EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • House

Kate Boy – "The Way We Are" (Bixel Boys Remix) [Premiere]

  • July 2, 2013
  • Aaron Thomas
Total
0
Shares
0
0

Listeners best be patient with Bixel Boys' remix of "The Way We Are" as anticipation for the initial drop is rewarded with a heavy groove that utilizes deep bass to contrast the aggresive vocals, causing the entire production to take hold of a listener. The two minute interlude that builds to the drop at first samples Kate Boy's chopped up vocals before laying a foundation for the beat to take root. Once the underlying melody is established the remix never looks back, as LA's Bixel Boys take advantage of powerful synth stabs and a shuffling beat to transform an otherwise experimental pop song into a house filled jammer. Throttling up the tempo, after the initial break the Bixel Boys layer textures upon the core melody where they only momentarily seem to air out allowing some slack. This sweeping break sets up another climb back to the peak where listeners can once again bathe in bass heavy bliss.

[soundcloud url="https://api.soundcloud.com/tracks/99361913" params="" width=" 100%" height="166" iframe="true" /]

In case the original song was looked past upon its initial release it is worth revisiting. Overall the Kate Boy production scales back in that it never necessarily builds up, relying on singer Kate Akhurst's vocals to play the prominent role, however, much like in the remix the bass carries the song forward.

[soundcloud url="https://api.soundcloud.com/tracks/91015839" params="" width=" 100%" height="166" iframe="true" /]

  • Bixel Boys on Facebook
  • Bixel Boys' Official Site
  • Kate Boy on Facebook
  • Kate Boy on Twitter
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Bixel Boys
  • Kate Boy
Aaron Thomas

Previous Article
  • Downtempo
  • Hip-Hop

Daily 2% – Chilled and Ready to Serve [Funky DL + Thomas Prime]

  • July 1, 2013
  • Montrey Whittaker
View Article
Next Article
  • Dance
  • Electro House

Laidback Luke, Dimitri Vegas & Like Mike – "MORE"

  • July 2, 2013
  • Ry Smith
View Article
You May Also Like
Rejection Ratio
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Rejection Ratio channels ’80s fire and modern vulnerability on electrifying new single “Love is Like Heaven”

  • November 30, 2025
Blind Man's Daughter
View Article
  • Indie
  • Mainstage
  • Pop

Blind Man’s Daughter blends latin groove & pop emotion in empowering new single “All I Need”

  • November 30, 2025
Lauren Presley
View Article
  • Indie
  • Mainstage
  • Pop

Lauren Presley marks one-year milestone with heart-wrenching “People Leave (Acoustic)”

  • November 30, 2025
Chapters of Forever
View Article
  • Indie
  • Mainstage
  • Pop

Chapters of Forever rekindle their spark with the celestial debut ‘Lady Moon’

  • November 28, 2025
View Article
  • Electronic
  • House

Amsterdam-Based producer DANN – Is on the edge of innovation with "Make Us Wanna Dance" & curated event brand CLOSECALL

  • November 28, 2025
View Article
  • Dance

TANYA TANYA explores classic house drive on powerful new single "Dance"

  • November 27, 2025
View Article
  • Mainstage
  • New Music
  • R&B

Faith Richards unveils sultry, self-assured single “Private Star”

  • November 26, 2025
Leia
View Article
  • Indie
  • Mainstage
  • Pop

Leia shares her inner power on “Wild Mustang”

  • November 26, 2025
Popular Music
  • Rejection Ratio
    Rejection Ratio channels ’80s fire and modern vulnerability on electrifying new single “Love is Like Heaven”
    • November 30, 2025
  • Blind Man's Daughter
    Blind Man’s Daughter blends latin groove & pop emotion in empowering new single “All I Need”
    • November 30, 2025
  • Lauren Presley
    Lauren Presley marks one-year milestone with heart-wrenching “People Leave (Acoustic)”
    • November 30, 2025
  • Chapters of Forever
    Chapters of Forever rekindle their spark with the celestial debut ‘Lady Moon’
    • November 28, 2025
  • Amsterdam-Based producer DANN – Is on the edge of innovation with "Make Us Wanna Dance" & curated event brand CLOSECALL
    • November 28, 2025
Recent Scoops
  • Winter Music Conference returns to Miami Music Week with new home for 2026
    • November 6, 2025
  • Simone Feroci establishes his towering presence in the world of bass guitars with hopeful track "California Forever"
    • October 30, 2025
  • UK Festivals Wrapped Up: A diverse weekend of music, food and culture
    • October 2, 2025
  • DNORRI is a breakout voice built for musical resonance and connection
    • September 25, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.