EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Mainstage
  • Progressive Dance
  • Trance

Jason Ross takes the helm for 'Anjunabeats Worldwide 06'

  • August 1, 2016
  • Steph Evans
Total
0
Shares
0
0

San Diego’s Jason Ross was primed to be a breakout star before he even had his first hit track. He was the first to be signed to iconic dance label Anjunabeats in nearly two years with the release of his first track on the label back in 2014, and with his latest release "Me Tonight" has officially reached a career milestone with the track hitting #1 on Beatport’s Trance Top 100. 

There are definitely lots of challenges involved in putting together a compilation like this. I think one of the biggest challenges was sorting through so many tracks from so many talented artists and narrowing it down to just 17. From there, the goal is to tell a story, while keeping a steady progression and maintaining harmonic mixing, throughout the 2 hour mix. I found this to be one of the biggest (yet exciting) challenges, and I'm really stoked with how it turned out.

Now Ross has accomplished another assignment from his Anjunabeats family, one that is another sign of the importance of the sureness of his own personal success to his team, mixing the Anjunabeats Worldwide complation. This is the sixth go-round for the summertime compilation release, and as usual Anjunabeats Worldwide 06 features the label’s greatest rising and established stars. With appearances from Andrew Bayer & Arty, Kyau & Albert, Maor Levi, new artist Tuskana and Ross himself, Worldwide 06 seeks to fill a summertime sound need for fans as well as making a true brand statement for the label. 

I really wanted this compilation to represent my sound, so having that in mind while selecting tracks was important. My music is on the harder hitting side of trance and progressive, and I wanted this compilation to embody that, while still staying true to what Anjunabeats represents. Not only are there a good amount of my own productions, but many of the other tracks featured are from artists that I support on tour, so it was really a very natural fit.
Along with getting fans hyped for releases coming out of Anjunabeats and its artists in the second half or 2016, Worldwide fulfills another need in its live experience through its tour that launches this week in Montreal. For further information on Worldwide 06 and its subsequent tour, head to the Anjunabeats website.

Connect with Jason Ross: Soundcloud | Facebook | Twitter

 

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Anjunabeats
  • Jason Ross
Steph Evans

It all started with Pakito's "Living on Video."

Previous Article
  • Dance
  • Indie Dance
  • Synth Pop

Loframes and Anoraak get chill for "Since You've Gone"

  • August 1, 2016
  • Lauren Jefferson
View Article
Next Article
  • Dance Bass
  • Electronic
  • Future Beat
  • Mainstage
  • Premiere

Hyperbits & Syence team up to rework TooManyLeftHands' "Can't Get To You" [Premiere]

  • August 1, 2016
  • John Smith
View Article
You May Also Like
View Article
  • Indie
  • Mainstage
  • Pop

BoierMusic’s “How Can I Reach You” turns vulnerability into a universal love anthem

  • December 26, 2025
View Article
  • Feature
  • Interviews
  • Mainstage
  • Pop
  • R&B
  • Uncategorized

Estelle on Stay Alta, Embracing Transformation, and entering a new, purposeful Era [Interview]

  • December 24, 2025
Saynt Ego
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Saynt Ego’s “Voices” turns quiet reflection into cinematic power

  • December 22, 2025
David J Boswell
View Article
  • Indie
  • Mainstage
  • Pop

David J Boswell turns uncertainty into art on hypnotic new single “I KNOW WHAT I SAW”

  • December 22, 2025
Neurolapse
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Neurolapse returns with his most intimate body of work yet on "Be Like Anyone" [Premiere]

  • December 22, 2025
The Venice Kid
View Article
  • Hip-Hop
  • Indie
  • Mainstage
  • Rap

The Venice Kid ushers in a bold new era with “Say Less”

  • December 21, 2025
Zeek Wonderlen
View Article
  • Indie
  • Mainstage
  • Pop
  • R&B

Zeek Wonderlen’s “Seasons” is a smooth R&B reflection on love, loss, and becoming

  • December 21, 2025
View Article
  • Electro Pop
  • Interviews
  • Mainstage
  • New Music

"It felt like we were hanging out with our big brothers": Milk & Bone on their Chromeo-produced EP, 'A Little Lucky' [Interview]

  • December 20, 2025
Popular Music
  • [Interview] Bryan Chase chats teaming up with Sik-K and CAMO on "Flaunt It," new EP 'GRANTED' and more
    • December 27, 2025
  • [Interview] OX:N dive into 'SWAY,' carving a sonic identity as a sub-unit and their creative process
    • December 26, 2025
  • [Interview] Billlie chat Korea Spotlight 2025 appearance, ARrc collaboration and other memorable moments
    • December 27, 2025
  • [INTERVIEW] FIFTY FIFTY dives into new project 'Too Much Part 1,' going viral and staying creatively motivated
    • December 26, 2025
  • Chloe Mayse unfurls love in all forms on 'Dear Love…'
    • December 27, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.