EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • Jazz
  • Nu-Jazz

Maya Law is back, and we're feeling the incredible "Breeze"

  • February 9, 2019
  • Jess Bartlet
Total
0
Shares
0
0

With Maya Law's impressive track record of awesome soul-inflected tasty jazz vibes, we can understand exactly why Huw Stephens has made her a BBC Radio 1 hot tip for 2019. 

Likewise, new single "Breeze" follows suit wonderfully. Whilst the track is a departure from Maya's signature sound in her previous work. Fear not, there are some seriously lovely highlights in here. Particular favourite moments are the delicate saxophone choruses, which Maya's vocals linger over in perfect harmony. The track builds until an explosion opens up with the drums, and as a result "Breeze" feels significantly more live than Maya's previous work. To be honest, we're totally here for it, and actually secretly hope one day she goes full on Amy Winehouse on us. Could you imagine?

Maya has previously supported acts from Loyle Carner to Akala, and Connie Constance to name but a few. Clearly an artist who is both excellent live, as well as having great songs. Maya's making her way in 2019 in a big way, and we really do recommend that you get to know her sooner rather than later. Check out "Breeze" above.

Connect with Maya Law: Soundcloud | Facebook | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Jess Bartlet

Previous Article
  • Electronic

blanke plays with our mind in "VOICE IN THE MACHINE"

  • February 9, 2019
  • Edwin Tsang
View Article
Next Article
  • Dance
  • Electronic
  • Interviews
  • Live Stream
  • Los Angeles Events
  • Mainstage
  • News

SOFI TUKKER on GRAMMY week and their upcoming Premiere Ceremony performance

  • February 9, 2019
  • Steph Evans
View Article
You May Also Like
View Article
  • Electronic
  • Indie
  • Interviews

Wavewulf chats 'Oscillation', his love for Depeche Mode, grief and more [Interview]

  • January 15, 2026
View Article
  • Folk
  • Folk Rock
  • Indie
  • Interviews
  • Nu-Jazz
  • Singer/songwriter

Sariyah Idan chats new live album, busking, Leonard Cohen and more [Interview]

  • January 15, 2026
View Article
  • Funk
  • Jazz Fusion

Redtenbacher’s Funkestra release new album ‘Funkopia’

  • January 15, 2026
GMDCASH
View Article
  • Hip-Hop
  • Indie
  • Pop
  • Rap

GMDCASH reclaims the narrative with his comeback single “I’m The Product”

  • January 15, 2026
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Windrift’s “I’m All Yours” turns valentine’s day tension into a heartfelt coming-of-age moment

  • January 15, 2026
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Windrift drift into Valentine’s Day with the warm, coming-of-age glow of “Way Far Out”

  • January 15, 2026
View Article
  • Indie
  • Mainstage
  • Pop

The Fritz Gambit rewinds the clock with “Back To School,” a dancefloor reflection on memory and meaning

  • January 15, 2026
Kid Camus
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Kid Camus charts emotional gravity on the reflective EP "Half-Mooned Orbit"

  • January 15, 2026
Popular Music
  • Wavewulf chats 'Oscillation', his love for Depeche Mode, grief and more [Interview]
    • January 15, 2026
  • Sariyah Idan chats new live album, busking, Leonard Cohen and more [Interview]
    • January 15, 2026
  • Modern Woman announces new album 'Johnny's Dreamworld,' drops new single "Dashboard Mary"
    • January 15, 2026
  • pastel..
    pastel.. finds his groove with “window,” a track that defines his lane
    • January 15, 2026
  • GMDCASH
    GMDCASH reclaims the narrative with his comeback single “I’m The Product”
    • January 15, 2026
Recent Scoops
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.