EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Dance Bass
  • Electronic
  • Events
  • Reviews

G Jones bears his soul with 'The Ineffable Truth' [Tour Review]

  • February 20, 2019
  • Ry Smith
Total
0
Shares
0
0

Sometimes I get the pleasure of watching incredibly talented up-and-coming artists grow to even greater heights. Although rare, I can think of a good number of artists who started at a relatively well-developed level, but then went well beyond to create something truly special. We can now add Californian Greg Jones aka G Jones to that list. 

First, let's get the obvious out of the way: with The Ineffable Truth [2018, Illusory Records], G Jones' has crafted something exceptional. I'm hard-pressed to even refer to this full-length as a "bass" album considering the uniqueness of the sound. Unquestionably, the foundations of the album are rooted in bass music and the first 5-6 tracks on the album are quite representative of G Jones' 2018-2019 sound… i.e., the bass hits heavy, the synth chords are thick, and the wobbles are, of course, ever present. It's in the second half  where things take a progressive turn into awesome, almost conceptual territory. Starting with track 6, "Everything All at Once," Jones throws down some of the most lush, gorgeous sound collages I've heard in the past year. Truly, some of my favorite tracks are in the second half of the album, with "In Your Head," "Iridescent Leaves Floating Downstream," and "Forgotten Dreams" garnering particular attention. Overall, the album presents a multitude of emotions and well-crafted soundscapes that combine to form an impressive evolution on G Jones' sound. It's, without question, a great album. 

Which brings us to The Ineffable Truth support tour. While the images below (thanks Tyler Hill!) do a superb job of capturing the feel of the live-performance, one should still seek to take in the show themselves. For starters, opening DJ Tsuruda threw down a great opener, perfectly warming the crowd up for the headliner. Once Jones' was on, it was clear the tour was built to showcase the album's tracks along with Jones' own skills as a DJ. Visually, Jones chose an interesting, monochromatic color palette, matching the stark black-and-white contrast with retro computer and video game vibes. All in all, the visuals conveyed a somewhat subdued vibe, which worked to accentuate the actual performance of the album. The show was an absolute blast, although I would encourage Jones to perhaps seek other potential tour partners, outside of Ticketmaster/LiveNation. 

Photo Credit: Tyler Hill, 2019 https://www.tylerhillphoto.com/
Photo Credit: Tyler Hill, 2019 https://www.tylerhillphoto.com/
Photo Credit: Tyler Hill, 2019 https://www.tylerhillphoto.com/

Lastly, I think the stripped down color palette and visuals seemed to give a real honesty to his performance, which I can't say exists all the time with every artist. I'd like to think that between the contrasts of effervescence and bleakness, Jones wanted to convey his full experience as an artist… aka his "truth."  If results are the final arbiter and best indication of success, then I would say he succeeded. Jones has definitely evolved his sound into something special, and if you were into it before, you should definitely check it out now. 

The Ineffable Truth is available right now. Get yourself a copy today.

The Ineffable Truth tour is still going strong! Check these listings for a show close to you. 

Connect with G Jones: Official Site | SoundCloud | Facebook | Instagram

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • g jones
  • Ineffable Truth
Ry Smith

Previous Article
  • Indie
  • Mainstage
  • Videos

Ashe writes the perfect anthem for broken relationships in "Moral of the Story" [Video]

  • February 20, 2019
  • Gregory Castel
View Article
Next Article
  • Hip-Hop

Brendan Bennett releases "Rich Friends" single

  • February 21, 2019
  • Jack Steindorf
View Article
You May Also Like
View Article
  • Alt-Pop
  • Alternative Rock
  • Indie
  • Indie Pop
  • Indie Rock
  • Mainstage
  • New Music
  • Singer/songwriter

Flock of Dimes finds grace in surrender on “Defeat”

  • September 18, 2025
Jeremy Parsons
View Article
  • Indie
  • Mainstage
  • Music Videos
  • Pop

Jeremy Parsons explores the weight of growing up in “Who Was I?” [Music Video]

  • September 17, 2025
Elvira Kalnik
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Elvira Kalnik makes waves with “Water Knows” [Music Video]

  • September 17, 2025
View Article
  • Indie
  • Mainstage
  • Pop

MURDAH SRVC brings storytelling to the dancefloor with “THANATOS”

  • September 17, 2025
View Article
  • Exclusive
  • Folk
  • Folk Rock
  • Indie
  • Interviews
  • Mainstage
  • New Music

Inside Amy Jay’s upcoming album 'Mnemonics' [Interview]

  • September 17, 2025
View Article
  • Electronic
  • Indie
  • Interviews
  • Pop

Eva Zakula chats new album Be Ye Lil Gods, her stage alter-ego, deep creativity and more [Interview]

  • September 17, 2025
LOGAN TAYLOR
View Article
  • Indie
  • Mainstage
  • Pop

Logan Taylor shines with raw honesty in "Light Me Up" [Album]

  • September 17, 2025
Lydia the Bard
View Article
  • Indie
  • Mainstage
  • Pop

Lydia the Bard delivers a darkly infused villain anthem with "Die For Me"

  • September 17, 2025
Popular Music
  • Takeda unveils rich, mystical album 'In Venus’ Train'
    • September 18, 2025
  • Passion is on full display in JKeeth's “Sex N A 4Rin” [Video]
    • September 18, 2025
  • Honey Motel shares loud, defiant and exhilarating single “ T.N.A.K."
    • September 18, 2025
  • Taylor Acorn shares cathartic offering "Crashing Out"
    • September 18, 2025
  • Ever Age's psychedelic debut album evokes Canada's mountains
    • September 18, 2025
Recent Scoops
  • Jay Tone is carving out his space with "Puzzles"
    • July 7, 2025
  • Matt Oakley is redefining country music with heart, soul and modernity
    • May 5, 2025
  • Texas’ Blacktop Mojo does rock music the way it should be done
    • April 29, 2025
  • Tha Rapper Haiti blends authentic style with musical passion
    • April 28, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.