2024 was one of the most monolithic years of the decade, defining the year as the year of shifting the balance. A chapter defined by feats from industry giants, rivaled by an onslaught of new faces. Pop icons sought refuge in unfamiliar spaces, only to be dragged out and forced to face a new norm. A greater public conscience has developed, and more and more listeners are asking for something real. With AI music infiltrating the industry, creating songs from stolen data, its algorithm is developing artists and bands to fill playlists on every major streaming platform. Deepfakes are getting eerily normalized by pop stars, to the point where the times don’t feel real. It’s within these troubling moments that the visceral need for life and truth is held down by artists. Creative expression is the foundation for resilience, for hope. So we’re holding down and screaming our sets. We’re embracing our cities and calling out folks who are a danger to our communities for the sake of some honest distraction.
In the smoke, a number of creative titans of their fields were lost, but their names left far more than just great music within their legacy. Art and the popular culture we consume will remain invigorated, left to inspire a slew of voices, old and new. We pay respects to Ka. Fatman Scoop. Saafir. Quincy Jones, just to name a few.
Popular music and extensions of art will never be the same, but this year gave us plenty of staples of the new norm and the new expectation, setting the bar for more forward-thinking artists to push the medium to unbelievable heights. And while we face an ever-changing industry and an unsettling future, art will always hold us down.
50. Love (the) Ominous World, Blu and Exile
With their newest album, Love (the) Ominous World, lauded Los Angeles duo Blu & Exile conjure a potent tribute to the golden age of West Coast hip-hop while presenting a refreshing sound and remaining open to eclectic experimentation. Exile’s organic, soulful production style matches Blu’s vivid storytelling and dynamic flows seamlessly, as the duo creates an immersive, nostalgic experience for the listener across 12 songs. Continuing a highly consistent run, they offer a thought-provoking new release with Love (the) Ominous World that feels rooted in their renowned sound while also remaining unafraid to explore new territory with engaging, varied tracks. – Jacob Saltzberg
49. The Thief Next To Jesus, Ka
The Thief Next to Jesus is the compelling, layered album from the late, great Brooklyn rapper Ka, who tragically passed this year at the age of 52. The Thief Next to Jesus embodies his unwavering dedication to his truest self-expression, with a set of riveting, evocative songs that push the boundaries of lyricism as an art form while provoking deep thought throughout. His 11th album is a somber, powerful exploration and reflection of self-set to stark, emotive instrumentals often drawing from gospel sampling. With its transcendent, lucid writing and sound, The Thief Next To Jesus further shows why Ka is one of the most impactful songwriters of his generation in hip-hop. – Jacob Saltzberg
48. This Could Be Texas, English Teacher
Explosive art-rock crafted to soundtrack thought-provoking lyricism and razor-sharp wit were the major thrusts that saw English Teacher transition from bubbling under to full-on main characters this year on their label debut This Could Be Texas. The Mercury Music Prize-winning album is an audacious and electrifying statement, combining a fearless sonic palette with a genre-defying blend of jagged post-punk, dreamy indie, and sardonic kitchen sink, working-class realism. Lead singer Lily Fontaine’s voice shifts effortlessly between tender vulnerability and fierce defiance, anchoring the album’s vivid storytelling and relentless energy, while the whole band has a knack for juxtaposing biting social commentary with cathartic, soaring choruses. Mixing intelligent execution with their obvious musical savvy This Could Be Texas feels like a simultaneously embattled rallying cry and a thrilling celebration of hope. – Matt Young
47. Lives Outgrown, Beth Gibbons
On Lives Outgrown, Beth Gibbons crafts an album that feels both devastatingly intimate and profoundly universal, cementing her place as one of the year’s most compelling voices. Known for her work with Portishead, Gibbons dives deeper into more raw, emotional terrain, blending hauntingly sparse arrangements with poignant, personal lyrical narratives. The album’s sonic palette oscillates between the aching simplicity of piano-led ballads and the quiet dissonance of experimental, psychedelic textures, each track a testament to her mastery of mood. By seamlessly weaving lush production with emotionally resonant songwriting, Lives Outgrown transcends mere listening, it is a visceral experience that lingers. Gibbon's voice, an instrument of fragility and fire, leads the charge – quivering with vulnerability one moment and soaring with quiet defiance the next. The album isn’t just a collection of songs; it’s a long overdue sonic memoir, earning rightful admiration and plaudits for its bold honesty and unparalleled artistry. – Matt Young
46. Rooms with a View, Donna Lewis
Platinum-selling artist Donna Lewis, in collaboration with celebrated producer Holmes Ives, has released one of the highlights of her career, the evocative Rooms with a View. The art-pop meets electronic album is a poignant and riveting ten-track journey, taking listeners through her breast cancer diagnosis, treatment, and ultimate healing. Album opener “The Messenger” features ethereal vocals over hauntingly moody soundscapes and mesmerizing trip-hop-infused beats, setting the stage for the introspective and reflective recollections to come. The title track leans into themes of inner strength and the much-needed care from others that is crucial for ultimate recovery. The album marks a new chapter for the Welsh artist, one that blends her signature emotional depth with a willingness to experiment with new sounds and musical ideas. There’s a sense of liberation here as if Donna Lewis is embracing all the complexity of her emotions and experiences, grief, love, resilience, and joy, and translating them into songs that feel both timeless and contemporary. – Victoria Posely
45. TANGK, IDLES
TANGK is described by IDLES as being made in love, and all about love; an "album of beauty and power." Well, love isn't always fluffy and cuddly, or sweet, or gentle, or even, necessarily, happy — and that's exactly what the band has discovered and attempted to translate into words and music on this record. The tracks cover immense distances as IDLES explore familiar territory and new ideas: from the gentle piano opening of "IDEA 01" to the sultry saxophone outro of "Monolith," there are moments of prayerful reflection, catharsis, redemption, and righteous anger. But the skill of IDLES means those myriad emotions are melded confidently and legitimately into a beautiful and downright satisfying whole. They've taken rebellion, disillusionment, pain, joy, and much more; and they've melted it all down and passed it through the refiner's fire to discover at the core: love. – Phil Taylor
44. Shirt, Porches
With Shirt, Aaron Maine delivers his most audacious album yet, forging a path through turbulent emotions and raw, jagged sounds. While it nods to the rock influences of his past, this record pushes far beyond nostalgia, blending intensity with a restless, forward-thinking creativity.
