EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Exclusive
  • House
  • Indie Dance
  • Mainstage
  • Premiere
  • Synth Pop

C.Cave of White Lies transforms the "Killing Lotus" of The Living Gods of Haiti [Premiere]

  • April 28, 2016
  • Lauren Jefferson
Total
0
Shares
0
0

The Living Gods of Haiti is a project just as otherworldy as the name suggests. With a sound that falls somewhere between Goldfrapp, Bat For Lashes, and Tricky, the London duo originally started out with “experiments” that reflected passions for ritual dance, synthesizers, and tribal percussion. Having just debuted their single “Killing Lotus” earlier this month, The Living Gods of Haiti are set to release a full EP next month and later we’ll have their first full-length album. “Killing Lotus” starts off the EP and a few new tracks fill the in-between, but the EP ends with a posh synth remix from fellow Londoner Charles Cave of the band White Lies.

Taming some of the bizarre and tribal influence for a more polished, gothic-tinged track with heavy 80s inspiration, this C.Cave remix takes on a completely different feel. Rebekah’s voice, with its warm tone and velvety quality, allows for this softness that becomes more pronounced with the remix. Drenched in these lush synths, it sounds like something you’d hear backing the runway at Paris Fashion Week. Find this White Lies C.Cave remix of “Killing Lotus” on the EP coming out May 13th via Kwaidan Records. Pre-order it from digital retailers like iTunes. Also, don’t miss the debut album from The Living Gods of Haiti coming out in June.

[youtube]https://www.youtube.com/watch?v=cA2xF9f25w8[/youtube]

Connect with The Living Gods of Haiti: SoundCloud | Facebook | Twitter
Connect with White Lies: SoundCloud | Facebook | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • C. Cave
  • Kwaidan Records
  • The Living Gods of Haiti
  • White Lies
Lauren Jefferson

Chaser of good vibes and good beats. IG: @eclectic_wrenn

Previous Article
  • Hip-Hop
  • Music Videos
  • R&B
  • Rap

Ride the wave, as Murkage Dave releases his debut EP D.A.V.E Part 1

  • April 28, 2016
  • Mike Wood
View Article
Next Article
  • Premiere
  • Synth Pop

Paideia's "Myth" is dance music at its most honest [Premiere]

  • April 28, 2016
  • Mike Waite
View Article
You May Also Like
View Article
  • Dance
  • Indie
  • Music Videos
  • Pop

Dom Jones paints the town velvet blue in "The Blacker Berry" [Video]

  • February 6, 2026
View Article
  • Alternative R&B
  • Jazz Fusion
  • Mainstage
  • New Music
  • Soul

Charlotte Day Wilson lets instinct lead on 'Patchwork' [EP Review]

  • February 6, 2026
Avery Strayer
View Article
  • Electronic
  • Indie
  • Mainstage
  • New Music
  • Pop

Avery Strayer faces the dark calm of fear on haunting new single “Siren Song”

  • February 6, 2026
View Article
  • Dance
  • Electronic
  • Hip-Hop
  • Indie
  • Mainstage
  • Music Videos
  • New Music
  • Pop
  • R&B

EARMILK's 2026 Artists to Watch

  • February 5, 2026
View Article
  • Feature
  • Festival
  • Mainstage

Insomniac & OFF2 Bring Lost In Dreams to Canada for the first time with Vancouver debut

  • February 4, 2026
View Article
  • Electronic
  • Mainstage
  • Tech House

Tokyo standout Saeri ignites the dancefloor with “Hold The Flame”

  • February 4, 2026
Cosmic Canna Beats
View Article
  • Feature
  • Hip-Hop
  • Indie
  • Mainstage
  • New Music
  • Pop

Cosmic Canna Beats explores quiet emotion on ambient instrumental “COME BACK WHEN YOU’RE READY”

  • February 4, 2026
View Article
  • Dance
  • Electronic
  • Events Stage
  • Festival

Boomtown unveils huge second wave for 2026 with DJ EZ, Folamour, VTSS, SBTRKT and more!

  • February 3, 2026
Popular Music
  • Becky Raisman’s “Earth Goddesses” EP radiates positivity, growth, and creative freedom
    • February 7, 2026
  • Displaced Stranger
    Displaced Stranger finds solid footing on "Grounded," a confident debut album that speaks beyond experience
    • February 7, 2026
  • Acid Smoothie
    Acid Smoothie turns reflection into motion on “Carts in the Rain”
    • February 7, 2026
  • Crescent
    Crescent’s “Milogather Parts 1” moves from tension to release in a two-part sonic ritual
    • February 7, 2026
  • PAULA T
    PAULA T breaks the silence on self-repression with the bold, honest energy of “Sugar Tits”
    • February 7, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.