EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Electronic
  • Future Beat
  • Uncategorized

Myles Travitz puts a whole new spin to Manila Killa's "All That's Left"

  • April 12, 2016
  • Clark McCaskill
Total
0
Shares
0
0

[soundcloud url="https://api.soundcloud.com/tracks/257984998" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="166" iframe="true" /]

A couple of days ago Manila Killa released a remix pack to the bubbly pink track "All That's Left," ft. Joni Fatora. It contained remixes from The M Machine who put their signature future tech meets Tron spin to the track, TJANI added a moody house touch to the track, and Yung Wall street added an uplifting future bass remix to the tune. One remix though is underplayed and underrated and deserves more ears, that is Myles Travitz who builds a story arch and sensual game of cat and mouse with the track. He pitches down the vocals to create a male counterpart that duets Joni's vocals. It's innovative and provocative and captures the nature of the lyrics  in a new light while completely transforming the original. 

Connect with Myles Travitz: Soundcloud | Facebook | Twitter

Connect wtih Manila Killa: Soundcloud | Facebook | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Manila Killa
  • Myles Travitz
Clark McCaskill

Corgi in a past life / taki in the afterlife.

Previous Article
  • Dance
  • Disco
  • Future Beat

Joe Hertz's R&B track "Stay Lost" gets a swanky remix from Cabu

  • April 12, 2016
  • Clark McCaskill
View Article
Next Article
  • Electronic
  • Experimental
  • Music Videos

Watch Ash Koosha's unearthly video for "Mudafossil"

  • April 12, 2016
  • Mike Waite
View Article
You May Also Like
View Article
  • Alternative Rock
  • Mainstage

Emily Brooks unleashes feral confidence on new single “Black Cat”

  • May 20, 2026
Betty Ding
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Betty Ding paints serenity in motion with “Until the End of Time”

  • May 20, 2026
Martin Kuiper
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Martin Kuiper returns with his latest rock release, “Time”

  • May 20, 2026
ROMAN CIGI
View Article
  • Electronic
  • Feature
  • Indie
  • Pop

ROMAN CIGI reimagines escape through the hypnotic pulse of “HEAVENUS (Brosso & ROMAN CIGI Remix)”

  • May 20, 2026
BrokinPaper
View Article
  • Electronic
  • Feature
  • Indie
  • New Music
  • Pop

BrokinPaper pushes industrial bass music into overdrive on “Damage” [Premiere]

  • May 20, 2026
Triple Lutz
View Article
  • Indie
  • Mainstage
  • New Music
  • Punk
  • Reviews
  • Rock

Triple Lutz bring disruptive energy to new single “Don’t Wake Daddy”

  • May 19, 2026
View Article
  • Alternative Rock
  • Mainstage
  • New Music
  • Rock

Hunter Road deliver a grit-fueled escape anthem “The Runaway Song”

  • May 19, 2026
Ivelisse del Carmen
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Ivelisse del Carmen turns burnout into a bold pop statement on “Before I’m Done”

  • May 19, 2026
Popular Music
  • Betty Ding
    Betty Ding paints serenity in motion with “Until the End of Time”
    • May 20, 2026
  • Martin Kuiper
    Martin Kuiper returns with his latest rock release, “Time”
    • May 20, 2026
  • ROMAN CIGI
    ROMAN CIGI reimagines escape through the hypnotic pulse of “HEAVENUS (Brosso & ROMAN CIGI Remix)”
    • May 20, 2026
  • BrokinPaper
    BrokinPaper pushes industrial bass music into overdrive on “Damage” [Premiere]
    • May 20, 2026
  • Layla Rey balances emotion with anthemic soundscapes on 'Love at First Lust'
    • May 19, 2026
Recent Scoops
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.