The songs here are sharp-edged and unpredictable, built on dynamic contrasts. Moments of restrained introspection erupt into gritty bursts of noise, creating an ever-shifting emotional landscape. Tracks like “Rag” bristle with nervous energy, while others, such as “Precious,” feel like they’re unraveling in real-time, weighted with tension and atmosphere. Maine’s experimental use of vocal effects—melding human fragility with alien textures—adds to the record’s haunting and unconventional allure.
While Shirt incorporates loud, distorted guitars, it avoids falling into typical rock tropes, weaving in electronic tones and sparse, inventive production. The result is an album that feels deeply personal yet deliberately abstract, capturing both chaos and clarity in equal measure. By fully embracing his own idiosyncrasies, Maine has created a work that is fearless, deeply evocative, and impossible to categorise—a milestone in his already eclectic career. – Antonia Sulley
43. Novium, Dutch Criminal Record
Dutch Criminal Record’s debut album, Novium, radiates sun-soaked energy, blending nostalgic indie surf vibes with a psychedelic Gen Z twist. Named after the Latin word for their hometown, Chichester, Novium serves as both a reflection on the band’s roots and a celebration of their growth.
Released in summer 2024 via AntiFragile Music, this album builds on their previous work, adding an alternative edge that captures the vibrancy of their live performances. From intricate, guitar-driven soundscapes to irresistibly catchy hooks, Novium fulfills the promise of the band’s meteoric rise so far. Highlights include the breezy, dream-pop charm of “Texas Rains,” “Now or Never,” and “Coming-of-Age Movie,” all brimming with chorus-soaked beach-indie vibes. These more upbeat tracks contrast beautifully with the post-punk grit of the spoken word in “Gaslight” and the tender introspection of “Baby Blue,” which offers a reflective tone and closes with a euphoric instrumental layered beneath a perfectly placed speech sample.
Dutch Criminal Record crafts a dynamic, breezy, and light yet also immersive and emotionally attuned debut that’s full of inventive ideas and brilliant songwriting. – Antonia Sulley
42. House Music For Stripclubs, Yellow Claw x Euro Trash
With an alter ego like no other, Yellow Claw’s house and techno alias known €URO TRA$H unveiled their highly anticipated second album, House Music For Stripclubs, out on the Barong Family label. With 13 tracks digging deep into that club-ready sound we all need in our lives, the power duo has proven to deliver those infectious grooves to bring listeners into the underground. A highlight of 2024 indeed, Yellow Claw continues to dominate the music industry no matter what genre they put their heart and soul into. – Alshaan Kassam
41. Comfort in Chaos, John Summit
It was certainly a big year for John Summit—making waves on social media, performing alongside fellow DJ Dom Dolla, and of course, releasing his debut album: Comfort in Chaos. Summit is known for his house and techno sound, but he stepped out of his comfort zone and erred on the experimental side with this release. Featuring collaborations with other artists like Of the Trees and Elderbrook, along with leaning on powerful female vocals from HAYLA and Paige Cavell, the album pushes boundaries while maintaining Summit's infectious energy.
Tracks like “Tears” and “Shiver” bring you to an ethereal, euphoric place while "EAT THE BASS" invites you to put your dancing shoes on. Plus, the album features his iconic track “Where You Are” featuring HAYLA, with over 170 million Spotify streams. Comfort in Chaos not only showcases Summit's evolution as an artist but also cements his status as a rising force to be reckoned with in electronic music. – Kelsey Kryger
40. megacity1000, 1tbsp
1tbsp (Maxwell Byrne) is a storyteller. A rare gem in the world of electronic music, particularly mainly instrumental tracks – Byrne manages to paint a picture of a world, drenched in dystopian discourse in his new album "Megacity1000." He explained his feelings while writing the album, saying that he was “really fascinated and intimidated by the problems that my generation are starting to face around expanding population growth, climate change & gentrification.”
The album’s sound is both adventurous and cohesive, with UK Garage, House, and unclassifiable elements stitched together by its percussive grooves. 1tbsp describes the work as a "concept dance album" while highlighting his perception of the irony layered within it: “The promotion of the album (ironically pro-capitalistic) follows the arc of building the city, trying to bring on investors & entice people to move, and then ultimately the city failing.” Tracks like “The City Never Felt So Good” capture this paradox, combining escapist beats with themes grounded in harsh reality. There's a glorious juxtaposition throughout the album which, ultimately inspired by an image of a failed future – somehow evokes a feeling of joy through the artist's groove-rich, unique production style. – Aiden Grant
39. The Road To Hell Is Paved With Good Intentions, Vegyn
Strengthening his burgeoning reputation as one of London’s most eclectic electronic producers, PLZ Make It Ruins label founder Joe Thornalley, who has contributed to Frank Ocean and Travis Scott records, pursued the solo spotlight for the second time on a full-length basis with The Road To Hell Is Paved With Good Intentions in April. Trading his IDM and Braindance roots for more spectral and calming sounds under the alias of Vegyn again, he constructed 45 minutes worth of the most life-affirming, meditative Ambient and Techno tapestries of sound you were likely to encounter in 2024. Filling his soundscapes with plentiful doses of melancholy while delicately grasping at optimism, Thornalley delivered
accessible yet fractured recordings that are filled with sustained notes and fleshed-out chords to place a righteous emphasis on mood, using sanguine instrumental passages and gentle Hip-Hop influences recalling the origins that inserted him in the scene to create a record that sublimely captures feeling first above all else. – Jacob Braybrooke
38. Timeless, Kaytranada
Kaytranada is known for his unique sound, often blending soul and R&B with dance music. His release of Timeless is no exception to this rule, delivering a slower summer album with effortlessly smooth vibes that are perfect for sunny afternoons and late-night drives. With some star-studded vocal features from artists like Childish Gambino and Anderson .Paak, Kaytranada showcases his undeniable knack for curating unforgettable collaborations.
