EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Electro Hop
  • Electro R&B
  • Future Funk
  • Jazzhop
  • Nu-Jazz

Royal Canoe and NNAMDÏ push jazz to its astral limits in "Scratching Static"

  • June 1, 2021
  • Mark Salisbury
Total
0
Shares
0
0

Canadian indie group Royal Canoe has continued its foray into newer, more textured territories for their new song “Scratching Static”, due in no small part to a feature from the mercurially talented Chicago genre-hopper NNAMDÏ, whose presence seems to encourage the most outlandish behaviour from the music surrounding him. Royal Canoe are no strangers to versatility themselves, so it was anyone’s guess as to which direction this collaboration might head in. We could have got metalcore or shoegaze, but instead we got this bubbling, jazz-inflected heater rife with stream of consciousness lyrics and irrepressible bounce.

The bass synths shift and disperse over a scattered jazzy drum line while twinkly pianos and assorted layers of subtle instrumentation are piled on top of each other to create a fully interactive microcosm. NNAMDÏ’s vocal performance is pure effortless excellence, casually traversing the spectrum between hazy melodies and a laconic drawl which coasts over the track at a cool 45° angle. The song is intended to reflect the interminable rush of New York jazz musicians playing gigs 7 nights a week, and the freeform nature of NNAMDÏ’s lyrics and inflections match the concept while building on this snapshot of a mythologised world.

“Find a rhythm and ride it high like a plane flown

Built from nothing, a lie to say that you ain’t grown

Grind Rodney Mullen mulling over prior payroll

Find love in something, burning up like Pryor’s halo”

It would be tempting to call this track ‘Modern Jazz’, but that conjures all the wrong associations. As well as that, the well of influences drawn from in “Scratching Static” includes jazz but goes way deeper. One day we may see a world in which genres do not exist and all styles of music interact with each other the way they do on this track, destroying all self-imposed barriers and letting go of our primitive tribalistic urges. One can only hope, but for now hearing NNAMDÏ match Royal Canoe’s joyous experimentation to create a one-off piece of alchemy will more than suffice. “Scratching Static” is the second single after the track “Butterfalls” to be released from Royal Canoe’s forthcoming album Sidelining, due on July 9 via Paper Bag Records.

Connect with Royal Canoe: Twitter | Instagram | Spotify

Connect with NNAMDÏ: Twitter | Instagram | Spotify

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • beat
  • experimental
  • funk
  • Jazz
  • lyrics
  • NNAMDÏ
  • Paper Bag Records
  • royal canoe
  • sidelining
  • soul
  • synth
Mark Salisbury

Previous Article
  • Electronic
  • Hip-Hop
  • Music Videos

Toya Delazy's "Resurrection" is a return to form [Video]

  • June 1, 2021
  • Tayo Odutola
View Article
Next Article
  • Hip-Hop

Lex Lavo and Benny From the North give us the "Key to the Streets" of NY

  • June 1, 2021
  • Margaritë "Magi" Camaj
View Article
You May Also Like
View Article
  • Feature
  • Interviews
  • Mainstage
  • New Music
  • Nu-Jazz
  • Soul

Coloring the canvas: Charlotte Dos Santos in conversation [Interview]

  • October 17, 2025
View Article
  • Hip-Hop
  • Jazz
  • Jazzhop
  • Pop

The Urban Renewal Project share riveting new single "Money (featuring Oh No)"

  • September 19, 2025
View Article
  • Alternative R&B
  • Electro R&B
  • Electronic
  • Glitch
  • Interviews
  • Mainstage
  • Neo-Soul

Magi Merlin on Broken R&B, Exploring Lyrical Themes, and Her FME 2025 Debut [Interview]

  • September 3, 2025
View Article
  • Electro R&B
  • Electronic
  • Mainstage
  • New Music

The Canadian duo of dreams come together on their latest single"Behave!" feat. Ouri & Charlotte Day Wilson

  • August 22, 2025
View Article
  • Drum and Bass
  • Electro Hop
  • Hip-Hop
  • New Music
  • Rap
  • Spoken Word

Tebi Rex bow out with final album ‘Fin.’ and standout single “And I’m Mad.”

  • August 22, 2025
Photo provided by Rafael Pavarotti
View Article
  • Indie
  • Mainstage
  • Nu-Jazz

British Multi-instrumentalist Cktrl Returns With Harrowing New Single

  • July 16, 2025
View Article
  • Deep House
  • Mainstage
  • Nu-Jazz

Aguava blends deep house & NOLA jazz on new single “Flying Fish”

  • April 25, 2025
Natalie Slade
View Article
  • Electro R&B
  • Electronic
  • New Music
  • R&B

Natalie Slade Delivers Spiritual Cool and Shape-Shifting Soul on "Unquenchable Craving"

  • April 23, 2025
Popular Music
  • The Utopiates reclaim their rhythm with “Lost My Groove”
    • November 22, 2025
  • Hien
    Hien returns with a glowing new video for “I Know You” featuring Oreine
    • November 22, 2025
  • Meher
    Meher steps into a new creative chapter with “Adorned”
    • November 22, 2025
  • Dontáe’s Peak
    Dontáe’s Peak unlocks a new level of cool confidence with “The Cruise”
    • November 22, 2025
  • Dominique Fils-Aimé shares the gentle power of "Going Home"
    • November 21, 2025
Recent Scoops
  • Winter Music Conference returns to Miami Music Week with new home for 2026
    • November 6, 2025
  • Simone Feroci establishes his towering presence in the world of bass guitars with hopeful track "California Forever"
    • October 30, 2025
  • UK Festivals Wrapped Up: A diverse weekend of music, food and culture
    • October 2, 2025
  • DNORRI is a breakout voice built for musical resonance and connection
    • September 25, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.