EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Feature
  • Funk
  • Indie
  • Indie Rock

The Smile amp up the atmospherics on second single “The Smoke”

  • February 4, 2022
  • Mark Salisbury
Total
0
Shares
0
0

Radiohead side-project The Smile, consisting of Thom Yorke and Jonny Greenwood alongside Tom Skinner from Sons of Kemet, have followed up their debut single, “You Will Never Work In Television Again,” with their latest teaser, “The Smoke,” and it is an altogether more restrained affair. This is the sound of a band relaxing and enjoying making music together, unencumbered by industry politics or scene police. This is the sound of an unreleased basement demo between the Doors and the Dizzy Gillespie in the early seventies, and I am here for it, or wherever gets the best reception.

After a brief ambient interlude, the band quickly locks its co-ordinates on a funky robotik groove, clamps down on it and sets up an impromptu headquarters. With this solid base of operations in place, the freedom to explore unfamiliar terrains opens up, with the knowledge that the homestead is secure. Tom Skinner’s percussion is light and effortless, bouncing off the bass riff with casual perfection, while psychedelic swirls and reverb-drenched vocals are off doing their own thing entirely. Basically, it’s prog, if you hadn’t got that.

Yorke very much uses his voice as another layer of the track on “The Smoke”, much more so than on the gloriously polemical “You Will Never Work In Television Again.” As he dreamily ruminates on the nature of sleep, self-immolation and revolution, the track slowly blooms around him with the addition of a full brass section consisting of a veritable roll call of modern UK jazz, including Byron Wallen, Theon and Nathaniel Cross, Chelsea Carmichael, Robert Stillman and Jason Yarde. The trumpets, tubas and saxophones play off the foundations of the track like sun in the rear view, giving “The Smoke” a narrative, an emotional crescendo and some real gravitas. This is effective rehabilitation for those of us who feared ska punk had ruined brass forever.

Whether this is just a couple of middle-aged proto-hipsters and a young jazz drummer jamming out in Thom Yorke’s garage for some harmless kicks, or there are plans to bless this glorious union with an official release, we just don’t know. The band has embraced the digital music consumption model, playing several globally live-streamed shows recently, and have just announced a god’s-honest physical tour. Tickets are sure to sell out instantly, with most unfortunately going to the kind of people who have time to sit and wait at a computer, the kind of people we may have to become. Buy “The Smoke” here.

Connect with The Smile: Spotify | Youtube | Twitter

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Byron Wallen
  • Chelsea Carmichael
  • Jason Yarde
  • Jonny Greenwood
  • Nathaniel Cross
  • Robert Stillman
  • the smile
  • the smoke
  • Theon Cross
  • thom yorke
  • tom skinner
  • XL Recordings
  • you will never work in television again
Mark Salisbury

Previous Article
  • Hip-Hop
  • Indie
  • Rap

Abby Power reflects on life under the "Shades Of Blue" (Prod by Frances, The Mute)

  • February 4, 2022
  • Tayo Odutola
View Article
Next Article
  • Hip-Hop
  • Rap

Ben Reilly's "Maytag (Tax Free)" gains new life

  • February 4, 2022
  • John Peterson
View Article
You May Also Like
View Article
  • Alt-Pop
  • Indie
  • New Music
  • Pop

Evann McIntosh goes over (and over and over) the pain of spiraling on "Mull It Over"

  • January 23, 2026
View Article
  • Alternative
  • Grunge
  • Indie
  • Indie Rock
  • New Music

Scout Gillett deals with the intensity of touring on "Too Fast To Last"

  • January 23, 2026
View Article
  • Indie
  • Indie Rock
  • New Music

Phantom Pink brings humour to dark times on single "Czech New Wave"

  • January 23, 2026
View Article
  • Dark Rap
  • Hip-Hop
  • Indie
  • Rap

Lucas Burn releases cinematic rap single "Uncertain"

  • January 23, 2026
View Article
  • Indie
  • Pop
  • R&B
  • Soul

Misha and BeMyFiasco’s quiet R&B revolution in “Back to Myself”

  • January 23, 2026
View Article
  • Electronic
  • Indie
  • Pop

Electronic music falls in love again in Donna Lewis and David Lowe’s “Meet Me”

  • January 23, 2026
View Article
  • Indie
  • Pop
  • Uncategorized

Siri Neel release new single, "I Think I Said Something"

  • January 23, 2026
View Article
  • Electronic
  • Indie
  • Pop

Tallisker teams up with Umut Timur for international hit "GAZOLE"

  • January 23, 2026
Popular Music
  • Misha and BeMyFiasco’s quiet R&B revolution in “Back to Myself”
    • January 23, 2026
  • Lucas Burn releases cinematic rap single "Uncertain"
    • January 23, 2026
  • Electronic music falls in love again in Donna Lewis and David Lowe’s “Meet Me”
    • January 23, 2026
  • Tallisker teams up with Umut Timur for international hit "GAZOLE"
    • January 23, 2026
  • Omah Lay's "Waist" is a mesmerizing sonic and visual journey [Video]
    • January 23, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.