Fans want Kaytranada to experiment and keep them on their toes, and though the album is largely rooted in his signature style, he sneaks in some surprise elements. “Drip Sweat,” featuring Channel Tres gives us a taste of U.K. garage, while “Do 2 Me” takes a tropical house turn, proving that Kaytranada’s versatility knows no bounds. Even with its slower, laid-back sounds, the album never loses Kaytranada’s signature touch—effortlessly blending beats that make you want to move. – Kelsey Kryger
37. Prelude To Ecstacy, The Last Dinner Party
The Last Dinner Party arrived full throttle with Prelude to Ecstasy, their dazzling baroque pop debut, and redefined what modern pop can be, effortlessly blending opulence with emotional depth. Overflowing with sweeping instrumentation and theatrical flair, the album draws on glam rock, and modern indie, creating a soundscape that feels both timeless and utterly fresh. The all-women five-piece excelled with their charismatic presence, particularly singer Abigail Morris, all swooping, intricate harmonies and rock fantasies elevated within their storytelling. Front-to-back Prelude to Ecstasy exudes a sense of euphoria and heartbreak all at once. Triumph one instance, cinematic grandeur the next with occasional doubt and broken hearts. By fearlessly blending musical ambition with intimacy, Prelude to Ecstasy establishes The Last Dinner Party as a bold new voice in music with one of the year’s most electrifying releases. – Matt Young
36. Submarine, The Marías
Released in May, The Marías' second album Submarine has been the perfect dream-pop soundtrack to 2024. Submarine saw the band slow things down for a more chilled-out soundscape than longtime fans might be used to, but that by no means is to say it isn’t worth the love it’s received. Top tracks No One "Noticed," and "Sienna" are perfect examples of this, with both starting out with hazy, drawn-out intros, and third top track "Run Your Mouth" picking up the energy more than most of the rest of the album. Showing off some excellent, groovy bass work and interspersed with The Marias’ usual bilingual lyrics, The Marias is definitely an act to keep watching. – Leo Edworthy
35. For People Who Aren't There Anymore, Future Islands
After 6 albums, Future Islands prove they are just as electric as the day they appeared on Letterman. Born out of COVID lockdown, Future Islands releases People Who Aren’t There Anymore. The project is much like the rest of the band’s music, it just turned up to 20 this time around. The lyrics are much darker, the guitar strikes just a bit more heavily, and lead vocalist Samuel T. Herring’s cries pinch a lot harder. With the backing of their synth-pop sound, Future Island simply builds upon their stellar groove-catching catalog. – Donovan Wilkins
34. Good Together, Lake Street Dive
After spending 20 years and seven albums outside the grasp of mainstream recognition, indie pop stalwarts Lake Street Dive may finally hit the big time with their eighth album Good Together, and it’s well deserved.
Pivoting from the departure of founding member Mike “McDuck” Olson, the Boston quintet led by Rachael Price distilled their eclectic blend of jazz, pop and R&B to its fullest, yet also most accessible, potential. Right out the gate, the title track and album highlight “Dance with a Stranger” seek to get listeners on their feet.
The lyrics see Lake Street Dive venture out of their comfort zone in search of self-improvement, especially on songs like “Party on the Roof” and “Help is On the Way.” On the musical side, the band experimented and created a songwriting game inspired by “Dungeons & Dragons” that left the compositions of the title track, “Far Gone” and “Walking Uphill” to chance, and it succeeded beautifully and resulted in some of the band’s most adventurous songs.
But the band still manages to devote time to speak to the underdogs and oddballs they’ve always catered to on songs like “Seats at the Bar” and closer “Set Sail (Prometheus & Eros).”
If you’ve never heard of Lake Street Dive, now is the best time to get into their music. Good Together welcomes new listeners with open arms and reassures diehards that their signature eccentricity isn’t going anywhere, if not up. – Raniel Santos
33. Here in the Pitch, Jessica Pratt
Jessica Pratt’s Here in the Pitch is a delicate and beautifully intimate offering from the American singer-songwriter, showcasing her ability to create deeply personal atmospheres. The album exudes a timeless charm, with tracks like “Life Is” and “The Last Year” carrying an old-world quality that invites listeners into a nostalgic, reflective space. Pratt’s ethereal, whispery vocals blend seamlessly with the gentle folk arrangements, enhancing the intimacy and vulnerability at the heart of the record. Her ability to evoke emotion with such subtlety makes Here in the Pitch a captivating listen, ideal for those seeking an understated yet profound musical experience. – Angela Cook
32. The Auditorium, Vol. 1, Common & Pete Rock
Wisdom is a brilliant result of experience is an outstanding message evoked by Hip-Hop icons Common & Pete Rock on The Auditorium, Vol. 1. Utilizing mature, rich and soulful production to evoke role models like Prince and Shelia E while re-contextualising their specificities in the headstrong essence of Hip-Hop, this affectionate collaboration between
the Oscar-nominated actor and the Jazz-Rap pioneer was sculptured clearly to distill decades of participation in Hip-Hop culture into a loving retrospective of the genre’s realness. Powered by lively sampling work, shapeshifting Boom-Bap production, and intimate, spiritually engaging vocal performances from the compatible pair, the full-length effort was a triumphant compilation of anthems regarding existentialism, solidarity, musical community, and continued resilience through middle-age trials that gracefully avoids pandering to fan service like a refined Ballerina on an Auditorium stage, as the two icons pushing their 50’s arguably, strongly show the youngsters how it’s done. – Jacob Braybrooke
31. This Wasn't Meant For You Anyway Lola Young
This Wasn’t Meant For You Anyway is a raw, confessional journey, powered by infectious rhythms and soulful, raspy vocals that exude confidence and intent. Lola Young delivers a performance that feels as bold as it is unfiltered, showcasing her unique edge. Tracks like "Conceited" and "Messy" lean into Young’s sharp lyrical wit and funky instrumentation, affirming her no-nonsense attitude. "Conceited," in particular, captivates with its dynamic shifts, culminating in a rock-infused explosion that solidifies its place as a standout moment on the album.
