EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Acoustic
  • Indie

The fin. release an all too relevant remix of their hit "Snow (again)"

  • January 31, 2019
  • James Schiff
Total
0
Shares
0
0

In response to the colder months the world has found itself in, Tokyo-based indie outfit The fin. dropped another installment of their stellar Acoustic Versions and Covers series. Their latest brings the total to three with two winter-leaning tracks; an updated version of “Snow (again)” as well as a cover of Mew’s “She Came Home for Christmas.”

For this article, we’ll focus on “Snow (again).”

While the original is fantastic as is, the acoustic update to “Snow (again)” is surprisingly fresh. It feels softer than it’s a predecessor. It has a lighter and quicker tempo to it, coming across like a whispy flurry blowing through your speakers. The synths, which helped define the sound of the original, are gone, and instead, the song stands only on Yuto Uchino vocals, and Ryosuke Odagaki guitar.

2018’s There was an impressive LP from a band that is somehow flying well below the popular radar. But these semi-recent Acoustic Versions and Covers series prove that The fin. won’t stay hidden for long. Every release has built upon their sound and technique. If their most recent release is any indication, the future is looking bright for this young band.

Connect with The fin.: Spotify | Instagram | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Mew
  • The fin.
James Schiff

Previous Article
  • Hip-Hop
  • Music Videos

JAMS The Flava Child braves the Polar Vortex for his latest video "Trust Myself"

  • January 31, 2019
  • James Schiff
View Article
Next Article
  • Electro R&B
  • Electronic

Spazz Cardigan delivers playful single "S.O.S.," announces 'Vulnerabilia' EP date

  • January 31, 2019
  • Lennon Cihak
View Article
You May Also Like
Rodrigo Etcheto
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Rodrigo Etcheto makes a mesmerizing debut with "Everything Flows"

  • November 17, 2025
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Tropigloom reflects and rebuilds on their new EP "Everything Now But In Reverse"

  • November 17, 2025
View Article
  • Alt-Pop
  • Indie
  • Indie Rock
  • Music Videos
  • New Music

A callous analogy leads to Beatrix’s anthemic break-up track [Video]

  • November 17, 2025
Luci Ferrum
View Article
  • Indie
  • Mainstage
  • Pop

Luci Ferrum shares a new single, “Funny Guy”

  • November 17, 2025
View Article
  • Indie

Dendrons are the masters of their own sonic approach on raw, post-punk influenced "Indiana"

  • November 17, 2025
View Article
  • Indie

Dom Quincey shares vibe-rich, uplifting indie pop anthem ‘It’s Not The End…’

  • November 16, 2025
Ross Mintzer
View Article
  • Indie
  • Mainstage
  • Pop

Ross Mintzer returns with a transformative new album, "aimless mystics"

  • November 15, 2025
Sabina Beyli
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop

Sabina Beyli breaks her silence with the intense and haunting “Bad Habits”

  • November 15, 2025
Popular Music
  • Rodrigo Etcheto
    Rodrigo Etcheto makes a mesmerizing debut with "Everything Flows"
    • November 17, 2025
  • OKay The Duo enter the villain era on colourful hip hop scorcher ‘What Do You Reckon’
    • November 17, 2025
  • Tropigloom reflects and rebuilds on their new EP "Everything Now But In Reverse"
    • November 17, 2025
  • Luci Ferrum
    Luci Ferrum shares a new single, “Funny Guy”
    • November 17, 2025
  • Dendrons are the masters of their own sonic approach on raw, post-punk influenced "Indiana"
    • November 17, 2025
Recent Scoops
  • Winter Music Conference returns to Miami Music Week with new home for 2026
    • November 6, 2025
  • Simone Feroci establishes his towering presence in the world of bass guitars with hopeful track "California Forever"
    • October 30, 2025
  • UK Festivals Wrapped Up: A diverse weekend of music, food and culture
    • October 2, 2025
  • DNORRI is a breakout voice built for musical resonance and connection
    • September 25, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.