EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Electro Pop
  • Exclusive
  • Indie

Dmize gives us a light-hearted rework of "Cut To Black" [Premiere]

  • August 5, 2014
  • Cailey Lindberg
Total
0
Shares
0
0

 

Chicago based indie pop and electro artist Dmize has released his vocal rework of “Cut To Black” exclusively on our site today in preparation for his upcoming EP and collaborations with Vaski and Louis The Child. Known as his respective city’s “golden child,” the revision is a veritable blend of modern pop genres with that light-hearted indie pop and electronica vibe that transfers perfectly into the humid late summer days. If nothing else, the track is instantly accessible to the listener with both its originality and blend of modern upbeat elements.

On the track Dmize said, “I remember listening to an instrumental version of Cut to Black while driving alongside the Chicago harbor on a cloudy day, and I started singing that "La da da da da da" melody. It's super happy..but a little nostalgic. The song tells the story of the promise of a love that can't be."

We think that while the rendition may not be able to promise a physical love, it’ll surely incite affectionate feelings in anyone who listens.

  • Dmize on Facebook

  • Dmize on Soundcloud 
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Dmize
  • Lemâitre
Cailey Lindberg

Previous Article
  • Exclusive
  • Hip-Hop
  • Rap

CR Blacks premieres his latest laid-back single, "Strange Numbers"

  • August 5, 2014
  • Mike Wood
View Article
Next Article
  • Dance
  • Electronic
  • Events
  • Festival
  • Hip-Hop
  • Indie

San Francisco Outside Lands: we dare you not to bring a sweater [Event Preview]

  • August 5, 2014
  • Colin Tewksbury
View Article
You May Also Like
View Article
  • Electro Pop
  • Mainstage
  • Pop

Yasmina Cherelle finds freedom on uplifting new single "Liberate Me"

  • June 23, 2026
Noah Levine
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Noah Levine explores growth, memory, and new beginnings on his reflective album "Leaver"

  • June 23, 2026
Leo.
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Leo. finds clarity in uncertainty on reflective new EP 'what now?'

  • June 23, 2026
OKay The Duo
View Article
  • Hip-Hop
  • Indie
  • Mainstage
  • Pop
  • Rap

OKay The Duo shares raw power and unapologetic identity on “SUPER VILLAIN”

  • June 23, 2026
m0n0 jay
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

m0n0 jay challenges convention with the intense and unpredictable “Variant”

  • June 23, 2026
Karen Salicath Jamali
View Article
  • Feature
  • Folk
  • Indie
  • New Music
  • Pop

Karen Salicath Jamali finds new expression through the heartfelt folk single “Only In Love We Are”

  • June 23, 2026
Empty Machines
View Article
  • Feature
  • Indie
  • Indie Rock
  • Mainstage
  • New Music
  • Pop

“Vicious Vulture” sees Empty Machines push boundaries with an evolved sound

  • June 23, 2026
PIVOTS
View Article
  • Electronic
  • Feature
  • Indie
  • Mainstage
  • Pop

PIVOTS deliver a bold electronic statement with their latest release “Fake News”

  • June 23, 2026
Popular Music
  • B-Fela embraces freedom and ambition on ‘International’ EP
    • June 23, 2026
  • KINGH and Shy FX deliver a soulful call to action with "DARE TO DREAM"
    • June 23, 2026
  • Noah Levine
    Noah Levine explores growth, memory, and new beginnings on his reflective album "Leaver"
    • June 23, 2026
  • Leo.
    Leo. finds clarity in uncertainty on reflective new EP 'what now?'
    • June 23, 2026
  • OKay The Duo
    OKay The Duo shares raw power and unapologetic identity on “SUPER VILLAIN”
    • June 23, 2026
Recent Scoops
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.