EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Folk Rock
  • Indie

Hazlett reveals that ‘Monsters’ are hidden in plain sight on folk-pop single

  • November 29, 2019
  • Sean Kayden
Total
0
Shares
0
0

Aussie singer/songwriter Hazlett pens songs from a place of honesty with an unassuming approach songwriting. He arrives with his single “Monsters,” and the only thing scary about it is how emotionally hard it can hit home. The latest effort follows his single “Suncats” released this past summer.

“Monsters” is an exquisite ballroom folk-pop endeavor that according to Hazlett was inspired by a raucous bar that opened up in his hometown and the crowd that flocked to it. Starting off with the gentleness of a strumming guitar, the endearing track expands in sonic offerings with expansive productions. Lyrically, the poignant song is a heartbreaking ode to those who may have lost their way in the wreckage of life, but have crawled enough to see that there is light waiting after all. Hazlett’s potent delivery is haunting yet simultaneously comforting as it weaves through this aching intonation. “Monsters” is a four and half-minute song that displays Hazlett’s earnest songwriting and an emotive resonance that’s equally as inspiring.

“A new bar opened up in my hometown that became the place to go. I’ve never been much of a social butterfly but found myself following the crowd too,” said Hazlett in a press release. He goes on to say, “I started to notice the same people there week in week out, usually hooking up with someone different each time or even with someone who I thought their friend was with the week before. There were tears, crowded cubicles, fisty-cuffs and what felt like a soap opera at every corner. But I caught myself judging and I absolutely hated myself for it. We’re all just young and trying to figure it out, right? We’ve all done horrible things but that doesn’t make us horrible people, does it? If our hearts eventually land in the right place who am I to judge how we get there. We’re human, we’re gonna make mistakes. We’re all gonna be ‘Monsters’ from time to time and that’s okay.”

His 2019 singles “Monsters,” “Suncats,” and “Fireworks” are a part of his forthcoming sophomore EP set for an early 2020 release.

Connect with Hazlett: Facebook | Instagram | Twitter | Spotify 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Hazlett
Sean Kayden

Previous Article
  • Pop

Whimsical pop artist Ebony Buckle releases quirky new song 'Susan'

  • November 29, 2019
  • Chloe Robinson
View Article
Next Article
  • Electronic

Tina Says elevates herself to a new level in "Elevate"

  • November 30, 2019
  • Steve Likoski
View Article
You May Also Like
PAULA T
View Article
  • Electronic
  • Feature
  • Indie
  • Pop

PAULA T breaks the silence on self-repression with the bold, honest energy of “Sugar Tits”

  • February 7, 2026
Nicole Issa
View Article
  • Feature
  • Indie
  • New Music
  • Pop

Nicole Issa confronts emotional gravity on her new single “Shadow”

  • February 7, 2026
View Article
  • Indie
  • Music Videos
  • New Music
  • Pop

No Love For The Middle Child finds a sense of balance on new single "Ash On The Floor"

  • February 6, 2026
View Article
  • Dance
  • Indie
  • Music Videos
  • Pop

Dom Jones paints the town velvet blue in "The Blacker Berry" [Video]

  • February 6, 2026
View Article
  • Alternative R&B
  • Jazz Fusion
  • Mainstage
  • New Music
  • Soul

Charlotte Day Wilson lets instinct lead on 'Patchwork' [EP Review]

  • February 6, 2026
Avery Strayer
View Article
  • Electronic
  • Indie
  • Mainstage
  • New Music
  • Pop

Avery Strayer faces the dark calm of fear on haunting new single “Siren Song”

  • February 6, 2026
HOMI
View Article
  • Indie
  • Indie Pop
  • Indie Rock
  • New Music
  • Pop
  • Singer/songwriter

HOMI turns grief into motion on “I Know How To Get Down”

  • February 6, 2026
Adam + Attack by Fire
View Article
  • Feature
  • Indie
  • Indie Pop
  • Indie Rock
  • Pop

Adam + Attack by Fire explore emotional depth on ‘My Poetic Death’

  • February 6, 2026
Popular Music
  • PAULA T
    PAULA T breaks the silence on self-repression with the bold, honest energy of “Sugar Tits”
    • February 7, 2026
  • Nicole Issa
    Nicole Issa confronts emotional gravity on her new single “Shadow”
    • February 7, 2026
  • AVARA's vibrant pop anthem "don't you wait" takes over Instagram
    • February 6, 2026
  • No Love For The Middle Child finds a sense of balance on new single "Ash On The Floor"
    • February 6, 2026
  • Charlotte Day Wilson lets instinct lead on 'Patchwork' [EP Review]
    • February 6, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.