EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Dance Bass
  • Electronic
  • Events
  • Reviews

G Jones bears his soul with 'The Ineffable Truth' [Tour Review]

  • February 20, 2019
  • Ry Smith
Total
0
Shares
0
0

Sometimes I get the pleasure of watching incredibly talented up-and-coming artists grow to even greater heights. Although rare, I can think of a good number of artists who started at a relatively well-developed level, but then went well beyond to create something truly special. We can now add Californian Greg Jones aka G Jones to that list. 

First, let's get the obvious out of the way: with The Ineffable Truth [2018, Illusory Records], G Jones' has crafted something exceptional. I'm hard-pressed to even refer to this full-length as a "bass" album considering the uniqueness of the sound. Unquestionably, the foundations of the album are rooted in bass music and the first 5-6 tracks on the album are quite representative of G Jones' 2018-2019 sound… i.e., the bass hits heavy, the synth chords are thick, and the wobbles are, of course, ever present. It's in the second half  where things take a progressive turn into awesome, almost conceptual territory. Starting with track 6, "Everything All at Once," Jones throws down some of the most lush, gorgeous sound collages I've heard in the past year. Truly, some of my favorite tracks are in the second half of the album, with "In Your Head," "Iridescent Leaves Floating Downstream," and "Forgotten Dreams" garnering particular attention. Overall, the album presents a multitude of emotions and well-crafted soundscapes that combine to form an impressive evolution on G Jones' sound. It's, without question, a great album. 

Which brings us to The Ineffable Truth support tour. While the images below (thanks Tyler Hill!) do a superb job of capturing the feel of the live-performance, one should still seek to take in the show themselves. For starters, opening DJ Tsuruda threw down a great opener, perfectly warming the crowd up for the headliner. Once Jones' was on, it was clear the tour was built to showcase the album's tracks along with Jones' own skills as a DJ. Visually, Jones chose an interesting, monochromatic color palette, matching the stark black-and-white contrast with retro computer and video game vibes. All in all, the visuals conveyed a somewhat subdued vibe, which worked to accentuate the actual performance of the album. The show was an absolute blast, although I would encourage Jones to perhaps seek other potential tour partners, outside of Ticketmaster/LiveNation. 

Photo Credit: Tyler Hill, 2019 https://www.tylerhillphoto.com/
Photo Credit: Tyler Hill, 2019 https://www.tylerhillphoto.com/
Photo Credit: Tyler Hill, 2019 https://www.tylerhillphoto.com/

Lastly, I think the stripped down color palette and visuals seemed to give a real honesty to his performance, which I can't say exists all the time with every artist. I'd like to think that between the contrasts of effervescence and bleakness, Jones wanted to convey his full experience as an artist… aka his "truth."  If results are the final arbiter and best indication of success, then I would say he succeeded. Jones has definitely evolved his sound into something special, and if you were into it before, you should definitely check it out now. 

The Ineffable Truth is available right now. Get yourself a copy today.

The Ineffable Truth tour is still going strong! Check these listings for a show close to you. 

Connect with G Jones: Official Site | SoundCloud | Facebook | Instagram

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • g jones
  • Ineffable Truth
Ry Smith

Previous Article
  • Indie
  • Mainstage
  • Videos

Ashe writes the perfect anthem for broken relationships in "Moral of the Story" [Video]

  • February 20, 2019
  • Gregory Castel
View Article
Next Article
  • Hip-Hop

Brendan Bennett releases "Rich Friends" single

  • February 21, 2019
  • Jack Steindorf
View Article
You May Also Like
Mt. Gribley
View Article
  • Indie
  • Mainstage
  • Pop

Mt. Gribley finds quiet power in distance on "Moss On The Stone" [Album]

  • December 29, 2025
View Article
  • Indie
  • Indie Pop
  • Mainstage
  • New Music
  • Pop

Every Us turns late-night chaos into comfort on harmony-soaked new Ssngle “B-Train”

  • December 29, 2025
Pablo's Paintings
View Article
  • Indie
  • Mainstage
  • Pop

Pablo’s Paintings dive deeper with hypnotic new single “The Moon Underwater”

  • December 29, 2025
Barrelly Ego
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Barrelly Ego’s “3rd Rock” turns parenthood’s beautiful chaos into honest indie rock reflection

  • December 29, 2025
Michelle Ann Owens
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Michelle Ann Owens turns a brief "Vegas Chapter" into a bold, grooving album

  • December 29, 2025
GONGPATI
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

GONGPATI turns shared wounds into honest, resonant alternative rock, “Luka Kolektif” [Album]

  • December 28, 2025
View Article
  • Indie
  • Mainstage
  • Pop

BoierMusic’s “How Can I Reach You” turns vulnerability into a universal love anthem

  • December 26, 2025
View Article
  • Feature
  • Interviews
  • Mainstage
  • Pop
  • R&B
  • Uncategorized

Estelle on Stay Alta, Embracing Transformation, and entering a new, purposeful Era [Interview]

  • December 24, 2025
Popular Music
  • Mt. Gribley
    Mt. Gribley finds quiet power in distance on "Moss On The Stone" [Album]
    • December 29, 2025
  • Every Us turns late-night chaos into comfort on harmony-soaked new Ssngle “B-Train”
    • December 29, 2025
  • Pablo's Paintings
    Pablo’s Paintings dive deeper with hypnotic new single “The Moon Underwater”
    • December 29, 2025
  • Barrelly Ego
    Barrelly Ego’s “3rd Rock” turns parenthood’s beautiful chaos into honest indie rock reflection
    • December 29, 2025
  • Michelle Ann Owens
    Michelle Ann Owens turns a brief "Vegas Chapter" into a bold, grooving album
    • December 29, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.