EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Hip-Hop
  • Rap

Drake – "Tuscan Leather"

  • September 16, 2013
  • Sheldon Pearce
Total
0
Shares
0
0

How much time is this nigga spending on the intro? Just enough, apparently. The introduction to Drake's third commercial outing, Nothing Was The Same, is a six minute prologue that flips a sample of Whitney Houston's “I Have Nothing” three different ways, and it rather effectively establishes the framework for the album’s overarching narrative: success changes everything.

“Tuscan Leather” is a sharp dissertation of sorts, succinctly summarizing the Toronto MC’s thoughts on all things relational in the aftermath of his second album, Take Care, being a commercial and critical smash. He's addressing everything from verbal shots to his relationship with his Cash Money family, and all observations are delivered with the crisp attention to detail we’ve come to expect from Aubrey Graham. “Bench players talking like starters, I hate it,” he spouts venomously (conceivably a shot fired at Pusha T) before adding, “Started from the bottom, now we here / Nigga we made it”. Drake has always had a flair for the dramatic—and it has always shown in the cinematic nature of his intros—but “Tuscan Leather” may be his cleanest and clearest open ever.

The song is supposedly named for a Tom Ford fragrance for men that smells like a kilo of coke (“Tom Ford Tuscan Leather smelling like a brick”), but I like to think it earned that name with its raw realism and its hard bars. “I’m tired of hearing who you checkin’ for now / Just give it time, we’ll see who’s still around a decade from now.” Only time will tell whether Drake’s music backs such claims. For now, stream “Tuscan Leather” below, and judge its timeliness for yourself. Drake’s Nothing Was The Same will be out September 24th on Cash Money/Young Money/Republic.

      Tuscan-Leather--EM0913
Stream: Drake – Tuscan Leather

drake-unleashes-nothing-was-the-same-album-cover

Drake

"Tuscan Leather"

  • Cash Money/Young Money/Republic
  • September 16, 2013
  • Official Website
  • Twitter
  • Facebook
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Cash Mooney
  • Drake
  • republic
  • Young Money
Sheldon Pearce

[1st openly deaf rap critic]

Previous Article
  • Electronic
  • Trap

Gilbre Forte – "Nolita" (The Ninetys Edit)

  • September 16, 2013
  • Lindsay Blair
View Article
Next Article
  • Hip-Hop

Mack Wilds – "Wild Things" (Feat. Method Man)

  • September 16, 2013
  • Lindsay Blair
View Article
You May Also Like
View Article
  • Alternative R&B

Kaia Yook and golden chapel embrace self-worth on warm single “Free”

  • July 2, 2026
View Article
  • Soul

Hoss Carl shares powerful rendition of "Love Is Alive"

  • July 2, 2026
View Article
  • Alternative
  • Hip-Hop
  • Mainstage
  • New Music
  • Rap

ALTRBOY releases “Lost Angels,” exploring ambition, identity, & the cost of dreams

  • July 1, 2026
View Article
  • Ambient R&B
  • Feature
  • R&B

kwn's ‘and all pride aside’ is a warning for the lovesick [Album Review]

  • June 30, 2026
View Article
  • Rap

OG Keemo taps into nostalgia and dystopia on 'BERSERKER+'

  • June 30, 2026
View Article
  • Dance
  • Rap

Jairic's "Don’t Let Me Put A Track On You" gains fresh musical perspective with NERVO's remix

  • June 29, 2026
Keesha Blair
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop
  • R&B

Keesha Blair finds strength in honesty and boundaries with new singles "Access Declined" and "Truth Always Shows Its Face"

  • June 29, 2026
Kojo Kay
View Article
  • Hip-Hop
  • Indie
  • Mainstage
  • Pop
  • Rap

Kojo Kay breaks new ground with “THIS DOESN'T FEEL GOOD BEING STUCK HERE IN THE SAME SPOT :(” an EP that redefines melodic rap

  • June 29, 2026
Popular Music
  • Daniel Leyes pays ode to enduring partnership with Todd Snider on collaborative EP 'Medicinal Americana'
    • July 2, 2026
  • Hoss Carl shares powerful rendition of "Love Is Alive"
    • July 2, 2026
  • Kaia Yook and golden chapel embrace self-worth on warm single “Free”
    • July 2, 2026
  • MALCOM shares genre-bending debut EP 'Step Out Of The Light'
    • July 2, 2026
  • Triggerfinger weave joy and introspection on "Through The Beam"
    • July 2, 2026
Recent Scoops
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.