EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Future Bass

Up and comer DNMO's "Hollywood (ft. Nevve)" is a jaunty walk among the stars [Interview]

  • December 1, 2017
  • Raz Ahmad
Total
0
Shares
0
0

If you check out DNMO's Soundcloud profile, he provides little information. As you read over "2 0 0 1," you wonder why that number is present. The year he became a producer? The year he took on his current moniker? When you learn that he, Aiden Morgan, is only 16 years old, it becomes clear the numbers are a reference to his birth year. Demonstrating precocious production prowess, a walk through his tracks might lead you to believe that DNMO is a stylized writing of dynamo. However, his profile clarifies that DNMO is pronounced "den-mo." At age five he remembers his "parents getting me this tiny little three-piece drum kit for my birthday, and it was the best present ever."  On growing up he says, "I used to play [the drums] every single day," and "Eminem and [Dr.] Dre had a huge part in my life."  He "always made sure [to listen to] a wide variety of stuff to keep it fresh and hear new ideas."  When he first heard Skrillex he thought, "this is something so unique and I need to know how this guy does it," and he was inspired to build "a computer out of really cheap parts online and instantly fell in love with making electronic music because it brought song writing to a whole new level." 

Although it feels surreal to him to have everything he's dreamed of since he was 12 happening around him – producing music, working with his idols, Zeds Dead, and being supported by industry heavyweights like The Chainsmokers, NGHTMRE, and Alison Wonderland, he's struggled in the last year to cope with the separation of his parents and get his creative output back on track.  Lately he's been finding inspiration outside of the EDM scene in artists such as Foals, Phantogram, and The xx, and makes time for his favorite non-music hobby, skating.  For the past year he's "been hibernating and writing a bunch of original music which I'm pumped to release next year, as well as collaborations with some of my favorite artists." He teases that in 2018, "definitely some big shows coming up, I can't say much about them yet but I'm super stoked."

DNMO extends his recent streak of releases on Deadbeats, which includes an official remix of Zeds Dead – "Neck And Neck Ft. Dragonette," with an original track, "Hollywood."  It's a swanky future bass tune featuring the vocals of Nevve, a familiar voice to Deadbeats listeners given her work with Blu J and label honchos Zeds Dead themselves. Her breathy vocals glide atop a punchy beat and horn-driven melody, giving us plenty of reasons to like "Hollywood." 

Connect with DNMO: Facebook | SoundCloud | Spotify | Twitter

Photo Credit:  Liam Simmons
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Deadbeats
  • DNMO
  • Future Bass
  • nevve
Raz Ahmad

Previous Article
  • Electronic

Astronomar remix's Canblaster's techno thumper "Attention! 8 Way!"

  • December 1, 2017
  • Reese Hayward
View Article
Next Article
  • Disco
  • Funk
  • Future Funk

R!OT & Patrick John Lu take it back to the 80s for "Wake Up to the Music"

  • December 1, 2017
  • Tayo Odutola
View Article
You May Also Like
View Article
  • Dreampop
  • Indie Rock
  • Mainstage
  • New Music

Van Chamberlain delivers dreamy indie rock on "Solutions"

  • November 17, 2025
View Article
  • Folk
  • Funk
  • Interviews
  • Jazz Hop
  • Mainstage
  • R&B
  • Soul

Gabriel Jacoby discusses his life, struggles, maturing and musical influences [Interview]

  • November 17, 2025
Rodrigo Etcheto
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Rodrigo Etcheto makes a mesmerizing debut with "Everything Flows"

  • November 17, 2025
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Tropigloom reflects and rebuilds on their new EP "Everything Now But In Reverse"

  • November 17, 2025
Luci Ferrum
View Article
  • Indie
  • Mainstage
  • Pop

Luci Ferrum shares a new single, “Funny Guy”

  • November 17, 2025
Ross Mintzer
View Article
  • Indie
  • Mainstage
  • Pop

Ross Mintzer returns with a transformative new album, "aimless mystics"

  • November 15, 2025
Sabina Beyli
View Article
  • Indie
  • Mainstage
  • New Music
  • Pop

Sabina Beyli breaks her silence with the intense and haunting “Bad Habits”

  • November 15, 2025
Kalpee
View Article
  • Indie
  • Mainstage
  • Pop
  • Rap

Kalpee taps into spiritual creativity on his honest, heartfelt new single “Heaven So Close”

  • November 15, 2025
Popular Music
  • Older Future unleashes IDM and Synthwave innovations on "The captains"
    • November 17, 2025
  • The Beatroot Road explores new sonic depths with latest album 'Humanimal'
    • November 17, 2025
  • Van Chamberlain delivers dreamy indie rock on "Solutions"
    • November 17, 2025
  • “It Ain’t Nothing”: Scout Willis’ mesmerizing new era begins [Video]
    • November 17, 2025
  • Rodrigo Etcheto
    Rodrigo Etcheto makes a mesmerizing debut with "Everything Flows"
    • November 17, 2025
Recent Scoops
  • Winter Music Conference returns to Miami Music Week with new home for 2026
    • November 6, 2025
  • Simone Feroci establishes his towering presence in the world of bass guitars with hopeful track "California Forever"
    • October 30, 2025
  • UK Festivals Wrapped Up: A diverse weekend of music, food and culture
    • October 2, 2025
  • DNORRI is a breakout voice built for musical resonance and connection
    • September 25, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.