EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • Jazz
  • Neo-Soul

Maya Law releases traditional jazz quartet cut of "Give Me No Love (Lost)"

  • August 13, 2018
  • Gabe Kahan
Total
0
Shares
0
0

Maya Law, a 19-year-old singer/songwriter from Norwich, has just released "Give Me No Love (Lost)." It's an acoustic reimagining of the artist's nu-jazz track. However, this time around, Chris Cooper (of the Chris Cooper Trio) has arranged the track for a traditional jazz quartet. The final product is a remarkable showcase of Law's soulful vocals.

The contrast between this track and the original electroacoustic cut is incredibly stark. What was once a kind of addictive downtempo, featuring looped trumpets and upright bass, has been transformed into Chet Baker-era cool jazz. The subtle tumble of the cymbals, the playfulness of the brass, the full-bodied authority of the piano—the track's acoustics converge towards a blissful haze. Law's ruminations on betrayal, misunderstanding, and heartbreak carry an incisive intimacy. Reminiscent of a leisurely Amy Winehouse, the up and coming artist has captured our attention indefinitely. 

Connect with Maya Law: Soundcloud | Facebook | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Chris Cooper
  • Chris Cooper Trio
  • Give Me No Love (Lost)
  • Maya Law
Gabe Kahan

Gabe Kahan is a freelance writer, poet, and artist that splits his time between New York City and DC. Look for his coverage on Earmilk, Indie Shuffle, The Boston Hassle, and It's Psychedelic Baby Magazine.

Previous Article
  • Dance
  • Easy Listening
  • Electronic

Robotaki takes us back to a simpler time in "Brooklyn '95"

  • August 13, 2018
  • Vivian Lin
View Article
Next Article
  • Indie
  • Pop
  • Rock

Elle King books off for a year, returns with "Shame"

  • August 13, 2018
  • Larisha Paul
View Article
You May Also Like
View Article
  • Alternative
  • Alternative Rock
  • Indie
  • New Music
  • Rock

The BGVS get vulnerable on “Cannonball”

  • March 24, 2026
View Article
  • Chiptune
  • Electronic
  • Electronica
  • Indie
  • Indie Rock
  • New Music
  • Rock

Anamanaguchi drop huge 71-track OST for Scott Pilgrim EX

  • March 24, 2026
View Article
  • Indie
  • New Music
  • Post-Punk

Nick Moon pokes fun with satirical surf-rock track "Setting Sun"

  • March 24, 2026
View Article
  • Interviews
  • New Music
  • Pop
  • Synth
  • Synth Pop
  • Uncategorized

NY-based producer Parlour Magic gives details on upcoming album 'The Embassy' [Interview]

  • March 24, 2026
View Article
  • Indie
  • Indie Pop
  • New Music
  • Pop

Evann McIntosh releases jazz-inspired sophomore EP 'Fantasy Fuel' [EP Review]

  • March 24, 2026
View Article
  • Alt-Pop
  • Dreampop
  • Indie
  • Indie Pop
  • New Music
  • Pop

Otlo channels hazy dreampop for new single "Gameboy"

  • March 24, 2026
View Article
  • Indie Rock
  • Mainstage
  • New Music

Seafret & James Morrison take a look at the end of the world on "Driftwood"

  • March 24, 2026
Every Us
View Article
  • Electronic
  • Indie

Every Us unites hearts with their debut EP “Some Kind of We”

  • March 24, 2026
Popular Music
  • L3TA shares energizing new single "Euphoria"
    • March 24, 2026
  • Eclectic Artist Esther Anaya discusses rhythm, reinvention, and commanding the global stage (INTERVIEW)
    • March 24, 2026
  • Cigarettes for Breakfast
    Cigarettes for Breakfast paints a soundscape on new EP, "colour wheel"
    • March 24, 2026
  • Otlo channels hazy dreampop for new single "Gameboy"
    • March 24, 2026
  • Every Us
    Every Us unites hearts with their debut EP “Some Kind of We”
    • March 24, 2026
Recent Scoops
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.