The record radiates spice and raw emotion, offering a refreshing blend of vulnerability and unapologetic swagger that feels both beautiful and invigorating. – Angela Cook
30. Sonido Cosmico Hermanos Gutierrez
Hermanos Gutiérrez’s Sonido Cósmico is an evocative instrumental album showcasing their guitar-driven sound's cinematic and emotional range. The album tells stories without words, blending rhythmic and melodic elements to craft vivid, immersive experiences. Tracks like “Low Sun” feature sharp, addictive flourishes, while “El Fantasma” evokes the mysterious twang of Western soundtracks, creating a sense of slow, mischievous allure. The brothers’ intricate fingerpicking and stylistic nods to North and South American traditions give the album a distinct identity, positioning it among the best in cool, modern instrumental music.
The title track, “Sonido Cósmico,” ventures into a cosmic territory with pulsing electric guitars, poetic strings, and thunderous drums, reflecting their most ambitious effort yet. The duo’s ability to blend emotional warmth with cinematic scope sets their music apart, offering a fresh yet familiar sound for fans of atmospheric instrumentals. – Angela Cook
29. No Name, Jack White
With the last few records, White challenged us with a few versions of Dylan’s Empire Burlesque, which was as divisive and experimental as anything on Boarding House Reach, Fear of the Dawn, or Entering Heaven Alive. His sixth record, No Name, however, is exactly what he does best: riffage, hooks, and simplicity. Much has been said about standout tracks like “It’s Rough On Rats (If You’re Asking)” and “Archbishop Harold Holmes” – the latter tied to White’s in-character antics, handing out faux notes from the Bank of Archbishop Harold Holmes during his club tour. “What’s The Rumpus?”, with its soaring chorus about the spread of misinformation, deserves to be part of that conversation. Its energy and relevance make it one of the album’s most memorable moments.
On what might be his best solo record, White proves he’s the only artist who can pull off a Led Zeppelin tribute and make it feel earned. The album’s final track, “Terminal Archenemy Ending”, echoes Zeppelin’s “That’s The Way” with its wistful melody. White asks, 'What would I have if I never really had you?' Critics speculate this lyric is a nod to Meg White, especially given the album’s homage to “Little Room.” Or maybe it’s for his daughter, whom he just dropped off at college—either way, it’s a strikingly personal moment to close out the record. – Jacob Nielsen
28. What a Devasting Turn of Events, Rachel Chinouriri
What a Devastating Turn of Events is unapologetically honest, with Rachel Chinouriri naturally intertwining life lessons and philosophical insights into a down-to-earth, pop-rock framework. Each track feels personal yet accessible, inviting listeners to reflect alongside her.
Songs like "The Hills" and "Never Need Me" harken back to the early 2000s pop era, which Chinouriri pays homage to with skill and reverence. The album concludes with the gentle acoustic track "So My Darling," a beautifully haunting closer that encapsulates the emotional depth of an album that remains relatable and fun throughout. – Angela Cook
27. Only God Was Above Us, Vampire Weekend
You know, I’m picturing a conversation with Koenig and Sony Music’s A&R where Koenig describes some of the songs on Only God Was Above Us.
Koenig: “Well, on one of the songs, we hired a classically trained choir to sing backup over a sample of 'Back to Life' by Soul II Soul. It’s a song about the narrator’s unrequited love for someone named Mary Boone.”
Sony Music Bigwig: “Oh…?”
Koenig: “Yeah, and on the first track, we have a full orchestra playing along to a song about cultural legacies and our shared humanity despite our divisions. It ends in a thrash metal style triplet riff.”
Song Music Bigwig: “Huh…”
Koenig: “It’s one of our best songs.”
These kinds of wild, seemingly mismatched ideas are par for the course with Vampire Weekend. This juxtaposition started, of course, with the collegiate, preppy dress code that the band adhered to in their early days, sharply contrasting their contemporaries. (Who writes a rock and roll song about grammar? Better yet, who writes a good one??) Only God Was Above Us is yet another example of a Vampire Weekend album that really shouldn’t work, but does. – Jacob Nielsen
26. Diamond Jubilee, Cindy Lee
Maybe it’s lazy for a writer to draw Beatles comparisons, but damn if Diamond Jubilee isn’t reminiscent of The White Album. Diamond Jubilee’s landscape is just as varied, blending a melancholy mix of influences like The Ronettes, The 13th Floor Elevators, and T. Rex. But mostly, Diamond Jubilee deserves this comparison because it’s just so fucking fun.
