EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • Jazz
  • Neo-Soul

Maya Law releases traditional jazz quartet cut of "Give Me No Love (Lost)"

  • August 13, 2018
  • Gabe Kahan
Total
0
Shares
0
0

Maya Law, a 19-year-old singer/songwriter from Norwich, has just released "Give Me No Love (Lost)." It's an acoustic reimagining of the artist's nu-jazz track. However, this time around, Chris Cooper (of the Chris Cooper Trio) has arranged the track for a traditional jazz quartet. The final product is a remarkable showcase of Law's soulful vocals.

The contrast between this track and the original electroacoustic cut is incredibly stark. What was once a kind of addictive downtempo, featuring looped trumpets and upright bass, has been transformed into Chet Baker-era cool jazz. The subtle tumble of the cymbals, the playfulness of the brass, the full-bodied authority of the piano—the track's acoustics converge towards a blissful haze. Law's ruminations on betrayal, misunderstanding, and heartbreak carry an incisive intimacy. Reminiscent of a leisurely Amy Winehouse, the up and coming artist has captured our attention indefinitely. 

Connect with Maya Law: Soundcloud | Facebook | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Chris Cooper
  • Chris Cooper Trio
  • Give Me No Love (Lost)
  • Maya Law
Gabe Kahan

Gabe Kahan is a freelance writer, poet, and artist that splits his time between New York City and DC. Look for his coverage on Earmilk, Indie Shuffle, The Boston Hassle, and It's Psychedelic Baby Magazine.

Previous Article
  • Dance
  • Easy Listening
  • Electronic

Robotaki takes us back to a simpler time in "Brooklyn '95"

  • August 13, 2018
  • Vivian Lin
View Article
Next Article
  • Indie
  • Pop
  • Rock

Elle King books off for a year, returns with "Shame"

  • August 13, 2018
  • Larisha Paul
View Article
You May Also Like
Irene Skylakaki
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Irene Skylakaki turns the heat up with “Hell”

  • March 9, 2026
Bookend
View Article
  • Indie
  • Mainstage
  • Pop

Bookend introduces a melancholic groove with debut single, “30 Degrees”

  • March 9, 2026
Amava
View Article
  • Electronic
  • Feature
  • Indie
  • Mainstage
  • Pop

Amava shares a dark electronic pulse with her new single "Souvenir"

  • March 9, 2026
Lana Crow
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Lana Crow turns modern chaos into anthemic pop with "Orwellian Times"

  • March 9, 2026
View Article
  • Indie
  • New Music
  • Pop

Eoin Shannon brings barroom stories to life on "Every Drunks Gotta Story"

  • March 9, 2026
Ndidi O
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop

Ndidi O finds power in reflection with the bold new album "It’s About Time"

  • March 9, 2026
View Article
  • Indie Rock
  • Interviews
  • New Music
  • Punk
  • Rock

Dani Miller from Surfbort was born, then inspired [Interview]

  • March 9, 2026
View Article
  • Dance
  • Electronic
  • Indie
  • Mainstage

JNR CHOI drops refreshing house inspired breakup single "Pick Up"

  • March 6, 2026
Popular Music
  • Irene Skylakaki
    Irene Skylakaki turns the heat up with “Hell”
    • March 9, 2026
  • Bookend
    Bookend introduces a melancholic groove with debut single, “30 Degrees”
    • March 9, 2026
  • Amava
    Amava shares a dark electronic pulse with her new single "Souvenir"
    • March 9, 2026
  • Lana Crow
    Lana Crow turns modern chaos into anthemic pop with "Orwellian Times"
    • March 9, 2026
  • Eoin Shannon brings barroom stories to life on "Every Drunks Gotta Story"
    • March 9, 2026
Recent Scoops
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.