EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Alternative
  • Grunge
  • Indie
  • Mainstage
  • Premiere

Oginalii isn't afraid to get angry on "Further In/Out" [Premiere]

  • September 6, 2018
  • Lilly Milman
Total
0
Shares
0
0

Nashville's sludge-rock shape-shifters Oginalii (which translates to "my friend" in Cherokee) create music that slips through your fingers and leaves you wanting more. The group — led by front-woman Emma Hoeflinger and backed by Ryan Quarrels on guitar, Simon Knudtson on drums, and Emma Lambiase on bass — has a debut full-length album called Cause and Affection on the way in April, but Hoeflinger has been working on the project since 2013. What began as an acoustic project five years ago has quickly evolved into one of the most promising rock acts of the Nashville scene, as evidenced by the album's first single "Further In/Out."

The psychedelic influences on the track, which Hoeflinger said was her way of "channeling all my frustrations/angst/anger at all the bullshit my female friends and I come across within the music industry," convey a new level of ferocity in her vocals. Not only is she angry, but she's willing to do something about it. The face-melting guitar riffs on the track are a staple of the Nashville project and a testament to the genre, which Hoeflinger thinks is far from dead. With complicated arrangements and forward-thinking attitude and lyricism, Oginalii is taking the predictability out of rock music while holding onto the community and cultural aspects that make it such an enduring genre.

In regards to her counter-cultural mission for propelling women in rock, Hoeflinger said, "I want to set a precedent but I also know making that choice isn’t going to be fun and it won’t be easy. However, I do get a kick out of people getting pissed 'cause women don’t want to take shit anymore. I’m down to be uncomfortable if it means I'm rattling those cages."

Connect with Oginalii: Facebook | Soundcloud | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Cause and Affection
  • Further In/Out
  • Oginalii
Lilly Milman

part-time yuppie & emerson college student w/ work in the deli magazine & billboard

Previous Article
  • Nu-Jazz
  • Soul

GeeJay's love-filled "Flowers" knows no bounds

  • September 6, 2018
  • Tayo Odutola
View Article
Next Article
  • Indie Pop
  • Pop

Wafia tells us "I'm Good" with electrifying anthem

  • September 6, 2018
  • Vivian Lin
View Article
You May Also Like
View Article
  • Indie Rock
  • Rock

Sharkeologist unleash electrifying new single “There Will Be Bread”

  • March 18, 2026
View Article
  • Alternative Rock
  • Grunge
  • Music Videos
  • Punk
  • Rock

Ryan Reno tackles the perils of addiction with "LET'S PARTY" [Video]

  • March 18, 2026
Antoin Gibson
View Article
  • Mainstage
  • Pop

Antoin Gibson channels emotion and elegance in "Venom-Laced Tears"

  • March 18, 2026
View Article
  • Electronic
  • Feature
  • Indie
  • Pop

E11EVAN’s “Shapeshifter” turns betrayal into bold, unforgettable art

  • March 18, 2026
isur
View Article
  • Indie
  • Mainstage
  • Pop

isur awakens the quiet magic of 6AM in “6 : 0 0.”

  • March 18, 2026
View Article
  • Feature
  • Indie
  • Interviews
  • New Music

"The pain that you don't foresee is usually what brings real change": Inner Wave on recording their fifth album, and the importance of impermanence

  • March 18, 2026
Martron
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Martron channels pure emotion on “Heart & Soul” from EP Passion

  • March 18, 2026
View Article
  • Alternative
  • Indie

KEELEY unveil expansive new album 'Girl On The Edge Of The World'

  • March 17, 2026
Popular Music
  • Arky waters teases new album with emphatic, club-ready anthem "OMG"
    • March 19, 2026
  • Luke Million
    Luke Million and Munan take an 80's pastiche into new collaboration "Smoke & Mirrors"
    • March 19, 2026
  • Ryan Reno tackles the perils of addiction with "LET'S PARTY" [Video]
    • March 18, 2026
  • Malsi shares introspective genre-blended offering "Year of the Ocean"
    • March 18, 2026
  • Antoin Gibson
    Antoin Gibson channels emotion and elegance in "Venom-Laced Tears"
    • March 18, 2026
Recent Scoops
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.