EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Acoustic
  • Indie

The fin. release an all too relevant remix of their hit "Snow (again)"

  • January 31, 2019
  • James Schiff
Total
0
Shares
0
0

In response to the colder months the world has found itself in, Tokyo-based indie outfit The fin. dropped another installment of their stellar Acoustic Versions and Covers series. Their latest brings the total to three with two winter-leaning tracks; an updated version of “Snow (again)” as well as a cover of Mew’s “She Came Home for Christmas.”

For this article, we’ll focus on “Snow (again).”

While the original is fantastic as is, the acoustic update to “Snow (again)” is surprisingly fresh. It feels softer than it’s a predecessor. It has a lighter and quicker tempo to it, coming across like a whispy flurry blowing through your speakers. The synths, which helped define the sound of the original, are gone, and instead, the song stands only on Yuto Uchino vocals, and Ryosuke Odagaki guitar.

2018’s There was an impressive LP from a band that is somehow flying well below the popular radar. But these semi-recent Acoustic Versions and Covers series prove that The fin. won’t stay hidden for long. Every release has built upon their sound and technique. If their most recent release is any indication, the future is looking bright for this young band.

Connect with The fin.: Spotify | Instagram | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Mew
  • The fin.
James Schiff

Previous Article
  • Hip-Hop
  • Music Videos

JAMS The Flava Child braves the Polar Vortex for his latest video "Trust Myself"

  • January 31, 2019
  • James Schiff
View Article
Next Article
  • Electro R&B
  • Electronic

Spazz Cardigan delivers playful single "S.O.S.," announces 'Vulnerabilia' EP date

  • January 31, 2019
  • Lennon Cihak
View Article
You May Also Like
Irene Skylakaki
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Irene Skylakaki turns the heat up with “Hell”

  • March 9, 2026
Bookend
View Article
  • Indie
  • Mainstage
  • Pop

Bookend introduces a melancholic groove with debut single, “30 Degrees”

  • March 9, 2026
Amava
View Article
  • Electronic
  • Feature
  • Indie
  • Mainstage
  • Pop

Amava shares a dark electronic pulse with her new single "Souvenir"

  • March 9, 2026
Lana Crow
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Lana Crow turns modern chaos into anthemic pop with "Orwellian Times"

  • March 9, 2026
View Article
  • Indie
  • New Music
  • Pop

Eoin Shannon brings barroom stories to life on "Every Drunks Gotta Story"

  • March 9, 2026
Ndidi O
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop

Ndidi O finds power in reflection with the bold new album "It’s About Time"

  • March 9, 2026
View Article
  • Indie Rock
  • Interviews
  • New Music
  • Punk
  • Rock

Dani Miller from Surfbort was born, then inspired [Interview]

  • March 9, 2026
View Article
  • Dance
  • Electronic
  • Indie
  • Mainstage

JNR CHOI drops refreshing house inspired breakup single "Pick Up"

  • March 6, 2026
Popular Music
  • [Interview] Japanese boy group KID PHENOMENON chat upcoming SXSW performance as they rise from Tokyo onto the world stage
    • March 9, 2026
  • Rapper Trippychidi sways between chaotic and cinematic on 'Arkham'
    • March 9, 2026
  • Irene Skylakaki
    Irene Skylakaki turns the heat up with “Hell”
    • March 9, 2026
  • Bookend
    Bookend introduces a melancholic groove with debut single, “30 Degrees”
    • March 9, 2026
  • Amava
    Amava shares a dark electronic pulse with her new single "Souvenir"
    • March 9, 2026
Recent Scoops
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.