Pisgah, the solo venture of London-based American singer-songwriter Brittney Jenkins, delivers an impressive artistic leap with her second full-length album, Faultlines. The eight-track record is a captivating exploration of profound emotional territory, balancing raw intensity with shimmering indie rock textures.
Building on her acclaimed debut, Jenkins’ songwriting here is both emotionally unflinching and sonically expansive. The music draws comparisons to the introspective lyrical style of artists like Julia Jacklin and Ex:Re, infused with the raw emotional power of Big Thief. Working from her home studio, Jenkins wrote and recorded the album, which was then co-produced, mixed, and mastered by Dan Duszynski (Loma, Jess Williamson). The result is a soundscape ranging from quiet, haunting minimalism to euphoric layers of electric guitar.
The album’s themes delve into the complexities of generational trauma, personal loss, and the pivotal moments that redefine a life. Jenkins’ academic background in art history informs her process, having used a moodboard inspired by the duality of shadow and light to shape the music. The diverse inspiration—from desert thunderstorms to the art of Francesca Woodman and the quiet devotion of Hecate—creates a richly layered experience.
As Jenkins herself explains, “Faultlines explores where fault lies when our relationships, with others and with ourselves, break down completely. It’s about the before and after moments that divide a life, and how you rebuild from them.” With tracks like the thunderous “Cumulonimbus” and the devastating emotional centerpiece “Bone to Pick,” Faultlines cements Pisgah as a formidable voice in contemporary indie music, transforming turbulence into compelling art.
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