EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Pop

Emerging pop act Emily Coupe delves into toxic relationships on "One To Blame"

  • April 12, 2022
  • Malvika Padin
Total
0
Shares
0
0

Up-and-coming musician Emily Coupe explores toxicity in relationships on genre-bending single “One To Blame,” which channels a seamless blend of classic pop sounds with experimental beats.

Powerful yet vulnerable in its messaging, the relatable track captures the sting of failing relationships and the pressure put on us to move on, in a stark departure from a trademark joyful pop numbers.

Balancing hurt with hope, “ One To Blame,” is raw yet able to infuse resilience and confidence within Coupe’s evolving sonics as she showcases the various modern pop-influence musical styles she has collected to craft into a distinct sound of her own, which comes across timeless but fresh.

Falling in love with music at the age of five, learning to play the violin, Emily Coupe has grown steadily, setting herself up to be catapulted into fame in the world of music – this is definitely only the beginning in a long journey to come.

Connect with Emily Coupe : Instagram| Facebook| Twitter

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Emily Coupe
  • One To Blame
  • Single
Malvika Padin

Previous Article
  • Hip-Hop
  • Rap

Homeboy Sandman shares new single "A!"

  • April 12, 2022
  • Tayo Odutola
View Article
Next Article
  • Afrobeats
  • Atmospheric
  • Indie

MXKA and Stylolive deliver their take on "Sweetest Taboo"

  • April 12, 2022
  • Tayo Odutola
View Article
You May Also Like
View Article
  • Indie Pop
  • Pop

Nian Tong finds clarity in confusion on new single “What’s On Your Mind”

  • February 9, 2026
View Article
  • Pop

MACY turns awkward moments into pop gold on “Please Keep Talking”

  • February 9, 2026
Johan van Mullem
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Johan van Mullem turns emotion into a late-night pop confession, “Damn!”

  • February 8, 2026
View Article
  • Feature
  • Indie
  • Indie Rock
  • New Music
  • Pop
  • Singer/songwriter

Becky Raisman’s “Earth Goddesses” EP radiates positivity, growth, and creative freedom

  • February 7, 2026
Displaced Stranger
View Article
  • Feature
  • Indie
  • Indie Pop
  • Indie Rock
  • Pop
  • Singer/songwriter

Displaced Stranger finds solid footing on "Grounded," a confident debut album that speaks beyond experience

  • February 7, 2026
Acid Smoothie
View Article
  • Feature
  • Indie
  • Indie Pop
  • Indie Rock
  • New Music
  • Pop

Acid Smoothie turns reflection into motion on “Carts in the Rain”

  • February 7, 2026
Crescent
View Article
  • Indie
  • Indie Pop
  • New Music
  • Pop

Crescent’s “Milogather Parts 1” moves from tension to release in a two-part sonic ritual

  • February 7, 2026
PAULA T
View Article
  • Electronic
  • Feature
  • Indie
  • Pop

PAULA T breaks the silence on self-repression with the bold, honest energy of “Sugar Tits”

  • February 7, 2026
Popular Music
  • Daniel Martin and the Infamous to cover Metallica's "Welcome Home/Sanitarium" ahead of deluxe version of 'Gone Days of Silence'
    • February 9, 2026
  • Miriah and The Arti$t Illustrate the Transformative Power of Falling in Love on "Super Power"
    • February 9, 2026
  • Johan van Mullem
    Johan van Mullem turns emotion into a late-night pop confession, “Damn!”
    • February 8, 2026
  • NOFX's "Minnesota Nazis" is a bleak and incisive commentary on modern America
    • February 9, 2026
  • Becky Raisman’s “Earth Goddesses” EP radiates positivity, growth, and creative freedom
    • February 7, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.