EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Hip-Hop
  • Music Videos

James Guild's "Basic Cable" video announces forthcoming album

  • December 12, 2017
  • Jack Harding
Total
0
Shares
0
0

James Guild deliveries a video for his most recent single "Basic Cable". The song is produced by fellow Bostonian Latrell James who has production credits for Cousin Stizz and Aaron Rose. The production here is bouncy with darker tempo switch and some added distortion on the outro. James has equally bouncy flow to compliment the production and a great treatment to his vocals to differentiate himself.

The video for this project was directed by Lord Felix and is a house tour with some eerie content ending with James sitting in the basement under red light looking sinister. During this last scene the outro James leads with the line "I can see the demons, I can see them" matching the previously mentioned production. This song will be featured on James' album Phoenix which is on the way. Check out this video and stay tuned for the new project coming soon. 

Connect to James Guild: Twitter | SoundCloud | Instagram 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Basic Cable
  • James Guild
  • Phoenix
Jack Harding

Stop and take a listen

Previous Article
  • Electronic
  • Soul

Fredwave's latest EP 'FAILURE' is anything but

  • December 11, 2017
  • James Schiff
View Article
Next Article
  • Dance

Martin Solveig's work on Tiga's "Woke" is an unlikely gem

  • December 12, 2017
  • Steph Evans
View Article
You May Also Like
View Article
  • Alternative
  • Ambient R&B
  • Indie
  • Interviews
  • Mainstage
  • New Music

Inside the lush, intimate world of Arima Ederra’s 'A Rush To Nowhere' [Interview]

  • March 6, 2026
View Article
  • Chillout
  • Folk Rock
  • Indie
  • Pop
  • Reggae

Todd Carey, Kash'd Out and G. Love & Special Sauce create intoxicating and breezy new single "LFG"

  • March 6, 2026
View Article
  • Mainstage
  • Music Videos
  • R&B

Step into a daydream with “hopeless romantic” by kwn [Video]

  • March 6, 2026
View Article
  • Music Videos

Fur Trapper releases claymation visuals for haunting single "Rot for Spite"

  • March 6, 2026
Cosmic Canna Beats
View Article
  • Electronic
  • Hip-Hop
  • Indie
  • Pop

Cosmic Canna Beats finds meaning in sound with the reflective instrumental album "THIS FOUND YOU FOR A REASON"

  • March 5, 2026
View Article
  • Hip-Hop
  • Rap

AL99 shares dynamic new album 'ELEVATE'

  • March 5, 2026
View Article
  • Alternative R&B
  • Interviews
  • Jazz
  • Soul

Walking toward the light: Dominique Fils-Aimé’s journey through 'My World Is The Sun' [Interview]

  • March 4, 2026
View Article
  • Future R&B

Bonnie Freechild explores the depth, vulnerability and sensuality of womanhood in powerful new EP "Aftertaste"

  • March 4, 2026
Popular Music
  • JNR CHOI drops refreshing house inspired breakup single "Pick Up"
    • March 6, 2026
  • Todd Carey, Kash'd Out and G. Love & Special Sauce create intoxicating and breezy new single "LFG"
    • March 6, 2026
  • Inside the lush, intimate world of Arima Ederra’s 'A Rush To Nowhere' [Interview]
    • March 6, 2026
  • New electronic duo Mar y Cel debut their project with "Thrill Me" via 1980 Recordings
    • March 6, 2026
  • Step into a daydream with “hopeless romantic” by kwn [Video]
    • March 6, 2026
Recent Scoops
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.