EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Album Reviews
  • Electronic
  • Jazz

Mr. Moods and Erik Jackson – Sur La Route Du Jazz [Album]

  • September 11, 2012
  • Phillip Yung
Total
0
Shares
0
0

 

 

Mr. Moods

and Erik Jackson

Sur La Route Du Jazz

  • Mr. Moods on SoundCloud
  • Erik Jackson on Facebook 
  • Erik Jackson on SoundCloud
  • Download

Mr. Moods and Erik Jackson are two constantly active beatsmiths who I can barely keep up with. With each of their own side projects and collaborations with one another, they have quickly become two producers who I have to put on hold quite frequently to make room for others. But they're long overdue for their re-introduction, and what better way then to start things off with their latest collaboration, Sur La Route Du Jazz. 

Fans of beatstrumentals and nu-jazz should be watering at the corners of their mouths right about now. As you might have guessed, this dynamic duo approached this album with a jazzy view. They used a variety of live instruments to create that inexplicable, sophisticated sound that you will hear throughout the album.

The instrumentation includes jazz drum kits, trumpets, guitars, saxophones, and groovy upright bass. I've always enjoyed their collaborative projects, and Sur La Route Du Jazz is no different. They guide you hand in hand through a magical journey through the wonderful world of quality beatsmithing, producing, and sampling. They provide a near perfect balance of classic beats and jazzy aspects with a healthy use of the creative license. "Alone In My Basement With My Instrument" is a fantastic example.

      Alone-in-my-basement-with-my-instrument--EM0912
Play: Mr. Moods – Alone in my basement with my instrument

You'll hear that slow, rhythmic beat layered over with an improvised style sax and sampled vocals. The contrast between the rock-steady beat and the aloof style of the sax ironically pull the song together for one amazing auditory experience. Throughout specific points of the album, they'll bring you back to reality with his characteristic feel good tune with that special, secret sauce. 

      Sur-la-route-du-jazz--EM0912
Play: Mr. Moods – Sur la route du jazz

And for the hell of it, they'll throw you curve balls like scratchy, interludes, intros, and outros lasting no more than a minute and tunes that are quite unexpected given the background of the two.

      Smiling-face-(with-Lr-60)--EM0912
Play: Mr. Moods – Smiling face (with Lr-60)

      Au-revoir-(outro)--EM0912
Play: Mr. Moods – Au revoir (outro)

Sur La Route Du Jazz is by no means ground-breaking, but it's an album of high quality beats with nu-jazz and experimental elements. The album is an overwhelmingly chill project that you can listen to while you get your beauty rest, in style of course. Congratulations, you are one step further from that boring music world you currently live in. And what is a better motivation for your departure than naming your price?

Support a brother, or save your chump change for another day.   

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Erik Jackson
  • Mr. Moods
Phillip Yung

The name is Phil. I've been with EARMILK for handful of years now. I love all sorts of music, and I tend to change up what type of music I'm into throughout the year. However, one thing is certain: I love anything chill and mellowed out. A lot of the time, you'll see me covering smooth, chilled out grooves through our infamous Daily 2% series. 80 BPM is love, 80 BPM is life.

Previous Article
  • Feature
  • Hip-Hop
  • Mainstage
  • Rap
  • Reviews

Big Sean – Detroit [Mixtape Review]

  • September 11, 2012
  • Rachelle Jean-Louis
View Article
Next Article
  • Electronic

Star Slinger – "Take This Up"

  • September 11, 2012
  • Kimmy
View Article
You May Also Like
View Article
  • Electronic
  • Events
  • Feature
  • Hip-Hop
  • Mainstage
  • R&B

Zamaera brings Malaysia’s first showcase to SXSW 2026 with “Made in Malaysia” stage

  • March 12, 2026
View Article
  • Alt-Pop
  • Alternative Rock
  • Electronic
  • Electronic
  • Indie
  • Pop

EK3 find their path with cinematic new single “Show Me the Way”

  • March 11, 2026
View Article
  • Dance
  • Electronic

Saraga Releases Hypnotic House Single "Red Roses" via Stardust Records

  • March 11, 2026
View Article
  • Album Reviews

London-based act Starspire shares genre-bending album 'What Is Meant For You'

  • March 11, 2026
View Article
  • Ambient
  • Atmospheric
  • Chillwave
  • Downtempo
  • Electronic
  • Experimental
  • Indie
  • Interviews

silent collision chats 'Air Vent Lullabies", Oklahoma and late night moments [Interview]

  • March 10, 2026
Nikita Page
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Nikita Page turns inner conflict into an anthemic release with "Take What You Want"

  • March 10, 2026
Amava
View Article
  • Electronic
  • Feature
  • Indie
  • Mainstage
  • Pop

Amava shares a dark electronic pulse with her new single "Souvenir"

  • March 9, 2026
View Article
  • Dance
  • Electronic
  • Indie
  • Mainstage

JNR CHOI drops refreshing house inspired breakup single "Pick Up"

  • March 6, 2026
Popular Music
  • Lofi Legs capture quiet reunions on dreamy single "A Dream I Had " from album 'Rich Girls Like to Watch Things Die'
    • March 12, 2026
  • “Good Scar” by Ava Franks captures the thrill of fearless love
    • March 12, 2026
  • Chinese American Bear calls us to dinner with "Mama" (妈妈)
    • March 12, 2026
  • Sophia Galaté’s ‘For My Own Entertainment’ is an ode to self-joy and freedom
    • March 12, 2026
  • Zamaera brings Malaysia’s first showcase to SXSW 2026 with “Made in Malaysia” stage
    • March 12, 2026
Recent Scoops
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.