EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Electronic
  • Interviews
  • Mainstage

Herobust prepares to take on the 10th anniversary of Rampage in Belgium [Interview]

  • February 25, 2019
  • Alshaan Kassam
Total
0
Shares
0
0

On July 26, over 30,000 festival-goers from around the globe will descend up one of Europe’s largest indoor venues for a colossal amount of bass and metal wrenching dubstep music. Rampage will be calling the Antwerp Sportpaleis their second home for a two-day festival offering up a diverse lineup and out-of-this-world production. Atlanta based producer Hayden Kramer will be hitting the decks this year to immerse fans with an insane amount of jaw-dropping bass and destructive sounds.

Before you are encouraged to ride the rail with your fellow bass enthusiasts, we had the opportunity to catch up with Herobust as he prepares to take on the return of this large scale festival occurring on March 29th and 30th. 

EARMILK: As a student, you took a break from producing in College for four years while you pursued your major in biochemistry.  What really inspired you to go back into producing music? Were there any mentors in your life who gave you a little push to pursue your passion?
H: Well, I was thinking I would go into the medical field, as my dad is a heart surgeon and he was a big inspiration for me. However, during that time I was still making music, playing shows and even had a manager. Then in that critical moment, where I could go off to med school and my manager was thinking of going to law school, we both looked at each other and were like, “or we can be successful with this DJ shit”… and now I’m here.
EM:“WTF” became a dub-step anthem evidently praised at Lost Lands Music Festival this past year and not to mention the climax of your tour. Can you break down how you constructed such a dynamic and hard-hitting track?
H: It all started with how I heard the phrase, “what the fuuuuuu”, and I wanted to really get to the core of the feeling that is always behind that statement. If you listen to that track, you can find that WTF is in the very DNA of it. From the drops metallic beats following the natural cadence of saying it, to the outlandish sounds that you’re hearing. I think it connected with people because it was so easy to connect that feeling to it.
EM: One of my highlights of 2017 was your set at Shambhala Music Festival when you threw it down at the Pagoda Stage. Would you say you adjust your set according to the certain vibe each festival entails?
H: Oh yeah. I think a few people know this, but I don’t come with a specific set put together. I have songs that I’m gonna play out, but then the rest is to see where the people tell me they wanna go. You have to maximize the use of energy in a room, because it can’t be hitting 10 the whole time, you have to have solid dips that are still engaging. I like to leave myself with some wiggle room to go somewhere wild with the crowd.
EM: Rampage is known as the largest drum and bass festival in the world. As you must be excited to play it, what can your fans expect this year in Belgium? Any unreleased tracks that will be incorporated in your set?
H: Its good to assume that I want to have everyone saying WTF everywhere I go, and for a world-class show, I have to be bringing my best. So everyone should know that I’ll have some surprises in my set!
EM: You have been extremely popular in terms of the memes being shared on social media. For example, your bass face with Getter and Ookay during Holy Ship. What is your reaction to these kinds of images trending?
H: I have a very expressive face, and I know that about myself, so most pictures of me performing  I can see ending up as a totem or on a shirt! Haha! I like it though and I like that people can have fun with it. Some people get real creative and that makes me happy!
EM: Where do you see yourself in terms of your production style for 2019? Are there any details you can share with us regarding future releases?
H: I definitely want to make something that lasts. Something that can cut through the never-ending cycle of music releases in EDM. I have a lot of sound experiments that I want to show the world, but I want to do it in a way that moves the genre forward in a positive way.

Catch the latest information from Rampage here, and prepare to get busted on Saturday March 30th when Herobust prepares to release some new neck-breaking dubstep cuts. 

Connect with Herobust: Instagram | Facebook | Twitter | Soundcloud

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Antwerp Sportpaleis
  • HeRobust
  • Rampage
Alshaan Kassam

22| Canadian living in Tokyo | Trap and Bass ---> akassa47@uwo.ca | Instagram: @ak97_

Previous Article
  • Alt-Pop
  • Electronic
  • Feature
  • Pop

Atelier Blue make triumphant debut with "Haunted"

  • February 25, 2019
  • Evan Crandell
View Article
Next Article
  • Tech House

Madeaux pushes boundaries & builds bridges in the latest K-Pop remix

  • February 25, 2019
  • Ria Qi
View Article
You May Also Like
View Article
  • Dance
  • Electronic
  • Events
  • Feature
  • Festival
  • Los Angeles Events
  • Los Angeles Events
  • Music Industry
  • News
  • Technology

4 panels not to miss at Beatport's debut Connect Summit in Los Angeles [Music Industry]

  • September 14, 2025
View Article
  • Alternative
  • Alternative R&B
  • Ambient
  • Ambient R&B
  • Atmospheric
  • Easy Listening
  • Feature
  • Future R&B
  • Indie
  • Melodic
  • Music Videos
  • New Music
  • R&B
  • Reviews
  • Soul
  • Uncategorized
  • Videos

Cautious Clay finds intimacy in "Art Museum (2am)"

  • September 13, 2025
View Article
  • Dance
  • Electronic
  • Indie
  • Pop

Cazwell and 808 BEACH collaborate for sultry "PILE DRIVER" and joyous "LET's GO!"

  • September 10, 2025
View Article
  • Alt-Pop
  • Exclusive
  • Indie
  • Indie Pop
  • Interviews
  • Mainstage

Bibi Club on Avant-Pop Sound, Building Community, and Finding Light in Chaos [Interview]

  • September 10, 2025
View Article
  • Alternative
  • Feature
  • Indie
  • Mainstage

The Losing Side: Clayton Thomas champions the underdog with Reverse Pathogen [Interview]

  • September 10, 2025
Georgie Najar
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Georgie Najar shares her story in “Locker”

  • September 10, 2025
Chloé French
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop

Chloé French drops sultry french-language cover “Messy (but French)”

  • September 10, 2025
KC Johns
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop

KC Johns delivers a soulful tribute with “Best Seat In The House”

  • September 9, 2025
Popular Music
  • Jack Manley aches for a fleeting love on "Damn Girl"
    • September 14, 2025
  • Lia Pappas-Kemps shares her "Reservations"
    • September 14, 2025
  • Hallie Marie reaches out for others on "Blue In Her Head"
    • September 14, 2025
  • SHARKTANK explore indie, electronica and synth pop on stunning new album "3"
    • September 13, 2025
  • Amy Jay releases new single "Margins" off of upcoming album 'Mnemonics'
    • September 13, 2025
Recent Scoops
  • Jay Tone is carving out his space with "Puzzles"
    • July 7, 2025
  • Matt Oakley is redefining country music with heart, soul and modernity
    • May 5, 2025
  • Texas’ Blacktop Mojo does rock music the way it should be done
    • April 29, 2025
  • Tha Rapper Haiti blends authentic style with musical passion
    • April 28, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.