EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • Jazz
  • Neo-Soul

Maya Law releases traditional jazz quartet cut of "Give Me No Love (Lost)"

  • August 13, 2018
  • Gabe Kahan
Total
0
Shares
0
0

Maya Law, a 19-year-old singer/songwriter from Norwich, has just released "Give Me No Love (Lost)." It's an acoustic reimagining of the artist's nu-jazz track. However, this time around, Chris Cooper (of the Chris Cooper Trio) has arranged the track for a traditional jazz quartet. The final product is a remarkable showcase of Law's soulful vocals.

The contrast between this track and the original electroacoustic cut is incredibly stark. What was once a kind of addictive downtempo, featuring looped trumpets and upright bass, has been transformed into Chet Baker-era cool jazz. The subtle tumble of the cymbals, the playfulness of the brass, the full-bodied authority of the piano—the track's acoustics converge towards a blissful haze. Law's ruminations on betrayal, misunderstanding, and heartbreak carry an incisive intimacy. Reminiscent of a leisurely Amy Winehouse, the up and coming artist has captured our attention indefinitely. 

Connect with Maya Law: Soundcloud | Facebook | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Chris Cooper
  • Chris Cooper Trio
  • Give Me No Love (Lost)
  • Maya Law
Gabe Kahan

Gabe Kahan is a freelance writer, poet, and artist that splits his time between New York City and DC. Look for his coverage on Earmilk, Indie Shuffle, The Boston Hassle, and It's Psychedelic Baby Magazine.

Previous Article
  • Dance
  • Easy Listening
  • Electronic

Robotaki takes us back to a simpler time in "Brooklyn '95"

  • August 13, 2018
  • Vivian Lin
View Article
Next Article
  • Indie
  • Pop
  • Rock

Elle King books off for a year, returns with "Shame"

  • August 13, 2018
  • Larisha Paul
View Article
You May Also Like
View Article
  • Indie
  • New Music

Estella Dawn release new pop folk single "Japanese Boots"

  • May 29, 2026
View Article
  • Indie
  • R&B

Saima releases new soul R&B single "Don't Call Me Up"

  • May 29, 2026
View Article
  • Indie

Alaina May releases new single "Casual"

  • May 29, 2026
View Article
  • Alternative
  • Alternative Rock
  • Indie
  • Music Videos
  • Pop
  • Rock

TwoLips' “OVERFLOW” is a haunting edgy awakening [Video]

  • May 29, 2026
View Article
  • Folk Rock
  • Indie
  • Mainstage
  • Music Videos

Labrador Labratories blur fiction and reality on “Coded to be Free” [Video]

  • May 29, 2026
View Article
  • Atmospheric
  • Electronic
  • Mainstage
  • New Music
  • Synth

070 Shake and PUBG: Battlegrounds Collide on “Baby Driver”

  • May 29, 2026
Geonny
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Geonny captures the power of brotherhood on “Broken Names (Live)”

  • May 29, 2026
View Article
  • Electronic
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Gravité Fresq paints modern pressure in neon tones on “Curry Sauce”

  • May 29, 2026
Popular Music
  • Estella Dawn release new pop folk single "Japanese Boots"
    • May 29, 2026
  • Saima releases new soul R&B single "Don't Call Me Up"
    • May 29, 2026
  • Jack Hawitt dives into devotion and giving yourself up on "All For You"
    • May 29, 2026
  • Josh Garnett honors the important ladies with hip hop gem "Show You How"
    • May 29, 2026
  • TwoLips' “OVERFLOW” is a haunting edgy awakening [Video]
    • May 29, 2026
Recent Scoops
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.