A lot of music gets put in front of me. Sometimes it's great, sometimes it's not very good, and, usually, it's somewhere in the middle. Once in a while, I'm shown something so compelling that I enter a fugue state of sharing that music to everyone I know who would be remotely interested in listening to it: It's Nice Outside is one of those albums.
Released last week, the project features Portland, Maine based producer Phoniks and Houston based rapper Anti-Lilly together again since their first project, 2014's Stories from the Brass Section. The album was made over the course of two years and it sounds like it- from start to finish, It's Nice Outside is awash with horns, vocals, and drums that amplify the power behind Anti-Lilly's words and make this album a lo-fi hip hop fan's sonic wet dream. It's undeniably different than the vast majority of 2017's major releases and deserves attention.
Thirty seconds in, It's Nice Outside grabs the listener and commands attention. It's refreshing, sincere, and emotional; even the visuals for the title track (see above) are raw and thought provoking in their simplicity. I had the opportunity to send some questions to Anti-Lilly & Phoniks so they could share their thoughts on the album.
EM: When I first listened to this album, I was immediately hooked in by how genuine everything felt; musically and lyrically. Where did this album start for you? What was going on in your life and what ultimately led to the direction the album took?
Anti-Lilly: Thanks for the feedback bro I'm happy you were able to connect with the album. Honestly, this project is a culmination of my entire life to this point; specifically the last few years. Music is the best way for me to express myself so around this time last year I reached out to Phoniks for some help. I've lost, I've gained, and I just wanted to put everything on the table to help me get through. Life is a roller coaster for everyone so I wanted to make something to let folks know they weren't the only ones going through it.
EM: How did it come together? How was the process of this album different from your previous album?
Anti-Lilly: My music is my life, I'm just being myself over the production. I've grown more patient and mature since we dropped Stories From The Brass Section in 2014. I went through some dark times that I'm still climbing out of that contributed to the tone. I studied my flaws from other projects to improve my overall flow and delivery.We really wanted to take our time with this project, there are a few tracks on here that I've recorded through the years that we hadn't released or only put out as singles.
Phoniks: Last spring Anti hit me with a personal e-mail. He told me “It's been a terrible year for me. Been hella depressed, my best friend and family done fucked me over.” He said he hadn’t been this low since before we linked up and was in the process of getting his studio back together. His final words were “If you have anything to send my way to help me vent that'll be what's up, if not I understand and it's all love. God bless.”
I wanted to help his situation and I looked forward to someone using my beats for therepeutic release. Understanding where he was coming from before we even began working allowed me to cater all the production to fit his mood.