EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Uncategorized

Gwyn delivers unapologetic feminist anthem "USE"

  • October 16, 2023
  • Malvika Padin
Total
0
Shares
0
0

Australian alt-pop singer-songwriter/producer Gwyn captures the rebellious spirit of 2000s teen movies on unapologetic feminist anthem “USE,” which offers up a seamless blend of nostalgia and bold rage.

Led by her soaring vocals that swoop over lush guitars and edgy synths, the track draws inspiration from the idea of exploiting relationships for professional gain as she introspects on what it really means to be a feminist.

Speaking of the track, she says, This song is my take on feminism. It all started with someone I know in real life who's using guys to get ahead at work and grow her network. I mean, that's not really what feminism is about, right? It's all about women being just as capable as men. Then, I found out she reached out to my film crew and totally ripped off my music video. This got me thinking about how modern our society really is and what being a feminist really means.”

With a personal touch that feels equally relatable, the track which is a glimpse of her upcoming mixtape, 130K across the highway,is rooted in Gwyn’s powerhouse blend of electronic, pop, and rock as she sets herself up as an act to keep on your radar.

Connect with Gwyn : Instagram | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Gwyn
  • USE
Malvika Padin

Previous Article
  • Rock

Velvet Two Stripes delves into resilience on new album 'No Spell For Moving Water'

  • October 16, 2023
  • Malvika Padin
View Article
Next Article
  • New Music

Ilyaugust and Big Money Records: A match made in musical heaven

  • October 16, 2023
  • Malvika Padin
View Article
You May Also Like
View Article
  • Uncategorized

Butterfly Vendetta embrace raw performance energy on "Ready To Roll" from new album

  • May 18, 2026
Titouan L.C.S
View Article
  • Uncategorized

Titouan L.C.S Shares incredibly groove-rich, irresistable Baile funk anthem "YOUZOU"

  • May 9, 2026
View Article
  • Dance
  • Events Stage
  • Festival
  • Mainstage
  • Uncategorized

What Wire Festival's international partnerships indicate about New York's techno scene

  • May 7, 2026
View Article
  • Electronic
  • Indie
  • Uncategorized

Honddu release new single "Winifred"

  • May 7, 2026
View Article
  • Alternative
  • Folk
  • Indie
  • Indie Pop
  • Reviews
  • Singer/songwriter
  • Uncategorized

Trevor Sloan’s “Barcelona” is a nostalgic, ethereal wonder

  • April 27, 2026
View Article
  • Indie
  • Pop
  • Uncategorized

Tajajayy releases new single "Wash Me Away"

  • April 24, 2026
View Article
  • Indie
  • Indie Pop
  • Indie Rock
  • New Music
  • Rock
  • Uncategorized

Kim McClay Releases Single “Velveteen Girls” Ahead of Upcoming EP

  • April 13, 2026
Ecca Vandal album cover
View Article
  • Alternative Rock
  • Electronic
  • Indie
  • Indie Rock
  • New Music
  • Punk
  • Rock
  • Uncategorized

Ecca Vandal Announces New Album 'LOOKING FOR PEOPLE TO UNFOLLOW'

  • April 9, 2026
Popular Music
  • Christine Sako
    Cries of Redemption steps into bold territory with “The Return (Raw)”
    • May 20, 2026
  • Reetoxa
    Reetoxa’s “War Killer” turns punk rock energy into a powerful message of unity
    • May 20, 2026
  • Obedeia
    Obedeia spins fragile beauty into a cinematic prelude with “merry-go-round”
    • May 20, 2026
  • Sasha Joy
    Sasha Joy Finds Power in Pure Musicianship on “Got You Something”
    • May 20, 2026
  • BLOCK
    BLOCK returns with heart and honesty on "Love Crash" [Album]
    • May 20, 2026
Recent Scoops
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.