EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Exclusive
  • Hip-Hop
  • Rap

Premiere: there's nothing childish about Khary Durgans "The Giving Tree"

  • May 6, 2014
  • James Elliott
Total
0
Shares
0
0

It has been, roughly, two months since the last time the young oceanic emcee, Khary Durgans, crawled up from out of the murky depths and blessed listeners with new music. His Love+Anchors project, released in February, was an equal mix of emotional introspection, and nerdy pondering, with a splash of random nautical themes that all combined to create a quirky, engaging debut. Seemingly comfortable in his own discomfort, Drugans has embarked in a direction that many of his contemporaries shudder away from: finding genuine humor, entertainment, and gut wrenching sadness all in his vulnerability. This quality sets him apart from the rest and keeps fans anxious to hear more of his easily identifiable tracks.

When Durgans came ashore this time, it sounds like he didn't settle on the beach, but continued into the forest. "The Giving Tree" is filled with the exotic chirps of birds and the howling of small animals, as if it sampled an Animal Planet documentary. Prof. Logik's drums break from Durgans' signature sound; carrying a faster, higher octane vibe that keeps your head nodding. This change is more than welcomed, as it stretches the talent of the emcee. 

"The Giving Tree" may be one of Durgans' best performances yet. He zips through verses at dizzying speeds, trading his usual deliberate flow for double time delivery. Thankfully, he doesn't lose any of his emotive passion with this transition; rather it feels like his feelings are propelling him to spit faster and harder. Durgans describes the tumultuous relationships and lifestyle of a twenty-something-year-old in society today. There are also many allusions to the Shel Silverstein children book with the same title, especially the theme of constant unappreciated selfless love. Instead of a somber, moody song, Durgans creates this fast paced snare heavy record, which smoothly encapsulates his distinct style and unorthodox thought pattern.

Khary Durgans is like the class clown of the Honor's class: he is insanely aware of everything going around him and is incredibly bright, but still attempts to mask things with a plethora of jokes. As strange as it may seem, it is an endearing comparison. Each track reveals more of his incredible wit and social commentary, while still describing enough about him to keep listeners attached. "The Giving Tree" reaffirms his budding talent.

 [soundcloud url="https://api.soundcloud.com/tracks/147964805" params="color=ff5500&auto_play=false&hide_related=false&show_artwork=true" width="100%" height="166" iframe="true" /]

  • Khary Durgans' Website
  • Khary Durgans on Soundcloud
  • Khary Durgans on Facebook
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Khary Durgans
James Elliott

Previous Article
  • Dance
  • Electronic

SLINGER puts a new spin on Pharrell's "Brand New"

  • May 6, 2014
  • Aime Vous
View Article
Next Article
  • Dance
  • House

Muzzaik's brings us "Closer" to disco on latest release

  • May 6, 2014
  • Steph Evans
View Article
You May Also Like
The Venice Kid
View Article
  • Hip-Hop
  • Indie
  • Mainstage
  • Rap

The Venice Kid ushers in a bold new era with “Say Less”

  • December 21, 2025
Zeek Wonderlen
View Article
  • Indie
  • Mainstage
  • Pop
  • R&B

Zeek Wonderlen’s “Seasons” is a smooth R&B reflection on love, loss, and becoming

  • December 21, 2025
View Article
  • New Music
  • R&B
  • Soul

Ady Suleiman’s soulful journey in “What If” will leave you hooked

  • December 19, 2025
View Article
  • New Music
  • R&B
  • Soul

Khi Infinite closes 2025 strong with "HOUSE"

  • December 19, 2025
View Article
  • New Music
  • R&B

suzifromtheblock celebrates arrival and growth on new single “Timeline”

  • December 19, 2025
View Article
  • Mainstage
  • R&B

RNBHunter sweetens contemporary R&B with “Honey”

  • December 19, 2025
View Article
  • Alternative
  • Hip-Hop
  • New Music

Tommy Mantra’s "Wake Up" ia a story-driven push forward

  • December 18, 2025
View Article
  • Americana
  • Blues
  • Country
  • Electronic
  • Folk
  • Hip-Hop
  • Indie
  • Indie Pop
  • Indie Rock
  • Pop

Artists on the radar for 2026: Part 3

  • December 17, 2025
Popular Music
  • Paul Hennessy
    Paul Hennessy turns time into art on "The Cost Of The Escape" [Album]
    • December 22, 2025
  • Saynt Ego
    Saynt Ego’s “Voices” turns quiet reflection into cinematic power
    • December 22, 2025
  • David J Boswell
    David J Boswell turns uncertainty into art on hypnotic new single “I KNOW WHAT I SAW”
    • December 22, 2025
  • Neurolapse
    Neurolapse returns with his most intimate body of work yet on "Be Like Anyone" [Premiere]
    • December 22, 2025
  • The Venice Kid
    The Venice Kid ushers in a bold new era with “Say Less”
    • December 21, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.