Joachim Horsley has just landed a Latin GRAMMY nomination for Best Arrangement, and it feels like a perfectly timed moment for an artist who thrives on blurring musical borders.
Nominated for his track “Bach’s Cuban Concerto for Piano and Tres” from his latest album Afro Bach, the pianist and composer continues to be celebrated for the way he reimagines classical music through a global lens.
It’s a huge recognition for a musician who has built a reputation for doing things differently.
Afro Bach is where Horsley’s vision truly comes alive. The album is a bold, immersive listening experience that fuses classical piano with Afro-Cuban rhythms, vibrant brass, and cinematic flair.
It’s richly colored, flamboyant, and dramatic, with the piano leading like a central character in a musical theatre production.
Each track feels alive, as if the instruments themselves are in motion, dancing and responding to one another in real time. It’s not just something you listen to–it’s something you experience, and it’s unlike anything else currently out there.
Joachim’s built a body of work that bridges genres, cultures, and audiences with ease. This Latin GRAMMY nomination is more than an accolade–it’s a reflection of years spent pushing classical music into bold, new territory.
With Afro Bach still resonating and his creative momentum stronger than ever, Joachim Horsley’s moment feels not just earned, but long overdue.
