EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • Jazz
  • Neo-Soul

Maya Law releases traditional jazz quartet cut of "Give Me No Love (Lost)"

  • August 13, 2018
  • Gabe Kahan
Total
0
Shares
0
0

Maya Law, a 19-year-old singer/songwriter from Norwich, has just released "Give Me No Love (Lost)." It's an acoustic reimagining of the artist's nu-jazz track. However, this time around, Chris Cooper (of the Chris Cooper Trio) has arranged the track for a traditional jazz quartet. The final product is a remarkable showcase of Law's soulful vocals.

The contrast between this track and the original electroacoustic cut is incredibly stark. What was once a kind of addictive downtempo, featuring looped trumpets and upright bass, has been transformed into Chet Baker-era cool jazz. The subtle tumble of the cymbals, the playfulness of the brass, the full-bodied authority of the piano—the track's acoustics converge towards a blissful haze. Law's ruminations on betrayal, misunderstanding, and heartbreak carry an incisive intimacy. Reminiscent of a leisurely Amy Winehouse, the up and coming artist has captured our attention indefinitely. 

Connect with Maya Law: Soundcloud | Facebook | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Chris Cooper
  • Chris Cooper Trio
  • Give Me No Love (Lost)
  • Maya Law
Gabe Kahan

Gabe Kahan is a freelance writer, poet, and artist that splits his time between New York City and DC. Look for his coverage on Earmilk, Indie Shuffle, The Boston Hassle, and It's Psychedelic Baby Magazine.

Previous Article
  • Dance
  • Easy Listening
  • Electronic

Robotaki takes us back to a simpler time in "Brooklyn '95"

  • August 13, 2018
  • Vivian Lin
View Article
Next Article
  • Indie
  • Pop
  • Rock

Elle King books off for a year, returns with "Shame"

  • August 13, 2018
  • Larisha Paul
View Article
You May Also Like
View Article
  • Indie
  • Mainstage
  • Pop

BoierMusic’s “How Can I Reach You” turns vulnerability into a universal love anthem

  • December 26, 2025
Paul Hennessy
View Article
  • Indie
  • Pop

Paul Hennessy turns time into art on "The Cost Of The Escape" [Album]

  • December 22, 2025
Saynt Ego
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Saynt Ego’s “Voices” turns quiet reflection into cinematic power

  • December 22, 2025
David J Boswell
View Article
  • Indie
  • Mainstage
  • Pop

David J Boswell turns uncertainty into art on hypnotic new single “I KNOW WHAT I SAW”

  • December 22, 2025
Neurolapse
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Neurolapse returns with his most intimate body of work yet on "Be Like Anyone" [Premiere]

  • December 22, 2025
The Venice Kid
View Article
  • Hip-Hop
  • Indie
  • Mainstage
  • Rap

The Venice Kid ushers in a bold new era with “Say Less”

  • December 21, 2025
Zeek Wonderlen
View Article
  • Indie
  • Mainstage
  • Pop
  • R&B

Zeek Wonderlen’s “Seasons” is a smooth R&B reflection on love, loss, and becoming

  • December 21, 2025
View Article
  • Alternative Rock
  • Indie
  • Indie Rock
  • Metal
  • New Music

my point of you & at first, at first join forces on 'Texas, Hold Me' [Split Single]

  • December 20, 2025
Popular Music
  • [Interview] Bryan Chase chats teaming up with Sik-K and CAMO on "Flaunt It," new EP 'GRANTED' and more
    • December 27, 2025
  • [Interview] OX:N dive into 'SWAY,' carving a sonic identity as a sub-unit and their creative process
    • December 26, 2025
  • [Interview] Billlie chat Korea Spotlight 2025 appearance, ARrc collaboration and other memorable moments
    • December 27, 2025
  • [INTERVIEW] FIFTY FIFTY dives into new project 'Too Much Part 1,' going viral and staying creatively motivated
    • December 26, 2025
  • Chloe Mayse unfurls love in all forms on 'Dear Love…'
    • December 27, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.