EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Feature
  • News
  • World Music

How Nigerian director Akhabue Evans is redefining music videos as cinematic masterpieces

  • October 20, 2023
  • Jacob Saltzberg
Total
0
Shares
0
0

For Nigeria's Akhabue Evans– known by many in the gospel music industry as Dir En’Man- a visionary filmmaker and music video director, rewriting the rules of visual storytelling in the music industry is a big dream he wants to preach to the world through his lenses. With two extraordinary music videos currently trending, Evans said that he wants to transcend the traditional boundaries of the genre, delivering immersive cinematic adventures.

His latest expansive cinematic work, “B’OLA,” breathed life into Sunmisola Agbebi’s soul-stirring anthem of redemption. Evans scouted a graffiti-adorned abandoned warehouse as the backdrop, a poignant symbol of life’s struggles. Here, he orchestrated captivating dance sequences that mirrored the protagonist’s emotional journey, infusing every frame with dramatic lighting and profound symbolism.

On the flip side, “IBA” by Nathaniel Bassey embarked on a spiritual voyage into the realm of devotion. Evans selected a historic church with intricate stained-glass windows and awe-inspiring architecture. His meticulous planning birthed scenes of worshipers bathed in ethereal light, enhancing Bassey’s heartfelt performance.

But the journey continued with Victoria Orenze’s “I Get Backing,” a song of healing and renewal set in the embrace of nature. Beneath a lush forest canopy, Victoria’s ethereal voice serenaded viewers, while graceful dancers symbolized renewal and hope. Evans’ artistry in crafting evocative visual narratives was on full display.

What sets Evans apart is his unparalleled ability to transform music videos into a transcendent art form, capturing the essence and emotion of each song. He doesn’t merely direct; he crafts transformative experiences that resonate deeply.

The impact of “B’OLA” and “IBA” is undeniable, redefining the possibilities of music video direction. They have become more than just visual companions to songs; they are emotional odysseys etched into the hearts and minds of their audiences.

Akhabue Evans has truly turned music into cinematic magic, solidifying his position as a visionary filmmaker. As the world eagerly awaits his next creative masterpiece, one thing is certain: Akhabue Evans is a maestro in the realm of music video direction.

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • akhabue evans
  • Nigeria
Jacob Saltzberg

Previous Article
  • Alternative Rock
  • Rock

Stray + the Wild share ethereal offering "Show Me The Way" [Video]

  • October 20, 2023
  • Jacob Saltzberg
View Article
Next Article
  • Acoustic
  • Folk
  • Indie
  • Pop

Delilah Brao deals with a breakup in "Over The Phone"

  • October 20, 2023
  • Victoria Polsely
View Article
You May Also Like
View Article
  • Classical
  • News

Joachim Horsley redefines classical boundaries with Latin GRAMMY-Nominated ‘Afro Bach’

  • December 9, 2025
Derin
View Article
  • Feature
  • Indie
  • Indie Pop
  • New Music

Derin’s “yours” captures the beauty of devotion when the world feels uncertain

  • December 5, 2025
View Article
  • Mainstage
  • Music Industry
  • News
  • R&B
  • Tours

Blackstreet signs with XOXO Entertainment Corp, ushering in a new era for 2026

  • December 3, 2025
View Article
  • Hip-Hop
  • Mainstage
  • New Music
  • R&B
  • Soul
  • Soul-Hop
  • Toronto Events

Eric Ryan, kaiyel & Merv xx Gotti deliver alt hiphop warmth on "Take It Slow"

  • December 1, 2025
MavAngelo
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

MavAngelo paints a bittersweet winter memory on “FadingSkies”

  • December 1, 2025
Friday Project
View Article
  • Feature
  • Indie
  • New Music
  • Pop

Friday Project’s "Nine Lives" captures teen creativity and modern rock adventure

  • December 1, 2025
Hanne Leland
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Hanne Leland warms the season with “The Christmas Songs” [Album]

  • December 1, 2025
Rejection Ratio
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Rejection Ratio channels ’80s fire and modern vulnerability on electrifying new single “Love is Like Heaven”

  • November 30, 2025
Popular Music
  • Aura of Embers shares ethereal and riveting new single "One Soul"
    • December 9, 2025
  • Divergent
    Divergent drops high-voltage visuals in “Not Until It’s Right” [Music Video]
    • December 9, 2025
  • Rebecca Foon chats new album 'Black Butterflies', her barn studio, Governors Island and more! [Interview]
    • December 8, 2025
  • Joachim Horsley redefines classical boundaries with Latin GRAMMY-Nominated ‘Afro Bach’
    • December 9, 2025
  • Misha and BeMyFiasco turn up the heat on spicy track "Burning Fire"
    • December 8, 2025
Recent Scoops
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
  • Winter Music Conference returns to Miami Music Week with new home for 2026
    • November 6, 2025
  • Simone Feroci establishes his towering presence in the world of bass guitars with hopeful track "California Forever"
    • October 30, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.