EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Hip-Hop
  • News

Macklemore & Ryan Lewis hit Platinum

  • August 28, 2013
  • EARMILK Staff
Total
0
Shares
0
0

On October 9, 2012, Macklemore & Ryan Lewis released an album entitled The Heist expecting minimal reaction.  With no mainstream promotion or support, the hip-hop duo hoped to crack 30,000 total units sold for a record that was independently produced, recorded and released.  But somehow, someway, the music caught fire.  Today, Mack and Ryan celebrate a new feat, one million copies sold, and their first platinum record.  But how exactly did they do it?

Maybe it was the funky, feel good trumpets on a first single like “Thrift Shop” that spread the popularity.  Maybe a music video that included the colorful visuals of Macklemore running over couches dropped the jaws of fans across the world.  Maybe it was it’s incredibly catchy hook that had little kids everywhere screaming “this is f****** awesome.”  Eventually, it became a song that infiltrated what seemed like every radio station in America and spread like wildfire across the world.  The single is now five times platinum.

Maybe it was the second single.  The inspirational and uplifting drums of a song like “Can’t Hold Us,” had fans everywhere feeling like they could be anything they wanted to, as if “the ceiling can’t hold us.” Maybe even captain of a pirate ship.  So when it came time to make a video for a song that is now 3 times platinum what did he do?  He rapped on a pirate ship, a traveling living room attached to a pickup truck and then sky dived out of an airplane onto the space needle.  That video now sits at around 100 million views and recently just one the VMA for best hip-hop video.  

But with all the radio success and platinum singles, the meaning behind The Heist sometimes gets lost.  The emotion, the struggle and pure writing ability of an independent artist who’s taken his notebook rhymes out of his mom’s basement and into the limelight has been blurred and mutated.  Songs that speak for something in this desensitized world get forgotten.  Tracks like “Wings,” “Starting Over” and ‘Jimmy Iovine” tackle really controversial topics in an extremely creative way with flawless production from Ryan Lewis.  So how do they avoid being called sell-outs when the mainstream media only covers their playful sound?

They release a beautiful track featuring the magnificent voice of Mary Lambert in an attempt to promote gay rights.  “Same Love,” carries a message that most mainstream music can’t compete with and has recently hit platinum as well.  As Macklemore stated in a speech at the VMA’s, it’s the record he’s “most proud of in his career.”  And he should be, an independent artist spent the last year stealing the spotlight from a lot of bigger acts with an album properly named, The Heist.

  • Purchase The Heist 
  • Macklemore on Facebook 
  • Macklemore on Twitter

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Macklemore & Ryan Lewis
  • The Heist
EARMILK Staff

You May Also Like
View Article
  • Alternative R&B
  • Interviews
  • Jazz
  • Soul

Walking toward the light: Dominique Fils-Aimé’s journey through 'My World Is The Sun' [Interview]

  • March 4, 2026
View Article
  • Future R&B

Bonnie Freechild explores the depth, vulnerability and sensuality of womanhood in powerful new EP "Aftertaste"

  • March 4, 2026
View Article
  • Alternative R&B
  • Indie
  • Industrial
  • Interviews
  • Neo-Soul
  • Punk
  • R&B
  • Soul
  • Uncategorized

From Soundcloud to opening for Little Dragon, April + VISTA have done it all independently

  • March 2, 2026
View Article
  • Hip-Hop
  • Music Videos
  • Rap

SLYE balances grit and elegance on “Cold Sniper” [Video]

  • February 28, 2026
View Article
  • Events Stage
  • Music Gear

After Now – The cultural collective, event series and studio making Tolouse the epicentre of French electronic music

  • February 27, 2026
CAPYAC and Lando Chill
View Article
  • Alternative R&B
  • Electro Pop
  • Funk
  • Videos

CAPYAC & Lando Chill deliver groove and playful storytelling in "Rye Bread" music video

  • February 25, 2026
Gena Perala
View Article
  • Indie
  • Indie Pop
  • Mainstage
  • Music Industry
  • New Music
  • Pop
  • Singer/songwriter

Gena Perala strikes with cinematic precision on alt-country gem “Machete”

  • February 24, 2026
View Article
  • Dance
  • Electronic
  • Hip-Hop
  • Mainstage
  • Music Videos
  • Rap
  • Uncategorized

Ana Tijoux Channels Your Favorite Boom Bap Rapper With Victorious New Single

  • February 23, 2026
Popular Music
  • Dan Saulpaugh’s “I Waited For You” is the musical art of becoming
    • March 4, 2026
  • Walking toward the light: Dominique Fils-Aimé’s journey through 'My World Is The Sun' [Interview]
    • March 4, 2026
  • YME BEATS
    YME BEATS shares inner strength with electrifying new anthem “Unbreakable”
    • March 5, 2026
  • Bonnie Freechild explores the depth, vulnerability and sensuality of womanhood in powerful new EP "Aftertaste"
    • March 4, 2026
  • Stereo Silence
    Stereo Silence shares a raw passion on explosive new single “I’ll Do Anything”
    • March 4, 2026
Recent Scoops
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.