EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • Dance Bass
  • Deep House
  • Electronic
  • Tech House

Jimmy Edgar – "Sex Drive" (Scuba's Dub of Doom)

  • April 29, 2013
  • James Crookston
Total
0
Shares
0
0

Like many before him, Jimmy Edgar mixed a synth-heavy, percussion-ridden beat and put a strange robotic woman's voice over the top. A strange trend to see happening, but one that I have seen before with artists like Jagged, who in "Hollywood" has a minute of narrative describing how a man can make a woman "his slave by giving her the best head she has ever had." So "Sex Drive" had nothing particularly new, but was a good tune. 

Scuba (founder of Hotflush, whom Jimmy Edgar recorded under) thought that he could add something different to this song and he was right. The supposed "Dub of Doom" is powerful and hits you hard, with a sound similar to "Viol" by Gesaffelstein. The bass on this song is next level and will vibrate your whole body if you are unfortunately beside the speaker at the time this song drops. Bass, a nice fast percussion and a creepy woman, what's not to like?

[soundcloud url="https://api.soundcloud.com/tracks/88398998" params="" width=" 100%" height="166" iframe="true" /]

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Hotflush
  • jimmy edgar
  • remix
  • Scuba
  • sex drive
James Crookston

James Crookston. EDM Blogger for Earmilk. Architecture Student. London, UK.

Previous Article
  • Electronic

Marcé Reazon – "The World Is Yours" [Premiere]

  • April 29, 2013
  • Rachelle Jean-Louis
View Article
Next Article
  • Dance

Walden – Machine Land [Exclusive Premiere]

  • April 29, 2013
  • Colin Tewksbury
View Article
You May Also Like
View Article
  • Electronic

RENESIS on "Overdrive," pushing her sound further and the future of cyberpunk

  • February 12, 2026
ZAYLE
View Article
  • Electronic
  • Hip-Hop
  • Rap

ZAYLE dives into the cinematic world of emotions with electronic single "Control"

  • February 12, 2026
A-Boogie wit da Hoodie
View Article
  • Exclusive
  • Hip-Hop
  • Industrial
  • New Music
  • Premiere

A Boogie Wit da Hoodie’s New Project “Before Artistry” Drops This Friday

  • February 11, 2026
View Article
  • Techno

Leoni Alexi makes a bold entrance with gritty techno debut “Time Shift”

  • February 10, 2026
View Article
  • Alt-Pop
  • Dreampop
  • Electro Pop
  • Electronica
  • Indie Pop
  • New Music
  • Synth

Pete Fij practices espionage with "Cuckoo"

  • February 10, 2026
View Article
  • Dance
  • Disco
  • Funk

Monsieur Mellow is at the crossroads between jazz, house and disco on "Paris Strut"

  • February 10, 2026
View Article
  • Hip-Hop
  • New Music
  • Punk
  • Rap
  • Trap

The Khan transcends "time&pace" with first release of new year

  • February 9, 2026
Johan van Mullem
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Johan van Mullem turns emotion into a late-night pop confession, “Damn!”

  • February 8, 2026
Popular Music
  • Has anyone ever been more relevant than Dancing The Conga on their new album "And now we take America"
    • February 13, 2026
  • Tac arrives in the form of his long awaited solo debut 'SLE…EP' [Album Review]
    • February 13, 2026
  • Brother duo Basciville wrestle with their demons on "Saintmaking"
    • February 13, 2026
  • Crackazat brings the funk on soulful, intricate and timeless new single "Pick Me Up"
    • February 13, 2026
  • Taifa Nia yells at his own circumstances on "FML 2020"
    • February 13, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.