EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Music Videos
  • Pop
  • Premiere

Sheridan Reed tells us why "We Should Both Be Here" [Video Premiere]

  • August 29, 2018
  • Vivian Lin
Total
0
Shares
0
0

Combining the inherent evocative feel of soul and the infectious sweetness of pop can sometimes be a difficult feat to master. However Austin-based singer-songwriter Sheridan Reed is adept at fashioning songs fuelled by his mastery of combining soul and pop with intense passion and quiet sentimentality. His single "We Should Both Be Here" is an exceptional example of his talent and of his storytelling. EARMILK is proud to exclusively premiere the music video for the single, with the official release being tomorrow, August 31.

"We Should Both Be Here" is inherently a song of nostalgia and passion, of longing for a love that was lost. Crooning, "It's driving me mad, can't you see / I'll deal with it gladly / I'll be thinking bout you / Thinking bout me / Thinking we should, we should both be here," Reed allows us to see into his heartache whilst curating a narrative that is both relatable and evocative through both his lyrics and the video itself.

The video, simple in nature, follows a woman closely as she makes her away around her room to settle in for the night. Reed is set as a side character to her story, as he sings in the background, emphatic that we watch and experience the woman's account for our own. Her face tells tales of her trying to recover from her heartbreak, whilst her lingering movements bring us into her personal space and allow us to wander into her mind.

As Reed notes:

The video is about a woman’s nightly routine as she misses her recent ex-boyfriend who she’s not ready to move on from, wishing he was there with her. She can feel his memory throughout the space and the connection that they had there, yearning for each other without being together.

Reed is currently wrapping up his tour and is anticipating recording back in Austin with the release of his next single, "Twisted Up" in late September.

 

Connect with Sheridan Reed: Soundcloud | Instagram | Facebook

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • music video
  • Pop
  • sheridan reed
  • Soul Pop
Vivian Lin

techno + house ⟶ vivian@earmilk.com

Previous Article
  • Electro Pop
  • Music Videos
  • Videos

Introducing: Everyone You Know and the track that speaks for "Our Generation"

  • August 29, 2018
  • James Schiff
View Article
Next Article
  • Album Reviews
  • House
  • Interviews
  • Mainstage

'The Marquis Of Hawkes' is the immersive and innovative delivery from Marquis Hawkes [Interview]

  • August 29, 2018
  • Amy Fielding
View Article
You May Also Like
Johan van Mullem
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Johan van Mullem turns emotion into a late-night pop confession, “Damn!”

  • February 8, 2026
View Article
  • Feature
  • Indie
  • Indie Rock
  • New Music
  • Pop
  • Singer/songwriter

Becky Raisman’s “Earth Goddesses” EP radiates positivity, growth, and creative freedom

  • February 7, 2026
Displaced Stranger
View Article
  • Feature
  • Indie
  • Indie Pop
  • Indie Rock
  • Pop
  • Singer/songwriter

Displaced Stranger finds solid footing on "Grounded," a confident debut album that speaks beyond experience

  • February 7, 2026
Acid Smoothie
View Article
  • Feature
  • Indie
  • Indie Pop
  • Indie Rock
  • New Music
  • Pop

Acid Smoothie turns reflection into motion on “Carts in the Rain”

  • February 7, 2026
Crescent
View Article
  • Indie
  • Indie Pop
  • New Music
  • Pop

Crescent’s “Milogather Parts 1” moves from tension to release in a two-part sonic ritual

  • February 7, 2026
PAULA T
View Article
  • Electronic
  • Feature
  • Indie
  • Pop

PAULA T breaks the silence on self-repression with the bold, honest energy of “Sugar Tits”

  • February 7, 2026
Nicole Issa
View Article
  • Feature
  • Indie
  • New Music
  • Pop

Nicole Issa confronts emotional gravity on her new single “Shadow”

  • February 7, 2026
View Article
  • Pop

AVARA's vibrant pop anthem "don't you wait" takes over Instagram

  • February 6, 2026
Popular Music
  • Johan van Mullem
    Johan van Mullem turns emotion into a late-night pop confession, “Damn!”
    • February 8, 2026
  • Becky Raisman’s “Earth Goddesses” EP radiates positivity, growth, and creative freedom
    • February 7, 2026
  • Displaced Stranger
    Displaced Stranger finds solid footing on "Grounded," a confident debut album that speaks beyond experience
    • February 7, 2026
  • Acid Smoothie
    Acid Smoothie turns reflection into motion on “Carts in the Rain”
    • February 7, 2026
  • Crescent
    Crescent’s “Milogather Parts 1” moves from tension to release in a two-part sonic ritual
    • February 7, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.