In March, Cindy Lee, A.K.A. Patrick Flegel, A.K.A. the singer/guitarist of Women, released Diamond Jubilee for download on a GeoCities website and streaming on YouTube. The website promised a physical release “soon,” offering a high-resolution download of the front and back covers of the record and prompting this writer to dust off his CD burner to recreate a classic 90’s double-disc version of the album. It’s as if Diamond Jubilee is a transmission from another lifetime, where the algorithm didn’t exist and rock stars were mysterious. As the music industry giants continue to push their product further into the algorithm, Diamond Jubilee offers a brief reprieve from what is and what could be. – Jacob Nielsen
25. Birds Eye, Ravyn Lenae
Bird’s Eye is Ravyn Lenae's heartfelt exploration of life’s lessons, expressed through a stunning and deeply personal collection of songs. The album effortlessly weaves rhythmic guitar, infectious beats, and ethereal harmonies with raw, introspective lyrics, crafting a soundscape that feels both nostalgic and refreshingly modern.
Lenae pushes boundaries, not merely blurring genre lines but reshaping them entirely. Her innovative approach to R&B results in a body of work that feels timeless yet ahead of its time. Tracks seamlessly transition between moods and styles, keeping listeners engaged while inviting reflection. For those craving originality and depth, Bird’s Eye is a truly essential listen. – Angela Cook
24. Saviors , Green Day
For their fourteenth album, Green Day took it back to basics — for real this time — to craft a full-length that is almost entirely killer and no filler.
The record is informed by multiple time periods, from the 20s to the 50s to the 70s, when the band members were born, to modern day America. This is fitting for the band, who also celebrated the 30th anniversary of their 1994 breakthrough Dookie and the 20th of their 2004 comeback American Idiot this year.
On Saviors, the East Bay trio show they still have that politically charged grit in them, as they grapple with legacy in an incredibly important election year on songs like opener “The American Dream is Killing Me” and “Coma City.” But it’s the more personal tracks that give this album its own feel, like “Bobby Sox,” which is part bisexual anthem and part ode to Billie Joe Armstrong’s wife. Standout single “Dilemma” details Armstrong’s struggle with sobriety in rehab and marks a shift in tone that leads to more introspective tracks like “Goodnight Adeline” and “Father to a Son.”
Throw out your preconceptions about modern Green Day for this one, as Saviors surpasses the quality of their previous seven albums and comes the closest to reaching the heights of their classic ones. – Raniel Santos
23. Why Lawd? NxWorries
As the super duo’s previous effort Yes Lawd! plays like a warm romance, their latest release Why Lawd? is a heartbroken and frozen solid. From beginning to end, Knxwledge provides the somber, bony production while Anderson .Paak bitterly narrates sentiments of lost love as lonely and cold as a divorced man’s refrigerator. The deeper listeners get into the tracklist, the more gut-wrenching the confessions become on sincere cuts like “FromHere” and “KeepHer.” Exploring every post-breakup feeling from denial to downright depression, the pair deliver a soundtrack fit to express the confusion and emotional reluctance that can come with moving on. – Kalen Murphy
22. NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD God Speed You, Black Emperor
What’s that quote from Angus Young about AC/DC releasing the same album 15 times? And he replies with “Bollocks! We've made the same album 16 times!” That’s pretty much the case with Godspeed You! Black Emperor. They’re like the AC/DC of post-rock bands. Each album written as the doomsday clock ticks closer to midnight – intense, uncompromising, and f*cking heavy as hell.
Godspeed's panache in crafting apocalyptic rock and roll is due largely to the need for it, and the ongoing atrocities against the Palestinian people are as good a reason as any to write an album like No Title. With song titles like “RAINDROPS CAST IN LEAD” and “GREY RUBBLE – GREEN SHOOTS,” Godspeed calls the listener to come face to face with the extermination of a people. It might be naive to think that someday we won’t need a band like this to force the world to look in the mirror. Until that day comes, at least we have Godspeed. – Jacob Nielsen
21. Saaheem, Sahbabii
Sahbabii’s Saaheem is the one album amongst this year’s best that we didn’t know we needed until it came. For years, the “Squidtastic” rapper has been marching to the beat of his own drum, casually dropping surprise projects and his latest release is no different. The 18-track album is an animated trip filled with bright colors, unorthodox voices, and an unlimited amount of animal references, playing like a hallucinogenic day at the zoo. Songs like the slithery “Anaconda Livin” and the octane-filled “Viking” immerse listeners into his kaleidoscopic world of trap. All in all, Saaheem carries the kind of replay value that makes Sahbabii one of rap’s most underrated anomalies. – Kalen Murphy
20. Charm, Clairo
Packed from beginning to end with sapphic yearning, Clairo's self-released third album Charm was released in July earlier this year. A much more grown-up approach from the singer-songwriter, Charm sees Clairo develop a deeper, richer vocal tone throughout. A gentle album with some absolutely stunning piano flourishes, stand-out tracks "Sexy to Someone" and "Juna" perfectly encapsulate the sense of searching yearning the album has become known for, with both making a definite impression across social media, with "Juna" currently sits at the top of her most popular tracks to date – and deservedly so. If this is the shape of what is to come from Clairo, we can all look forward to it. – Leo Edworthy
19. Songs of a Lost World The Cure
The 16-year wait for a new The Cure project proved to be worth every painstaking minute. The leading goth rock band dropped Songs of a Lost World in time for Sad Boy Autumn. Songs of a Lost World isn’t the band reflecting on past experiences but a path forward into the future. The Cure is all business on the project and heightens the sickly dread as everything reaches from beyond the veil. Their lead single, “Alone,” showcases the wear and tear humanity has placed on Robert Smith. With such a lapse in time between projects, how The Cure crafted such a heavenly spiral of gothic harmony is a wonder. – Donovan Wilkins
18. Haven, Marianas Trench
Canadian pop-rock outfit Marianas Trench returned five years after their last album not just rejuvenated, but superpowered.
