EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Electronic

French Braids connects with Leo Stannard for "Take Me To The River"

  • May 13, 2019
  • Lindsay Blair
Total
0
Shares
0
0

Toronto producer French Braids joins forces with singer and songwriter Leo Stannard on new single "Take Me To The River".  Seemingly a match made, the pair lead the intro with a hypnotizing and infectious guitar line. In addition, layering it gently with soulful vocal work makes "Take Me To The River" very easy on the ears. Written during a stay in London, "The song tells a story of someone who has grown weary of the city and wants to leave it all behind to head for the countryside, or "the river", French Braids shares. 

Fusing electronic and soulful melodies, the track was born organically and quickly. According to Fischer aka French Braids, "In the session, I picked up a ukulele and started playing rhythms which everyone seemed to like, and then started experimenting with some Bonobo-esque ambient synth sounds and some basic drums and right away the emotion seemed to come together. The full production and song is a hybrid of many textures and genres which is very much an embodiment of my project. It's emotional yet danceable and simple yet complex." With an escapist mindset and the intention behind the track, it seems to suit that you might be able to escape today with a gentle push of play on French Braids and Leo Stannard's new one. Give it a listen above! 

Connect with French Braids: Soundcloud I Twitter 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • French Braids
  • leo stannard
Lindsay Blair

I dig music.

Previous Article
  • Hip-Hop
  • Rap
  • Videos

Steve Spiffler, Haiti Babii, YSN Lul Jay spaz on "Tales" [Video]

  • May 13, 2019
  • Gark Mavigan
View Article
Next Article
  • Electronic

Le Youth breaks silence on new single "Selfish"

  • May 13, 2019
  • Lindsay Blair
View Article
You May Also Like
View Article
  • Drum and Bass

Banny Decks drops uplifting drum and bass anthem “You Got That Something”

  • January 16, 2026
View Article
  • Ambient
  • Atmospheric
  • Easy Listening

Rina Rain invites us to slow down with beautiful track "Om Mani Padme Hum"

  • January 16, 2026
View Article
  • Electronic

JUJO shares a groove-rich, uniquelt soulful look into disco on "Currents" – via Sidekick music

  • January 16, 2026
View Article
  • Electronic
  • Indie
  • Interviews

Wavewulf chats 'Oscillation', his love for Depeche Mode, grief and more [Interview]

  • January 15, 2026
View Article
  • Electronic
  • Feature
  • Mainstage
  • Techno

Daijo is shaping the future of Melodic Techno with pure heart and soul

  • January 15, 2026
View Article
  • Alt-Pop
  • Electronic
  • Industrial
  • Mainstage

CARRIE ABYSS reclaims her voice on new concept EP ‘Hey, Sinner’ [EP Review]

  • January 14, 2026
View Article
  • Electronic
  • Pop

A PRIORI and URBANO connect for invigorating single "No Place Like Home"

  • January 12, 2026
View Article
  • Electro Pop
  • Electronic
  • Hyperpop
  • Mainstage
  • New Music

Debbie Sings embraces controlled chaos on “Sucker Punch”

  • January 9, 2026
Popular Music
  • Bekka Dowland shares uplifting and profound single "Be A Little Kinder"
    • January 16, 2026
  • Lexa Gates finds clarity in the cracks on 'I Am' [Album Review]
    • January 16, 2026
  • Quarters balance precision and grit on double single release “Perfect Word” and “Headlight”
    • January 16, 2026
  • Tenroc’s “Playlist” is the motivation boost you need to start the year
    • January 16, 2026
  • [Video] BUNNIES share visceral visuals for kaleidoscopic track "Homunculus"
    • January 16, 2026
Recent Scoops
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.