EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Dance
  • News

Disclosure to take a time out from music

  • February 8, 2017
  • Steph Evans
Total
0
Shares
0
0

In 2017, we know Disclosure as the UK duo who reinvigorated house music's creativity in an age when homogenized electro was clogging our release inbox. And now, in a current era influenced by their garage and soul/R&B-inspired production has influenced seemingly the rest of the industry, it's even harder to imagine that they started their journey over seven years ago in 2010. They were 18 and 15 respectively, and we've watch the hype around their music and performances swell through 2012's "Latch" with the debut of Sam Smith, Settle, "Bang That" and 2015's Caracal. Well, today, the guys announced another big move in their career – a break. Growing their careers and sound throughout their teenage years, today they announced on Twitter a hiatus of sorts. The guys will continue to play special, specific shows in 2017, but mostly, are looking to take some much needed rest. 

Read their letter to fans – full of gratitude – below.

? pic.twitter.com/iRMHoiTFzl

— Disclosure (@disclosure) February 8, 2017

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Disclosure
Steph Evans

It all started with Pakito's "Living on Video."

You May Also Like
View Article
  • Interviews
  • Mainstage
  • New Music
  • Post-Punk
  • Psych-rock

Sunglaciers step into a new era with 'Spiritual Content' [Interview]

  • March 27, 2026
View Article
  • Alternative
  • Mainstage
  • Pop
  • Rock

Liya Shapiro captures the lingering pull of past love on “Another Woman”

  • March 27, 2026
View Article
  • Mainstage
  • New Music
  • Rock

Gordy Murphy delivers reflective new single “Wash”

  • March 27, 2026
View Article
  • Funk
  • Jazz
  • Jazz Fusion
  • Mainstage
  • New Music

Gregory Ackerman blends jazz, funk, and gospel on "Call Me Crazy"

  • March 27, 2026
View Article
  • Mainstage
  • New Music
  • R&B

Luna Elle reimagines "AMPM" with a smooth, vibey remix featuring Foggieraw

  • March 27, 2026
View Article
  • Alternative R&B
  • Dance
  • Jazzhop
  • New Music
  • Nu-Jazz
  • Pop
  • R&B

Jam music collective Brooklyn Funk Essentials shares new single "Black Butterfly"

  • March 27, 2026
View Article
  • Indie
  • Mainstage
  • Pop

Mezmah captures the pulse of Nairobi with “Nairobbery”

  • March 27, 2026
View Article
  • Dreampop
  • Indie
  • Mainstage
  • Shoegaze

Pills for Tomorrow release new lead single "Echoes" off upcoming debut album

  • March 26, 2026
Popular Music
  • West Coast force Hoodtrophy Bino puts the shine on Keykinya with toxic‑love anthem “My Way”
    • March 27, 2026
  • Liya Shapiro captures the lingering pull of past love on “Another Woman”
    • March 27, 2026
  • Gordy Murphy delivers reflective new single “Wash”
    • March 27, 2026
  • Nali Talks Viral Breakthrough, ‘4 U,’ and Embracing Vulnerability in Her Music [Interview]
    • March 26, 2026
  • Jam music collective Brooklyn Funk Essentials shares new single "Black Butterfly"
    • March 27, 2026
Recent Scoops
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.