On their sixth album, and fifth concept record in a row, the Vancouver quartet no longer feel burdened by the past and instead look to the future with songs intended to match chapters in Joseph Campbell’s The Hero’s Journey. This framing results in one of their longest track lists to date and helps set it apart from their previous work.
The album being 13 tracks long may feel intimidating for the average listener, but the substance contained within manages to make the story feel universal and give each song a singular vision, while not stretching the narrative out too much. This is especially evident from the one-two punch of “Stand and Fight” and “Turn and Run.”
By the time you reach the album’s centerpiece, “Worlds Collide,” your dedication will be rewarded, whether you’ve been following Marianas Trench for 18 years or 52 minutes. Haven is a great gateway to some of the band’s best work and serves as a worthy follow-up to their essential records. – Raniel Santos
17. MUTT, Leon Thomas
As we witness Leon Thomas’ crystallization as a solo artist in real time, MUTT is clearly the pivotal turning point in his career. For years, the multi-faceted musician has been respected for his pen and production skills, quietly penning multiple hits for other artists. With his third LP, his ascension to stardom is now becoming undeniable as we watched a proven hitmaker deliver the R&B album of the year on his own accord. Everything from his vivid storytelling abilities to the tracklist sequencing to even the feature selections does not disappoint. This album portrays the peaks and valleys of love in the limelight as the young, rich, and famous on top of vibrant production. Going through an array of emotions, the album offers balance at every corner without losing a bit of vulnerability. Exhilarating tracks like the intro “How Fast” are matched with slowed-down tracks like the outro “I Used To”. The hopelessly romantic “I Do” speaks louder standing aside heartless cuts like “Dancing With Demons.” As we wrap up this year, it’s a sure bet that MUTT ranks high amongst 2024’s best musical bodies of work. – Kalen Murphy
16. Kiss & Forget, WhoMadeWho
Danish electronic pioneers WhoMadeWho's eighth studio album Kiss & Forget stands as a masterclass in artistic collaboration and genre-defying innovation. The album finds the trio at their most ambitious, weaving together elements of indie, disco, and melodic techno through masterful collaborations with electronic music luminaries like Kölsch, RY X, Adriatique, and Blue Hawaii. From the ethereal vocals of "Love Will Save Me" to the hypnotic rhythms of "Heartless," each track pulses with an emotional depth that transcends typical electronic music constraints. Accompanied by a mesmerizing visual album directed by Thomas Kuhn and brought to life through their groundbreaking live shows featuring revolutionary stage design by Bjarke Ingels Group (BIG), Kiss & Forget explores the ephemeral nature of human connection and nostalgia. The record's impact earned WhoMadeWho a myriad of accolades, cementing its place as one of the year's most significant electronic releases that resonate far beyond the dancefloor. – Patrick Ames
15. Gap Year! Laila!
There are very few rising artists today who can match their sudden virality with an attention-grabbing body of work quite like Laila! All while the 18-year-old artist first gained traction with her first two singles “Like That!” and “Not My Problem,” her focus was set on her debut project. From the moment the album begins, Laila! draws you into her post-graduation world in the most candid way she can. Through her storytelling skills and Gen Z musicality, her youthfully vulnerable tracks like “Date 4 Prom” come across as vivid as an A24 film. Acting as the solo artist and the lead producer, Laila’s Gap Year album ranks among this year’s best and is the best coming-of-age album we’ve heard in years. – Kalen Murphy
14. Memoir of a Sparklmuffin, Suki Waterhouse
With the rapid rise of many others in such a crowded pop space, Waterhouse has crafted a stunning discography. After many EPs and singles, the multi-hyphenated artist released her second album, Memoirs of a Sparklemuffin, this year. The album is a rollercoaster of emotional growth as Suki Waterhouse dives into the past to envision a future. Waterhouse masterfully balances a narrow line between indie rock and pop, adding a modern touch of femme fatality. Many tracks are heavy with pop catchy anthems while others rely on brass indie guitar riffs. Memoirs of a Sparklemuffin is a career-defining project that signals Suki Waterhouse is ready for her spotlight. – Donovan Wilkins
13. SMILE :D, Porter Robinson
What happens when you’re more than a decade into your career and have the greatest album you’ll ever write under your belt? You embrace the silly. 2021 was Porter Robinson’s year, giving us the vivid and illustrious Nurture, an album pushing boundaries in contemporary electronic and pop spaces and an album that would be incredibly difficult to follow up. SMILE! :D saw Robinson build on narrative ideas and pair heavy conceptual themes like alcoholism and suicide with musical elements that were the polar opposite such as referencing absurd YouTube poop videos and 2010-era video games. There’s a dichotomy between writing some incredibly sad songwriting and wildly silly choruses, resulting in something that doesn’t take itself too seriously. The production is gorgeous and the songwriting is killer on all fronts. Robinson is embracing elements of pop rock with more minimal instrumentation where his songwriting takes the spotlight on more than one occasion. SMILE! :D is the producer having fun writing while airing out his grievances while looking back at his growth as an artist. It’s an extended thank you card for an audience that’s found strength in his songs for vividly different eras for an experience that’s something truly comforting. – Alan Baez
12. Don't Forget Me, Maggie Rogers
Maggie Rogers’ Don’t Forget Me is a musical array of pure songwriting and harmonic pop melodies. Like a warm Sunday morning, the project is full of musically appealing notes and soft rock with a country-wrapped sound. Rogers hammers home the point of a cozy record with hazy psychedelic rock production and summer-soaked lyrics. Don’t Forget Me is a fever dream in all the right ways as Maggie Rogers expands upon her rock pop sound. – Donovan Wilkins
111. Britpop, AG Cook
Renowned as the father of PC Music—a decade-long record label founded by A.G. Cook and home to some of electronic pop’s most innovative artists—Cook’s third studio album, Britpop, sonically constructs the timeline of his music production career. Divided into three discs, Britpop unveils the past, present, and future of Cook’s artistry: the first pays homage to the traditional sound of PC Music with its glossy synths and maximalist production; the second focuses on guitar-driven, vocal-heavy tracks, introducing a rawer, more organic sound; and the third explores the unknown, presenting his vision of what’s to come.
