EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Electronic

Seven Lions – Days To Come (Coyote Kisses Cover)

  • December 1, 2012
  • Jake Blair
Total
0
Shares
0
0

We've featured the remixology of Coyote Kisses a few times on the site before (perhaps most notably with a "Call Me Maybe" remix), but this latest release marks as a bit of a departure from the remix-re-release norm.

Coyote Kisses, who are Bryce Bresnan and Joe Sussingham, recorded live drum and guitar tracks for this song, and paired those with with their normal electro-synth melodies. The result is a song that's entirely unique from most "remixes" you've heard, though it's a progression that was probably pretty logical to Coyote Kisses. 

Bresnan and Sussingham, who have been friends since junior high, are currently seniors in college, where Bresnan (who is a classically trained pianist) is a music major, and Sussingham plays the electric guitar. These diverse musical sensibilities give Coyote Kisses a sound that's unique from a lot of electronic music. It evidences an understanding of song structure and melodies that supersede trends and 'genre'. We might even call it "math electronica" as theory and algorithms are part of their music-making equation.

It always, always, comes back to the algorithms. Check back for more from Coyote Kisses in the coming months!

[soundcloud url="https://api.soundcloud.com/tracks/68997582" iframe="true" /]

  • Vote for Coyote Kisses Remix Cover on Beatport
  • Coyote Kisses on Facebook
  • Coyote Kisses on Soundcloud
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Coyote Kisses
Jake Blair

Previous Article
  • Hip-Hop

Introducing: Northern Lights

  • November 30, 2012
  • Liz Choi
View Article
Next Article
  • Dance
  • Electro
  • Trance

Ferry Corsten – Once Upon a Night, Vol. 3 [ALBUM]

  • December 1, 2012
  • Steph Evans
View Article
You May Also Like
View Article
  • Indie
  • Jazz
  • Jazz Fusion
  • New Music
  • Nu-Jazz

Muriel Grossmann channels McCoy Tyner through Grateful Dead Lenses on new album

  • January 8, 2026
View Article
  • Electronic

Berlin-based ELEDA share a cinematic and uplifting new single "Believe"

  • January 7, 2026
View Article
  • Rave

Peppermint Heaven share unique and potent new remix EP with huge new KUE version..

  • January 6, 2026
The Bergamot
View Article
  • Indie
  • Mainstage
  • Pop

The Bergamot wraps the season in soul on "A South Shore Christmas" [Album]

  • January 6, 2026
Barrelly Ego
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Barrelly Ego explores growth and emotional pressure on the new EP “3rd Rock / Wither Weather”

  • January 6, 2026
Yoni
View Article
  • Indie
  • Mainstage
  • Pop
  • R&B

Yoni blends west coast vibes and alternative R&B on the new single “Climate”

  • January 6, 2026
Madeline Rosene
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Madeline Rosene explores modern love on “Love and Algorhythms” [Music Video]

  • January 6, 2026
Lady Nade
View Article
  • Indie
  • Mainstage
  • Music Videos
  • Pop

Lady Nade returns with “Sober” [Music Video]

  • January 6, 2026
Popular Music
  • Muriel Grossmann channels McCoy Tyner through Grateful Dead Lenses on new album
    • January 8, 2026
  • Songwriter Pisgah shares emotional journey through album "Faultlines"
    • January 7, 2026
  • Neil Friedlander shares a personal and deeply emotive new album project "The Change"
    • January 7, 2026
  • Berlin-based ELEDA share a cinematic and uplifting new single "Believe"
    • January 7, 2026
  • aboynamedblu captures indie nostalgia with "from the yard"
    • January 8, 2026
Recent Scoops
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.