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Teedra Moses keeps would-be baes on their toes with "Cashmere Compliments" [Video]

  • November 23, 2020
  • Marvin Twiggs
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Even though there are more than a few moments in Teedra Moses' new single "Cashmere Compliments" that suggest she's in need of opulent praise, there's little doubt that the honey-voiced bombshell believes in herself without reservation. And honestly, why shouldn't she? She's an amazing singer and performer, an accomplished songwriter, and (judging from her Instagram account and interviews) a take-charge badass that's living her life on her own terms.

Teedra Moses · Cashmere Compliments (feat. Lucky Ry & Trackademicks)

So it's not surprising that this new single brings a healthy dose of sexy, soulful and self-assured fun to the gang of fourth-quarter R&B releases closing out 2020. The track, which boasts production from Trackademicks and Lucky Ry, revels in an airy groove punctuated by triumphant horns, boxy drum-machine rhythms, and brilliant synthesizer work. It builds up a glitzy atmosphere early, owing much of its nostalgic sound to peak-era disco and flashy electro-pop. Early on in this catchy dancefloor exercise, we hear a soundbyte of Moses coolly making a case for why she clearly deserves the luxe compliments mentioned in the tune's title: "…it's not that I'm trying to be bougie or nothing. It's just…I'm a grown ass woman and I know what I want". Period. Full stop. It gets no plainer than that people.

Thankfully, "Cashmere Compliments" is just a savory taste of a bigger dish that Madame Moses has been cooking up for her fans. She plans to release a new album, bluntly titled The Bullshit, in the spring of next year.

You can check out "Cashmere Compliments" now on all streaming services

Connect with Teedra Moses: Facebook | Instagram | Official site | Twitter | YouTube

 

 

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Related Topics
  • Florida
  • Luck Ry
  • Miami
  • Nu Disco
  • Nu-Soul
  • rnb
  • Teedra Moses
  • Trackademicks
Marvin Twiggs

Marvin is a music writer focused on sound, substance, and everything soul music related. He covers hip-hop, R&B, soul, and genre-defiant pop—often with a spotlight on rising independent talent. Rooted in the South but writing with a global ear, his reviews lean into the details. He’s got a soft spot for music that lingers and a bias toward artists who bring more to the table than just a beat and a hook. marvin.twiggs@outlook.com

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