EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Electro Pop
  • Indie
  • Synth

Phantogram – "Black Out Days"

  • September 13, 2013
  • Aaron Thomas
Total
0
Shares
0
0

As if they were never fully out of the game, one of the original electronic male to female vocal duos are back when a style that they helped shape has since become overdone. While the duo of Sarah Barthel and Josh Carter (Phantogram) have provided their followers with a few original songs and two Big Boi collaborations since the release of their debut Eyelid Movies back in 2009, it has been two years since there has been any new flows irradiating from their direction.

Fans of the band no longer have anything to gripe about as Phantogram just released  “Black Out Days” marking the introduction to their second full-length studio album due out later this year. Throughout “Black Out Days” Carter’s all encompassing electronic compositions are back and Sarah, as always, doesn’t miss a beat with her sharp vocal talent. An infectious chorus of wailing chants and effect-filled pulsing synths pave the way to the finish line where all of the songs layers and components come together to create an empowering climax before falling out to the emotional finale “Black out days, I don’t recognize you anymore”.

 [soundcloud url="https://api.soundcloud.com/tracks/110059344" params="" width=" 100%" height="166" iframe="true" /]

If “Black Out Days” is any indication of what to expect on the Saratoga Springs natives upcoming Barsuk/Republic album then we are in for quite the treat.

  • Phantogram on Facebook
  • Phantogram on Twitter
  • Phantogram’s Official Site
  • Barsuk Records' Official Site
  • Republic Records' Official Site
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Barsuk Recrods
  • Phantogram
  • Republic Records
Aaron Thomas

Previous Article
  • Chillwave
  • Downtempo
  • Electronic

Jungle – "The Heat"

  • September 12, 2013
  • Lindsay Blair
View Article
Next Article
  • House

EARMILK Interview: Let The Machines Do The Work

  • September 13, 2013
  • Josh Kessler
View Article
You May Also Like
View Article
  • Indie
  • Mainstage
  • Pop

BoierMusic’s “How Can I Reach You” turns vulnerability into a universal love anthem

  • December 26, 2025
Paul Hennessy
View Article
  • Indie
  • Pop

Paul Hennessy turns time into art on "The Cost Of The Escape" [Album]

  • December 22, 2025
Saynt Ego
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Saynt Ego’s “Voices” turns quiet reflection into cinematic power

  • December 22, 2025
David J Boswell
View Article
  • Indie
  • Mainstage
  • Pop

David J Boswell turns uncertainty into art on hypnotic new single “I KNOW WHAT I SAW”

  • December 22, 2025
Neurolapse
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Neurolapse returns with his most intimate body of work yet on "Be Like Anyone" [Premiere]

  • December 22, 2025
The Venice Kid
View Article
  • Hip-Hop
  • Indie
  • Mainstage
  • Rap

The Venice Kid ushers in a bold new era with “Say Less”

  • December 21, 2025
Zeek Wonderlen
View Article
  • Indie
  • Mainstage
  • Pop
  • R&B

Zeek Wonderlen’s “Seasons” is a smooth R&B reflection on love, loss, and becoming

  • December 21, 2025
View Article
  • Alternative Rock
  • Indie
  • Indie Rock
  • Metal
  • New Music

my point of you & at first, at first join forces on 'Texas, Hold Me' [Split Single]

  • December 20, 2025
Popular Music
  • [Interview] Bryan Chase chats teaming up with Sik-K and CAMO on "Flaunt It," new EP 'GRANTED' and more
    • December 27, 2025
  • [Interview] OX:N dive into 'SWAY,' carving a sonic identity as a sub-unit and their creative process
    • December 26, 2025
  • [Interview] Billlie chat Korea Spotlight 2025 appearance, ARrc collaboration and other memorable moments
    • December 27, 2025
  • [INTERVIEW] FIFTY FIFTY dives into new project 'Too Much Part 1,' going viral and staying creatively motivated
    • December 26, 2025
  • Chloe Mayse unfurls love in all forms on 'Dear Love…'
    • December 27, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.