EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Feature
  • Folk
  • Indie

Trails and Ways Live At Cafe Du Nord [Recap]

  • January 30, 2013
  • Liz Choi
Total
0
Shares
0
0

The hype surrounding Oakland's exciting bossa nova pop outfit, Trail and Ways is strangely underwhelming. It's sizeable in that their HypeM following is massive — at times seeing them eek out The Shins and Grizzly Bears — yet they're still very much a local Bay Area band you can see live for $10. The mixture of considerable digital yet untapped physical notoriety has us at the edge of our seats in fiendish anticipation as to when exactly they'll "break" the scene. Considering they're playing this year's SXSW, it's only time before the quartet is the next thing blowing up on your favorite indie blog. Meanwhile, it's quite possible your hipster roommate still hasn't heard of them — yet.

[youtube]https://www.youtube.com/watch?v=EbX0NaoAo8U[/youtube]

[soundcloud url="https://api.soundcloud.com/tracks/54557359" params="" width=" 100%" height="166" iframe="true" /]

When we head to San Francisco's Cafe Du Nord to hear these guys, the show has sold out and inquiring minds are being turned away. Inside the band is positioning themselves for their set the way most bands with humble beginnings do: lugging their gear onto the stage, lacing fairy lights and fake sunflowers around speakers and mic stands, fixing their makeup and snapping their suspenders. Their pre-performance rituals are a mix of giddy commotion, greeting friends with exuberant hugs and quietly reciting the setlist to themselves in that "This is normal yet never really that normal" way newish bands often seem to portray. Both their anxiety and their excitement are plainly visible but altogether refreshing. Unbeknownst to them, greater still is the divide in my own head, that they are the performer and I am the eager audience member.

[soundcloud url="https://api.soundcloud.com/tracks/41852793" params="" width=" 100%" height="166" iframe="true" /]

The band's housemate, a standup comic in their household and related concentric circles, supplies some lite comedic action to warm us up. Her schtick is rough around the edges but only the obnoxious seem to mind. Then things get started as frontman Keith Brown, wearing Buddy Holly rims and a genuine nice guy smile, gently guides the crowd through "Speechless" and "No Wisdom" with a shy boyishness that sort of makes us wonder if they're convinced of their own success. "Nunca" is next and it's recognizable to all who have had the pleasure of listening to their music prior. The opening sun-streaked guitar lines, supplied by multi-instrumentalist Hannah van Loon, have listeners cheering boisterously, quieting down just enough to hear Brown coo lyrics that take us meandering through a Southwestern soundscape (or Sao Paolo, as the song references).

[youtube]https://www.youtube.com/watch?v=a5JXsFR8uJo[/youtube]

There are several things worth mentioning about this band and the first ought to be that all of its members can sing. Crazy how this makes them a huge exception within a genre of music that somehow typically lacks musicians who can, well, sing. They sound like they do on Spotify, only better and more dynamic. While each of them can play an instrument and do far more than hold a note, a large portion of the group's dynamism must be attributed to the women of the band. Bassist, vocalist and songwriter Emma Oppen stands out with vocals that are feminine as much as they are mighty, capturing the ear instantaneously the way Romy Madley Croft or Amber Coffman have done with that cool effortlessness. Several times during the set it was clear certain songs would not be what they are without her warm hooks. Guitarist, violinist and synth mega-maestro, van Loon is an equal force to be reckoned with, particularly when wielding her electric guitar. It's in their live performance that you realize their most distinct melodies ("Border Crossing", "Mtn Tune" and "Nunca", most specifically) are made possible by her adroit guitar skills.

[soundcloud url="https://api.soundcloud.com/tracks/64318599" params="" width=" 100%" height="166" iframe="true" /]

This is not to say that Brown or drummer Ian Quirk are easy to overlook at all. As much as Oppen's guitar solos led the folksy cattle call, Quirk neatly held everything together with tenacious precision and a decisiveness responsible for tempering the pop lilt of these travel sonnets. He wrote and sang "Make Room", an edgy and evocative change in pace off their 2011 tropicalia-inspired release, Temporal. And when the crowd demanded an encore, Brown delivered a satisfying end to a memorable night, transforming Miguel's bedroom-rousing single, "Sure Thing" into an irresistible late night indie love jam, R&B inflections notwithstanding.