The title track features Charli XCX’s vocals as a catchy earworm, repeating the word “Britpop” in a manner reminiscent of the outro from her 2017 track “Lipgloss.” Charli returns later on the album alongside Addison Rae in “Lucifer”—a hypnotic piece defined by its intricate layering of synth families. “Prismatic” reinvents Cook’s 2020 track “Show Me What,” highlighting his ability to evolve creative works into new artistic avenues and underscoring the album’s overarching theme of transformation.
With Britpop, A.G. Cook blends nostalgia, reinvention, and forward-thinking experimentation, cementing his status as one of pop’s most visionary architects. – – Michael Kearney
10. eternal sunshine, Ariana Grande
When a heartbreak feels like the end of your world, would it just be easier to erase all the memories of a lover rather than endure the pain of losing them? Ariana Grande ruminates on this question with Eternal Sunshine—a deeply vulnerable conceptual album that draws inspiration from the 2004 film Eternal Sunshine of the Spotless Mind.
Eternal Sunshine navigates the complexities in relationships, shifting between the mundane beauty of “Ordinary Things,” the existential longing of “We Can’t Be Friends (Wait For Your Love),” and the authentic nuance of “Imperfect for You.” Layered in R&B and pop beats, Grande’s latest work builds on her extensive catalog with a more mellow, introspective, and melodic approach.
Astrological and celestial motifs flow throughout the album—from the wake-up call in “Saturn Returns Interlude” to physical interactions that feel like “the moon meets the stars” in the pop-charged “Supernatural.” While the album doesn't offer a clear-cut answer to the question of erasing memories or enduring the pain, Eternal Sunshine subtly suggests that relationships unfold as if guided by the stars, with a higher entity shaping their course, offering a more spiritual approach to love and loss. – Michael Kearney
9. Alligator Bites Never Heal, Doechii
Doechii patiently waited for the right moment to pounce from the swamp with her latest mixtape, Alligator Bites Never Heal. Standing boldly as a career highlight, the mixtape cements her as a rising star in both hip-hop and boom-bap genres. Known for her captivating storytelling, Doechii weaves together savory, palatable beats and infectious hooks that highlight her versatility. "DENIAL IS A RIVER" features a playful dialogue between Doechii and an Alvin-and-the-Chipmunks-inspired therapist persona, reflecting on her struggles with cheating and drug use over the years. Lead single "NISSAN ALTIMA" fuels the mixtape with its piano-driven anthem and clever pop culture references, nodding to icons like Carrie Bradshaw from “Sex and the City.” Doechii’s wide vocal range and witty songwriting reaffirm her place as a dynamic artist. – Michael Kearney
8. Dark Times Vince staples
In his final album with Def Jam Records, Long Beach apostle Vince Staples wrestles with the same demons he’s been fighting since his debut, but this time around, he finds a key moment of optimism among the violence.
Vince Staples is arguably one of the most consistent voices in Hip Hop, providing songs that stay true to his LBC roots while expanding on the same ideas. He’s been on one hell of an album run for the last few years, finding the time to work on acting and writing chops at the same time. Dark Times is for the day ones, it’s Staples embracing and paying homage to the discography that’s built his career. This is more than evident on “Government Cheese,” sampling his early song “Blue Suede.” There are plenty of dark moments present such as “Justin” where Staples details a violent situation where he almost lost his life, but these are coupled by sonically positive songs that break the tension, like the infectious “Little Homies.” Dark Times is a lyrical exploration of the violence that’s always haunted Staples while simultaneously shouting out the creatives that brought happy times along with it. – Alan Baez
7. Imaginal Disk Magdalena Bay Magdalena Bay
Pop and paranoia neatly went hand-in-hand with Imaginal Disk, the second studio album by Magdalena Bay. Broadly referencing Art-Pop Pop, Neo-Disco, Shoegaze, and Grunge to create a fascinating, psychedelic exploration of the ideal self-being burned onto a CD, Matt
Lewin and Mica Tenenbaum contrasted human nature with surreal utopianism upon a delicate balancing act. Blissful tracks like "Love Is Everywhere" are juxtaposed meticulously with harrowing cuts like "Vampire In The Corner" to a water-tight cohesion pulled together by using all of the kitschy tools at their disposal like futuristic sci-fi aesthetics, confident storytelling, phantasmagorical music videos, and vibrant, shaded album artwork designs to allow for alienation to reflect through their sonic hallway of mirrors. Nostalgic yet avant-garde, it was a beautifully multi-prismatic collation of collective imagination for the LA-based duo as they continue to carve a niche for themselves, creating tuneful yet textured material that even the biggest Pop snobs would admit to indulging. – Jacob Braybrooke
6. Blue Lips Schoolboy Q
TDE was the unanimous champion of this year, holding some of the best albums and the single of the year within its roster, but their real champion to emerge was ScHoolboy Q with his first album in five years, Blue Lips. Blue Lips was the longest wait in between albums for the West Coast rapper but definitively proved that he took his time. This project builds on everything Q has stood for and more. It's gritty. It’s grimy. It’s full of moments built on west coast shit talking and celebrating your proudest moments. It’s Q truly at his best, bringing his minimal approach to writing bars, incorporating a diverse range of jazz samples but keeping it all within a rich concept. With its elusive album rollout, YouTube only teasers of songs to come, it felt like you were truly a part of a moment. Out of the solid projects from the mafia of the West, including Doechii, Ab-Soul, and Kendrick himself, 2024 proved to be topped by Q. – Alan Baez
5. Chromakopia Tyler The Creator
Chromakopia is an introspective masterpiece that showcases Tyler, The Creator’s unmatched range as an artist, blending storytelling with infectious club anthems. A true aficionado of alternative hip-hop, Tyler seamlessly balances the dualities of his persona—some see him as an unserious charismatic troll, others as a deeply layered musical genius. The twist? He’s both, and Chromakopia embodies this dichotomy to perfection. Throughout the album, Tyler is at his most transparent, offering a raw, unfiltered look into his world. With humility, openness, and vulnerability, he lyrically explores his thoughts on identity, belonging, and how he envisions his life in comparison to others. The result is a deeply personal yet universally relatable project that invites listeners to reflect on their own place in the world.
