EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Interviews
  • Mainstage
  • Tribal

Melé talks 2018, early influencers and Defected 'In The House' [INTERVIEW]

  • August 27, 2018
  • Amy Fielding
Total
0
Shares
0
0

In a scene that can, on occasion, feel stale and stagnant, 25 year old Krissy Peers aka Melé is the innovative producer and DJ who keeps his deliveries fresh and original – whilst flying the flag for his beloved tribal house. From being behind the decks at Ibiza's Amnesia for his residency with Elrow to Austria's Snowbombing, Annie Mac's Lost & Found in Malta and London's Fabric – Melé's schedule is both impressive and hectic.

Alongside a seemingly endless flow of appearances, EARMILK featured in News last month the announcement of Melé's 2-part compilation for UK house label (and legends) Defected, producing and selecting tracks for 'In The House'. I caught up with Melé ahead of the release for Defected to find out how the year has been treating him so far, and what's to come.

Hi Krissy! Firstly – you've just played Elrow Town in London last weekend, how was that?

The Elrow shows are great, Elrow Town was super intense! But was a really great gig. It’s just a perfect match with my music and the music I play, and how bright and colourful the party is. It’s all just about having a good time which is the most important thing for me.

How's the rest of the year been for you – what have been your highlights and stand out moments over the last 8 months?

It’s been an unbelievable year for me, so much so that I haven't really had time to think about it! Especially this summer. I’d say a highlight was Worldwide Festival.. being asked to close the festival on the Friday night by Gilles Peterson was really incredible, it was a huge amphitheatre in the south of the France and by far the best crowd I’d ever played too. I’ve been going over to America a lot this year which has been amazing, played in Mexico for the first time too. Too many moments to choose from!

Your sound is predominately tribal house, which although still holding a massive following is something we see less on the scene now. How did this become your sound, and why did you gravitate towards it?

I’m not sure why, its just always been my favourite type of house music. Listening to DJ’s like Erick Morillo and even Steve Angello in the early 2000’s and hearing this sound was what really got me into dance music on the whole I suppose. Then via these guys i discovered Danny Tenaglia, Masters At Work etc and the whole New York kind of sound. It’s just music I really love. Even before I got into house music I was always interested in percussive styles, The Neptunes are still are a massive influence on my sound and their music had lots of elements of percussion.

The compilation on Defected is outstanding and really explores your sound and its limits, especially CD2. From your own productions to those of others, how did you make the selections for that particular mix?

The idea of CD2 was to do a more clubby, peak time mix. I think I changed CD2 the most, it went through 3 or 4 totally different track listings and features 3 new tracks that I made. Brooklyn Bounce was always going to be either the opening or second track. Tribal Harmonix is just a straight up techy roller that fits well right in the middle, and Colours is in an instrumental I made which was always going to finish the CD, I wanted to make something quite light and emotive. I had been listening to Black Motion – Rainbow and wanted to do my own rework of it originally, but I just ended up using the vocals to finish the whole mix off.

Moving away from the compilation, can you tell EARMILK about any other projects you’re working on?

Now that I've finished the Defected Compilation, I am focusing on my night in Liverpool called Club Bad and starting the label of the same name. Hopefully after this really busy summer I'm going to have time to get back into the studio and make some new music too, I haven't had much chance lately so its going to be nice to be creative again.

Lastly, my favourite question. Can you tell us three secret weapons from your sets that you've been playing out recently?

Vangelis Kostoxenakis – Little Box
Kerri Chandler – Fuck This Cowbell
Chaka Kahn – Like Sugar (Elliot Adamson Remix)

Defected present Melé In The House is out via Defected on Friday 31st August 2018 and available to pre-order in vinyl and digital formats HERE.

Connect with Melé: Facebook | Twitter | Soundcloud

Connect with Defected: Facebook | Twitter | Soundcloud

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Defected
  • Defected Records
  • Mele
  • UK
  • United Kingdom
Amy Fielding

London based & the UK Editor at EARMILK. Techno, House, Disco & anything between. Tweet: amyworldpeace

Previous Article
  • Tech House

Frederick & Kusse and Feral is Kinky takes us for a ride in "Gully Queen"

  • August 25, 2018
  • Vivian Lin
View Article
Next Article
  • Hip-Hop
  • Rap

Serious Klein shows us how "Voodoo Money" changes you

  • August 27, 2018
  • Tayo Odutola
View Article
You May Also Like
View Article
  • Electro Pop
  • Interviews
  • Mainstage
  • New Music

"It felt like we were hanging out with our big brothers": Milk & Bone on their Chromeo-produced EP, 'A Little Lucky' [Interview]

  • December 20, 2025
View Article
  • Dance
  • Electronic
  • Interviews

ZHANGYE chats China EDM compilations, electronic production and collaborating with Steve Aoki [Interview]

  • December 19, 2025
View Article
  • Folk
  • Indie
  • Mainstage
  • New Music
  • Singer/songwriter

Christian Alexander captures heartfelt indie folk romance with “You”

  • December 19, 2025
View Article
  • Deep House
  • House
  • Mainstage

Zizzo World moves you into 2026 with "Body Moving"

  • December 19, 2025
TWAN
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

TWAN and STACY KAMATU unite cultures and grooves on the magnetic new single “NAMANAMA (for real, for real)”

  • December 19, 2025
View Article
  • Ambient
  • Mainstage
  • New Music
  • Synth Pop

MAKEUP and Danny Keane shine on new single “12 Years”

  • December 19, 2025
View Article
  • Ambient
  • Experimental
  • Feature
  • Interviews
  • Mainstage

"Quantum physics shows us a reality of both": Pioneering artist ILĀ on their new album "Quantum Computer Music" [Interview]

  • December 19, 2025
View Article
  • Mainstage
  • R&B

RNBHunter sweetens contemporary R&B with “Honey”

  • December 19, 2025
Popular Music
  • my point of you & at first, at first join forces on 'Texas, Hold Me' [Split Single]
    • December 20, 2025
  • ZHANGYE chats China EDM compilations, electronic production and collaborating with Steve Aoki [Interview]
    • December 19, 2025
  • Pet Owner returns with genre-bending hyperfolk-pop single “After Summer”
    • December 19, 2025
  • Christian Alexander captures heartfelt indie folk romance with “You”
    • December 19, 2025
  • Ady Suleiman’s soulful journey in “What If” will leave you hooked
    • December 19, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.