  • DNORRI is a breakout voice built for musical resonance and connection
    • September 25, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.