EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Hip-Hop

Tone impresses with dynamic debut project 'Nothing in Return'

  • September 12, 2017
  • James Schiff
Total
0
Shares
0
0

At only three full-length tracks (the intro doesn’t count), Tone’s Nothing in Return is an impressively varied and dynamic little project that shows the Baton Rouge resident and Brown University student has some serious game.

“I just want to sing my song and make it out alive.” How’s that for an opening statement? All three of the tracks on Nothing in Return help paint a picture of Tone. Whether it be his outlook on life and money on “Honey,” his deep ponderings on “Jane Goldman” or his passion for the written/spoken word on “Tell.”

Nothing in Return does two things incredibly well. First, it showcases Tone’s talent. This dude is singing, rapping, sing-rapping and rap-singing on here and it’s dope. His flow is casual and listenable until he decides to pop that sucker into Sport Mode and then BOOM, he’s on another planet (around the 1-minute mark on “Honey” is a perfect example).

Second, the tape shows off Shepard’s production skills. Shepard produced every track on here (minus the intro) and these beats and beautiful. Each feels unique, utilizing different instruments or drums but fits well within the confines of the project. And on top of that, he doesn’t make them overshadow or out-shine Tone but instead compliments his vocals perfectly.

Tone’s first project is one hell of a way to start off a career. Hopefully, this is just the beginning for the young MC, and we’ll be getting more projects soon. Until then, Press play on Nothing in Return above and be sure to stay locked on EARMILK for all things dope music.

 

Connect with Tone: SoundCloud | Instagram 

Connect with Shepard: SoundCloud | Instagram | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Baines
  • InHouse Studios
  • Kellkeyz
  • mikelarwry
  • Saleka Night
  • Shepard
  • Tone
  • uniihorse_
James Schiff

Previous Article
  • Neo-Soul

starRo and Bosco merge sounds on newest single, "Fantasy"

  • September 12, 2017
  • Claire Ruder
View Article
Next Article
  • Rap

Viktor Vaughn makes an appearance on 'The Missing Notebook Rhymes'

  • September 13, 2017
  • Karl Dobias
View Article
You May Also Like
View Article
  • Alternative R&B
  • Minimal R&B
  • New Music
  • Soul

F.N. drops chilling alt R&B on "IN YOUR MIND"

  • August 15, 2025
View Article
  • Alternative R&B
  • Dance
  • Hip-Hop
  • New Music
  • Soul

Jyou will have you “fallin” for his newest single

  • August 15, 2025
View Article
  • New Music
  • R&B

AMANZI extends an "Invitation" on her new single

  • August 15, 2025
View Article
  • Pop
  • R&B

Jordan Anthony brings on the feels with "Reckless"

  • August 14, 2025
View Article
  • Alternative R&B
  • Lo-Fi
  • New Music

Alt r&b artist MINH is over all the rumors and all the "Gossip"

  • August 14, 2025
View Article
  • Hip-Hop
  • Rap

Redemption in Rhythm: Chris Emmanuel’s Debut EP "The Fallout"

  • August 14, 2025
View Article
  • Hip-Hop
  • Rap

HoodTrophy Bino and Chrisean's "Forever Amen" is a powerful testament to faith and survival

  • August 12, 2025
View Article
  • Indie
  • Pop
  • R&B
  • Reggae

Rex & The Rhythm transforms heartbreak into summer gold with "Without You"

  • August 11, 2025
Popular Music
  • RYLAI heats up with "Falling for You"
    • August 15, 2025
  • Get hyped with go4broke’s addictive new track “human”
    • August 15, 2025
  • F.N. drops chilling alt R&B on "IN YOUR MIND"
    • August 15, 2025
  • Lalit Sritara makes her jump from musicals with debut single "Feral"
    • August 15, 2025
  • Francois McCrary pushes boundaries with cheeky offering "I Don’t Care "
    • August 15, 2025
Recent Scoops
  • Jay Tone is carving out his space with "Puzzles"
    • July 7, 2025
  • Matt Oakley is redefining country music with heart, soul and modernity
    • May 5, 2025
  • Texas’ Blacktop Mojo does rock music the way it should be done
    • April 29, 2025
  • Tha Rapper Haiti blends authentic style with musical passion
    • April 28, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.