EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • Indie Pop

Aimee deBeer confronts negative social norms in “Billboards”

  • May 30, 2019
  • Chloe Robinson
Total
0
Shares
0
0

Indie pop artist Aimee deBeer has dropped her stunning release entitled “Billboards”. The track showcases deep cinematic soundscapes of delicate drums and evocative, ethereal vocals indicative of Lana Del Rey, yet a sound all her own. Thematically, “Billboards” challenges those images that feed our insecurities and the superficialities that rise as a result. From social media apps to billboards over highways, our culture is continually being told who we should be and how we fall short of those perpetuated societal standards.

The lyric “everything is beautiful and no one feels the pain” is originated from Kurt Vonnegut’s odyssey Slaughterhouse-Five, and echoes throughout the song as a harsh reminder of the expectations drilled into our subconscious.

Aimee deBeer spent the early part of her childhood living in South Africa on her father’s sailboat. Now residing in Los Angeles, she works continuously developing music that carries listeners through an alternate reality of the deep unknown. Crafting a rich, dreamy, retro style paired with innovative perspectives, her songs are a captivating delight for all who hear them.

The track will be featured on Aimee’s debut EP Who Will Save the Universe? Take a listen now and prepare to be riveted by this mesmerizing track.

Connect with Aimee deBeer: Facebook | Twitter | Instagram 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Aimee deBeer
  • Billboards
Chloe Robinson

Hey, I'm Chloe and I love checking out and writing about my local music scene in Los Angeles.

Previous Article
  • Dark Pop
  • Electro Pop
  • Music Videos

Electro pop duo 0171 are luminescent in the glow of their "Red Light"

  • May 30, 2019
  • Valeria Dulava
View Article
Next Article
  • Electronic
  • Tech House
  • Techno

Sante explores various styles of techno and electronica in new 13 track mixtape 'Current II'

  • May 30, 2019
  • Cindy Reframe
View Article
You May Also Like
Youth Valley
View Article
  • Feature
  • Post-Punk
  • Rock
  • Shoegaze

Youth Valley craft a hypnotic blend of shoegaze and post-punk in "Pills"

  • May 11, 2026
Casper Sage
View Article
  • Album Reviews
  • Feature
  • Neo-Soul
  • R&B
  • Soul

"PATINA" by Casper Sage captures the beauty of emotional aftermath and growing pains (album)

  • May 11, 2026
By Million Wires
View Article
  • Alternative Rock
  • Feature
  • Indie Rock

The new EP, "Not Over," marks a powerful evolution in sound for By Million Wires

  • May 11, 2026
View Article
  • Grunge
  • Indie
  • Indie Pop
  • Indie Rock
  • New Music
  • Pop

Sub*T offer up fully-formed grunge-pop for debut LP 'How My Own Voice Sounds'

  • May 11, 2026
View Article
  • Electronic
  • Feature
  • Indie
  • Indie Rock
  • New Music

"This record is the most unfiltered and uninhibited we've ever been": Good Kid share the tumultuous process of putting together their debut album

  • May 11, 2026
View Article
  • Blues
  • New Music
  • Rock

Courtney Hadwin teams up with Steven Van Zandt for blues rock ballad "You Only Love Me When I Lie"

  • May 10, 2026
a place both wonderful and strange
View Article
  • Indie
  • Mainstage
  • Pop

a place both wonderful and strange finds beauty in chaos on “It’s not that bad, muffin”

  • May 9, 2026
EARTH ANGEL
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

EARTH ANGEL turns emotional grit into Indie-Rock gold on “Easy To Miss”

  • May 9, 2026
Popular Music
  • Giselle handles difficult themes with grace on "YOUNG"
    • May 11, 2026
  • Chilean-American act Saint Mesa shares anthemic offering "Lion"
    • May 11, 2026
  • 56ca$h captures a chaotic anxiety on new album "WORST ADULT EVER"
    • May 11, 2026
  • Saint Jude ♰ Mark L
    Saint Jude ♰ Mark L explore faith and identity on "Saints Without a Church" EP
    • May 11, 2026
  • Oryah
    Oryah explores hustle and reflection on smooth new single "Night Shift"
    • May 11, 2026
Recent Scoops
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.