EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Drum and Bass
  • Electronic
  • House

Listen to "Blue Ruin," Ren Phillips' soulful drum & bass meets house tune

  • February 24, 2016
  • Clark McCaskill
Total
0
Shares
0
0

London-based producer Ren Phillips has already received nods from the likes of Annie Mac for his single “Comfort In Your Company.” It was a deep and sexy blend of elongated synths mixed with the soulful vocals of Cameron Bloomfield. This week, he followed up Comfort with an ambitious anthemic tune called “Blue Ruin” ft. Namuli. In this track, he creatively blends the breakbeat percussion of drum and bass with the bouncy sounds of house music. Namuli’s soul and R&B influences shine through in her vocals, exhibiting an almost  gospel quality to her rich smoky alto voice. Combine the two and you have this uplifting track that inspires  you to stand under the neon lights with arms outstretched, carried away in the music as your collective bodies sway to the downbeat.

Follow Ren Phillips on Soundcloud, Facebook, and Twitter.

[soundcloud url="https://api.soundcloud.com/tracks/247879726" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Namuli
  • Ren Phillips
Clark McCaskill

Corgi in a past life / taki in the afterlife.

Previous Article
  • Electronic
  • Experimental
  • Future Beat

BomBassic release debut single "Gato Negro"

  • February 23, 2016
  • Lindsay Blair
View Article
Next Article
  • Dance
  • Electronic
  • Indie Dance

This SIBA track "Mango" is just as delicious as the fruit

  • February 24, 2016
  • Clark McCaskill
View Article
You May Also Like
View Article
  • Downtempo
  • Electronic
  • New Music
  • Post-Punk
  • Reviews
  • Trip-Hop

The Subtheory are soundtracking society's digital disconnect in "Things that caught my attention"

  • July 3, 2026
Rave Jesus
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Rave Jesus takes flight with “Ravens & Doves,” a deep house anthem that balances spirit and the dancefloor

  • July 3, 2026
View Article
  • Dance
  • Electronic
  • Pop

Bo Johnson and Stefano Vecchia team up for the song of the summer on “Bacio Quel Body"

  • June 30, 2026
shaffkat
View Article
  • House
  • Melodic

Shaffkat shares a lush, moody electronica single from forthcoming EP "In The Wind"

  • June 28, 2026
View Article
  • Dance
  • Electronic
  • Interviews
  • Pop

Inside Tony Pops’ shadowy genre-blurring world on 'See You When I See You' [Interview]

  • June 26, 2026
View Article
  • Dance
  • Electronic
  • Uncategorized

Manu Miran makes producer debut with hypnotic "Bang U" EP on Muy Muy Limited

  • June 26, 2026
View Article
  • Dance
  • Electronic
  • Uncategorized

Helang goes against the grain with empowering club cut "Nonconformist"

  • June 26, 2026
View Article
  • Dance
  • Electronic
  • Uncategorized

Ian Snow explores the duality of digitalism and real life in "Shadowban"

  • June 25, 2026
Popular Music
  • The Subtheory are soundtracking society's digital disconnect in "Things that caught my attention"
    • July 3, 2026
  • Sam Vane releases new single "damnaged goods"
    • July 3, 2026
  • John Van Deusen
    John Van Deusen finds radiant beauty in indie-folk worship on “Joyful Noise”
    • July 3, 2026
  • Rave Jesus
    Rave Jesus takes flight with “Ravens & Doves,” a deep house anthem that balances spirit and the dancefloor
    • July 3, 2026
  • Read My Mind
    Heron reaches beyond the horizon with thought-provoking Album "Underground Sky"
    • July 3, 2026
Recent Scoops
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.