EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Electronic

Flux Pavilion and What So Not join forces for dream collaboration "20:25"

  • September 17, 2019
  • Jason Heffler
Total
0
Shares
0
0

Back in July of this year, Flux Pavilion sent his fans into a tizzy when he announced an impending collaboration with Australian beatsmith What So Not.

So excited for this one. R u? ?? https://t.co/iAv1yT3f3p

— WHAT SO NOT (@WhatSoNot) July 27, 2019

Fast-forward to September 13, 2019, when the two bass kingpins finally released the official single, which features indie vocalist The Chain Gang of 1974. Expertly blending dark synthpop with bubbly future bass, "20:25" fires on all cylinders and is nothing short of brilliant.  

Electronic music fans may recognize The Chain Gang of 1974 from "When We Were Young," a monumental collaboration with Dillon Francis and Sultan + Shepard that appeared on the former's seminal debut album Money Sucks, Friends Rule back in 2014. His heady vocal stylings bring a refreshing indie dance flavor to the track, which churns to a hypnotic yet bouncy 100 BPM. That tempo represents a road less traveled for both Flux Pavilion and What So Not, who tend to produce future bass, trap and dubstep in the 140 to 160 range. Nevertheless, 20:25 is a dream collaboration for dance music enthusiasts, and it should be a popular target for remixers. You can connect with both artists via the links below.

Connect with Flux Pavilion: Facebook | Twitter | SoundCloud | Instagram

Connect with What So Not: Facebook | Twitter | SoundCloud | Instagram

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • electronic
  • flux pavilion
  • The Chain Gang Of 1974
  • What So Not
Jason Heffler

E: jason@earmilk.com

Previous Article
  • Hip-Hop
  • Music Videos
  • Rap

Khemist shares his frustrations on "I Been On A Budget" [Video]

  • September 16, 2019
  • Tayo Odutola
View Article
Next Article
  • Hip-Hop
  • Music Videos

AQ releases fresh new visuals for his song "Florida"

  • September 17, 2019
  • Jack Steindorf
View Article
You May Also Like
Carla Patullo
View Article
  • Dreampop
  • Electronic

Carla Patullo closes "Nomadica," with "Fly Under," a masterpiece of memory and healing

  • February 17, 2026
View Article
  • Big Room
  • Dance

Alpine Universe returns with the emphatic, potent and cinematic new album KORDÉE

  • February 17, 2026
truekolors
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

truekolors finds the sweet spot between heart and rhythm on “Replay”

  • February 16, 2026
Martron
View Article
  • Electronic
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop
  • Uncategorized

Martron shares the moment with “Tonight,” a bold step forward after resurgence

  • February 16, 2026
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Andrew Leonforte threads desire and tension into dark pop brilliance on “Red Lace”

  • February 16, 2026
Danny Martin
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Danny Martin captures love, betrayal, and emotional cycles in cinematic pop single “Falling Back”

  • February 16, 2026
Christine Sako
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Cosmic Madness confronts love and identity on "Love In an Existential Crux" [Album]

  • February 16, 2026
View Article
  • Dance
  • Electronic
  • Indie

The Icarus Kid shares electronic dance banger "Every Night"

  • February 13, 2026
Popular Music
  • Kamal Maroon delivers raw and unfiltered honesty on pop/R&B anthem "Black x White"
    • February 17, 2026
  • French Dogs dance through the chaos with new release, "Tucker's Having a Baby"
    • February 17, 2026
  • Kat Meoz
    Kat Meoz delivers swagger on fierce new anthem "Show Me What You Got"
    • February 17, 2026
  • 3peace. heals through harmony and resilence in "TRAUMA BOND"
    • February 17, 2026
  • Karen Salicath Jamali ushers in a creative era with "Angel Sandalphon (The Angel of New Beginnings)"
    • February 17, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.