Filled with unorthodox production that blends varying subgenres of hip-hop with soulful jazz instrumentation, Chromakopia offers listeners a window into Tyler, The Creator’s unique perspective. The album delves into how he navigates the anxieties and pressures of fame, the complexities of mental health, and the weight of societal expectations—all while remaining unapologetically authentic. It’s a bold and introspective journey that showcases Tyler’s growth as both an artist and an individual. – Ethan Ijumba
4. I Got Heaven, Mannequin Pussy
In a tumultuous year filled with constantly being reminded of inept political leaders, a capitalist system that’d rather flush out workers than pay fair wages, and the normalization of a genocide, Philadelphia band Mannequin Pussy returned just in time to help us process our feelings. I Got Heaven is the meditation that many need to hear. Their first full-length project in over five years brings the sense of absorbing everything that’s happened in the global political landscape. But where folks feel powerless, the group implored anger and channeled it into some of the most aggressive, yet dynamic bangers from the year. From start to finish, the energy is electrifying and without falter. Marisa "Missy" Dabice wrote songs from her own personal struggles to reflect the experiences faced by many other marginalized groups. The anthemic “Loud Bark” represents the familiarity of being caged in while having any sense of autonomy stripped from you. I Got Heaven carries some of the most meaningful songwriting with some gorgeous production that pushes the boundaries of contemporary alternative music. It’s a piece to scream your heart out to, to feel immediately comforted after. It’s a stern reminder to never feel powerless. – Alan Baez
3. Short n' Sweet Sabrina Carpenter
2024 marked a resurgence—if not a full-blown renaissance—for women in pop music, delivering a wave of instant classics that defined the year. From Charli XCX’s edgy Brat to Taylor Swift’s introspective The Tortured Poets Department and Ariana Grande’s scintillating Eternal Sunshine, the year showcased the depth and diversity of female artistry in the genre. Sabrina Carpenter’s Short n’ Sweet joins this elite class, offering a bold and genre-spanning exploration of emotions, confidence, and the gifts and curses that come with relationships. It's a bold, coming-of-age album that takes listeners on an emotional rollercoaster, inviting them to cry, scream, and savor every moment. It seamlessly blends genres, drawing influences from country, disco, pop, rock, and R&B, creating a dynamic and versatile sound.
As her lyrics capture the bravado of openness and honesty, Carpenter weaves a narrative that balances vulnerability with self-assured confidence, resonating deeply with listeners. The album showcases Carpenter’s dauntless yet delicate spirit, balancing vulnerability and boldness with themes of sexual confidence, revenge, and intimate self-assurance. It’s a masterclass in capturing the full spectrum of emotions—love, heartbreak, empowerment, and everything in between. Short n’ Sweet delivers a little bit of everything, offering something for every mood and moment. – Ethan Ijumba
2. Hit Me Hard and Soft Billie Eilish
The evolution of Billie Eilish’s music continues to captivate listeners with her wide range of vocal stylings, the emotional depth she conveys, and her unique ability to balance dark yet lighthearted production. Her latest project, Hit Me Hard and Soft, not only accentuates Eilish’s talent for articulating emotions through her lyrics but also showcases her distinctive sound, blending vulnerability with defiance in a way that feels both euphoric and melancholic in her songs. Hit Me Hard and Soft features a collection of down and mid-tempo alternative pop tracks enriched by congenial elements, solely produced by Billie Eilish’s longtime collaborator and brother, Finneas. In their work together, they craft a cohesive and intimate soundscape that perfectly complements the album’s euphonious layered emotional depth and lyrical proneness. Overall, listeners are not only given a miraculous body of work that delivers on all fronts, sides, and ends when it comes to balancing the topics and elements that Hit Me Hard and Soft provides, as it is a testament to Billie Eilish’s growth as an artist, offering an immersive experience that resonates on multiple levels. – Ethan Ijumba
1. Brat Charlie XCX
Wondering whether or not she deserves commercial success on “Rewind,” Charli XCX exceeds her expectations with BRAT—her sixth studio album that mixes autotuned British pop with sensitizing, electronic beats that build an immersive party scene. Embracing the “party girl” aesthetic, BRAT became the mother of many club classics while emerging as a pop culture and strategic marketing phenomenon, defined by its infamous electric-green hue and countless live events.
BRAT is an attitude, a mindset, and a lifestyle. Whether you’re vibing to “360” while pregaming with the girls, doing the “Apple” dance from muscle memory, or blasting “365” passed out on an NYC subway platform at 5 a.m., Charli created a world where we live to party—and party to live—on repeat.
But if “Brat Summer” wasn’t enough, the follow-up remix album Brat and it's completely different but also still brat reimagines the original and transitions us into “Brautumn.” This reflective rendition renews and reinvents the bustling energy of the original record, featuring collaborators like Ariana Grande, Lorde, and Caroline Polachek. The remixes feel like the inevitable comedown after a summer of hysteria—when the parties fade, the weather cools, and you’re left wondering if everything is still romantic. – Michael Kearney
