EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Electronic
  • Mainstage

Autolaser ropes us into 'lost call' EP

  • August 24, 2018
  • Vivian Lin
Total
0
Shares
0
0

With a roster of impressive acts, bitbird's Autolaser shines bright as a record producer unafraid of pushing the unassuming and the unusual to the forefront of the music scene. His consistency in continuously striving for higher quality releases, allowed him to quickly become a 'To-Watch' artist on mostly every tastemaker music blog. 

Magical and dreamy, Autolaser shapes songs into engaging escapades of worlds unknown, while still maintaining a deeper presence in grounded tempos. His newest EP lost call, is perhaps the validation of his craft and symphonic touch – a true display of his sonic talents.

When the opportunity to create all the tracks on lost call with bitbird presented itself, Autolaser instead decided to make a playlist of tracks he's produced through the past few years. His introspective look into this list, helped him curate the tracks that would end up in the final EP – ones that fit together but also, build a roadmap towards a captivating soundscape even when listened indirectly.

Thus an EP was born, inspired by the nuanced parts of the musical listening experience, Autolaser's intricate production of lush bass bursts and dreamy foundations sets it apart from typical instrumental artists – it is an amalgamation of teeming beauty and peace, a quiet producer of unique moments. 

And as unique moments go, each track on lost call is of a different story, created in different moments of Autolaser's time. 

The 80's-inspired opening track “less” acts as a preamble to the whole EP; the soothing instrumentals on “less" can be heard throughout the rest of the EP, a quintessential intro for a live set. At the same time, tracks like the psychedelic “white horse” and bouncy energy-fueled “firenze”, an ode to italo-disco, were inspired by a trip Autolaser took to Italy a while back.

Thinking about his past relationships, and their sometimes fleeting immortality, Autolaser explains that the final and titular track on his EP, "lost call" was one of his newer creations and one with a very clear vision. Hazey and with a punchier energy, “lost call” for Autolaser represents a “deep reminder that you keep doing the same things in life, but even if you fail, you learn, and that you keep evolving yourself away from those types of situations.”

Connect with Autolaser: Soundcloud | Twitter | Instagram | Facebook

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • AutoLaser
  • bitbird
  • electronic
Vivian Lin

techno + house ⟶ vivian@earmilk.com

Previous Article
  • Alt-Country
  • Pop

Baby Jey’s “U Don’t Have 2 Go Alone” shows us how cowboys do pop

  • August 24, 2018
  • Rachel Hammermueller
View Article
Next Article
  • Alternative
  • Indie Rock
  • Pop

The Night Game asks "Do You Think About Us"? in new break-up anthem

  • August 24, 2018
  • Rachel Hammermueller
View Article
You May Also Like
View Article
  • Dance
  • Electronic
  • Indie
  • Interviews

Gus Marsden from Breathing Records chats new record label, 'Inhale Vol. I' compilation, the future of music and more [Interview]

  • December 1, 2025
View Article
  • Electronic

NML explores the realms on deep, underground and raw electronic music on "ISOLA"

  • December 1, 2025
View Article
  • Dance
  • Electro
  • Electronic
  • Electronica
  • Experimental
  • Jazz
  • New Music
  • Techno

Smag På Dig Selv defies convention with "Vik's Rawcore"

  • December 1, 2025
View Article
  • Electronica
  • Witch House

r4vn uncovers a dark and immersive world on new album 'raven’s inferno'

  • December 1, 2025
View Article
  • Alt-Pop
  • Electronica
  • Future R&B
  • Lo-Fi
  • New Music

From shadows to bounce: Harve’s single “phone” shines

  • December 1, 2025
INTERCONTINEN7AL
View Article
  • Indie
  • Mainstage
  • Pop

INTERCONTINEN7AL returns with a powerful reminder of unity through their new single, “Love Is Everywhere”

  • December 1, 2025
Kazu Osumi
View Article
  • Indie
  • Mainstage
  • Pop

Kazu Osumi returns with a deeply heartfelt new release, “Times of Love”

  • December 1, 2025
MavAngelo
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

MavAngelo paints a bittersweet winter memory on “FadingSkies”

  • December 1, 2025
Popular Music
  • Gus Marsden from Breathing Records chats new record label, 'Inhale Vol. I' compilation, the future of music and more [Interview]
    • December 1, 2025
  • JeLa chats big emotional storytelling, new music and taking up music later in life [Interview]
    • December 1, 2025
  • NML explores the realms on deep, underground and raw electronic music on "ISOLA"
    • December 1, 2025
  • INTERCONTINEN7AL
    INTERCONTINEN7AL returns with a powerful reminder of unity through their new single, “Love Is Everywhere”
    • December 1, 2025
  • Kazu Osumi
    Kazu Osumi returns with a deeply heartfelt new release, “Times of Love”
    • December 1, 2025
Recent Scoops
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
  • Winter Music Conference returns to Miami Music Week with new home for 2026
    • November 6, 2025
  • Simone Feroci establishes his towering presence in the world of bass guitars with hopeful track "California Forever"
    • October 30, 2025
  • UK Festivals Wrapped Up: A diverse weekend of music, food and culture
    • October 2, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.