 [soundcloud url="https://api.soundcloud.com/tracks/58762199" params="" width=" 100%" height="166" iframe="true" /]

It's likely not everyone in attendance entered Cafe Du Nord with intentions of seeing Trails and Ways live but rest assured, everyone leaving the venue would be intent to do so in the future. If these savvy bossanova pop pioneers are playing in your city, promise yourself you'll see them.

Upcoming Tour Dates:

2/8 – The New Parish, Oakland CA 

3/9 – Bootleg Bar, Los Angeles CA

3/12 – SXSW, Austin TX

  • Trails and Ways Official Site
  • Trails and Ways on Facebook
  • Trails and Ways on Twitter
  • Trail and Ways on Soundcloud
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Trails and Ways
Liz Choi

Previous Article
  • Hip-Hop
  • Rap

Joey Bada$$ – "Don't Quit Your Day Job"

  • January 30, 2013
  • Liz Choi
View Article
Next Article
  • Deep House

Submotion Orchestra – "Thinking" (Mark Knight Remix)

  • January 30, 2013
  • Becky Parker
View Article
You May Also Like
View Article
  • Indie
  • Indie Pop
  • Indie Rock
  • Interviews
  • Pop

Mistine chats environmentalism, new album and a fun touring moment [Interview]

  • May 23, 2025
View Article
  • Electronic
  • Indie
  • New Music

Buscabulla Returns With 'Te Fuiste'

  • May 23, 2025
View Article
  • Indie Pop
  • Mainstage
  • Singer/songwriter

“Back to Her” is Amelie Lucille’s beautifully haunting coming-of-age ballad

  • May 23, 2025
View Article
  • Electronic

Gio and Austin Water's “Yeah3x” is the sonic escape you didn’t know you needed

  • May 23, 2025
View Article
  • Indie Pop
  • Mainstage
  • Pop

"Object of Desire" is manny moura’s anthem for the unseen

  • May 23, 2025
sunrise in jupiter
View Article
  • Alternative
  • Indie
  • Psychedelic

"It was messy, loud, and unfiltered just like the music" – Sunrise In Jupiter Discuss Music Eras, Their Live Show and New Music [Interview]

  • May 23, 2025
Tristan Roberson
View Article
  • Indie
  • Mainstage
  • Pop

Tristan Roberson turns a broken heart into a good time with ‘One Night in Dallas’

  • May 22, 2025
View Article
  • Electronic
  • Festival

Field Day 2025 is Packing a Punch with Performances from Electronic Icons: Peggy Gou, Folamour, Bubble Love & More

  • May 22, 2025
Popular Music
  • Mistine chats environmentalism, new album and a fun touring moment [Interview]
    • May 23, 2025
  • “Back to Her” is Amelie Lucille’s beautifully haunting coming-of-age ballad
    • May 23, 2025
  • Gio and Austin Water's “Yeah3x” is the sonic escape you didn’t know you needed
    • May 23, 2025
  • "Object of Desire" is manny moura’s anthem for the unseen
    • May 23, 2025
  • sunrise in jupiter
    "It was messy, loud, and unfiltered just like the music" – Sunrise In Jupiter Discuss Music Eras, Their Live Show and New Music [Interview]
    • May 23, 2025
Recent Scoops
  • Matt Oakley is redefining country music with heart, soul and modernity
    • May 5, 2025
  • Texas’ Blacktop Mojo does rock music the way it should be done
    • April 29, 2025
  • Tha Rapper Haiti blends authentic style with musical passion
    • April 28, 2025
  • Glorybots redefines rock with latest album 'mad.end'
    • April 10, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.