EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • Indie Rock
  • Punk

Hey Gigantic define their identity on "Passenger"

  • December 8, 2017
  • Donna-Claire
Total
0
Shares
0
0

Hey Gigantic began as a true passion project in South London, with the members going to university together and dreaming up the band between jam sessions. The four-piece band take a note from near-every genre to help develop this alternative rock, punk identity. They've got an immediately inviting sound as a byproduct of their being close friends first and bandmates second. Between the hard aesthetics that bring to the table, you can hear their chemistry in the arrangement of their latest single "Passenger."

"Passenger" is driven by a hitting rhythm and an enthused guitar. The vocals are meditative, slowly giving themselves over to emotional surrender in line with the melodic breakdown. Hey Gigantic are smart in their music, letting the writing and the instrumentation do the work of summoning emotion. The track is more so a series of breadcrumbs for us to collect and indulge in as "Passenger" comes to a head, rather than an unexplained tidal of feeling. Loud, energetic, but the farthest thing from obtuse, "Passenger" is a strong introduction to the next and liveliest chapter of their career.

Connect with Hey Gigantic: Twitter | Soundcloud | Facebook

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Hey Gigantic
Donna-Claire

Writes poems, listens to rap, eats Hawaiian wraps.

Previous Article
  • Dance Bass
  • Interviews

"Running Away" with Taska Black: on DROELOE collab and sonic innovation [Interview]

  • December 8, 2017
  • Katey Ceccarelli
View Article
Next Article
  • Alternative
  • Indie
  • Indie Rock

Skrizzly Adams debutes standout project entitled 'Atlantic City'

  • December 8, 2017
  • Scott Randell
View Article
You May Also Like
View Article
  • Blues
  • Pop
  • Rock
  • Soft Rock

Kathryn Grimm brings a hopeful narrative with "Say Goodbye To The Blues"

  • February 11, 2026
View Article
  • Acoustic
  • New Music

Lachi weaves EP 'Cornrows Reimagined' with her acclaimed audiobook 'I Identify as Blind'

  • February 11, 2026
View Article
  • Gospel
  • Indie
  • New Music
  • Pop
  • Soul

‘Giver of Life’ by The Covenant Brothers shines bright

  • February 11, 2026
Irene Skylakaki
View Article
  • Feature
  • Indie
  • Music Videos
  • New Music
  • Pop

Irene Skylakaki confronts emotional numbness in striking new music video “Dead People”

  • February 11, 2026
VIKKALP
View Article
  • Feature
  • Indie
  • New Music
  • Pop

VIKKALP turns pain into power on haunting new single “deathwish”

  • February 11, 2026
Jack Vinoy
View Article
  • Feature
  • Indie
  • Pop

“spirit link” signals a bold new era for Jack Vinoy ahead of upcoming EP

  • February 11, 2026
Luminol
View Article
  • Feature
  • Indie
  • Indie Pop
  • Indie Rock
  • New Music
  • Pop

Luminol build album anticipation with emotionally charged single “Nothing (Left To Give)”

  • February 11, 2026
View Article
  • Indie Rock

Tape House sways between intimacy and inevitability on "Spanish Friend"

  • February 10, 2026
Popular Music
  • Kathryn Grimm brings a hopeful narrative with "Say Goodbye To The Blues"
    • February 11, 2026
  • Lachi weaves EP 'Cornrows Reimagined' with her acclaimed audiobook 'I Identify as Blind'
    • February 11, 2026
  • NOVABLOOD taps into nostalgia in pulsing track "I Used To Live In A House"
    • February 11, 2026
  • A-Boogie wit da Hoodie
    A Boogie Wit da Hoodie’s New Project “Before Artistry” Drops This Friday
    • February 11, 2026
  • ‘Giver of Life’ by The Covenant Brothers shines bright
    • February 11, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.