EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • House

Kate Boy – "The Way We Are" (Bixel Boys Remix) [Premiere]

  • July 2, 2013
  • Aaron Thomas
Total
0
Shares
0
0

Listeners best be patient with Bixel Boys' remix of "The Way We Are" as anticipation for the initial drop is rewarded with a heavy groove that utilizes deep bass to contrast the aggresive vocals, causing the entire production to take hold of a listener. The two minute interlude that builds to the drop at first samples Kate Boy's chopped up vocals before laying a foundation for the beat to take root. Once the underlying melody is established the remix never looks back, as LA's Bixel Boys take advantage of powerful synth stabs and a shuffling beat to transform an otherwise experimental pop song into a house filled jammer. Throttling up the tempo, after the initial break the Bixel Boys layer textures upon the core melody where they only momentarily seem to air out allowing some slack. This sweeping break sets up another climb back to the peak where listeners can once again bathe in bass heavy bliss.

[soundcloud url="https://api.soundcloud.com/tracks/99361913" params="" width=" 100%" height="166" iframe="true" /]

In case the original song was looked past upon its initial release it is worth revisiting. Overall the Kate Boy production scales back in that it never necessarily builds up, relying on singer Kate Akhurst's vocals to play the prominent role, however, much like in the remix the bass carries the song forward.

[soundcloud url="https://api.soundcloud.com/tracks/91015839" params="" width=" 100%" height="166" iframe="true" /]

  • Bixel Boys on Facebook
  • Bixel Boys' Official Site
  • Kate Boy on Facebook
  • Kate Boy on Twitter
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Bixel Boys
  • Kate Boy
Aaron Thomas

Previous Article
  • Downtempo
  • Hip-Hop

Daily 2% – Chilled and Ready to Serve [Funky DL + Thomas Prime]

  • July 1, 2013
  • Montrey Whittaker
View Article
Next Article
  • Dance
  • Electro House

Laidback Luke, Dimitri Vegas & Like Mike – "MORE"

  • July 2, 2013
  • Ry Smith
View Article
You May Also Like
View Article
  • Hip-Hop
  • Interviews
  • Mainstage
  • New Music
  • Rap

Mike DFG cements his place in the Chicago rap scene with new LP 'Heisman' [Interview]

  • July 6, 2026
Kovei
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Kovei unites culture and conviction on the anthemic new hip-hop single "Mercy"

  • July 6, 2026
View Article
  • Feature
  • Indie
  • Indie Pop
  • Indie Rock
  • Mainstage
  • New Music
  • Pop

Substratos finds strength in reflection with the cinematic rock finale "Alive Within the Silence"

  • July 6, 2026
View Article
  • Electronic
  • Feature
  • Indie
  • Mainstage
  • Pop

Hurricane accomplishes exactly that with "CYCLES"

  • July 6, 2026
Séhkou
View Article
  • Feature
  • Hip-Hop
  • Indie
  • Mainstage
  • Pop

Séhkou's "Psalms 13:1–2 (How Long) [Notebook's Lament]" turns lament into a powerful expression of faith and reflection

  • July 6, 2026
View Article
  • Indie
  • Mainstage
  • Uncategorized

Sam Vane releases new single "damnaged goods"

  • July 3, 2026
View Article
  • Alt-Pop
  • Mainstage
  • Music Videos
  • New Music
  • Synth Pop

On “How To Be A Lover” Goldie Boutilier turns intimacy into a cinematic pop manual [Video]

  • July 3, 2026
Rave Jesus
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Rave Jesus takes flight with “Ravens & Doves,” a deep house anthem that balances spirit and the dancefloor

  • July 3, 2026
Popular Music
  • Lon3! shares genre-bending offering "YOU’RE A SLAVE TO MONEY THEN YOU DI3"
    • July 6, 2026
  • Sam Macdonald shares nostalgic retro pop anthem "Starry Eyed"
    • July 6, 2026
  • Jay Diener’s “One In A Million” blends sunlit pop hooks with a spoken-word twist
    • July 6, 2026
  • Kovei
    Kovei unites culture and conviction on the anthemic new hip-hop single "Mercy"
    • July 6, 2026
  • Substratos finds strength in reflection with the cinematic rock finale "Alive Within the Silence"
    • July 6, 2026
Recent Scoops
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.