EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Indie
  • Indie Pop

Ryan Wright releases ghostly indie-pop track “U Were Never Mine”

  • September 19, 2021
  • Sienna Estrada
Total
0
Shares
0
0

Virginia-based singer/songwriter/producer Ryan Wright makes unapologetic music full of tongue-in-cheek lyrics and otherworldly soundscapes. If you look at her past tracks, titles like “Screw U” and “Burn in Hell” are sure to grab your attention. However, in her latest single “U Were Never Mine,” she isn’t afraid to get a little vulnerable as the track deals with a common problem our whole generation has felt: being ghosted.

Even though ghosting is a shared and familiar experience, this new track sets itself apart as unique. Ryan Wright captures this feeling with a haunting production laden with pulsing drum loops, synth-driven melodies and vocal distortion. It has a 80's flare to it, but translates well in the modern world. Her vocals are soft like Clairo’s and her production is vibey and delicate like Lorde and The Japanese House.

Lyrically, the track is unapologetically little melodramatic as we probably are all guilty of moments like this,. “I knew intellectually that my distress over the whole thing was probably silly but also knew I couldn’t help the way I was feeling," Wright says. "Being able to transform this painful situation into something strange and beautiful—elevating it into art—made everything I was feeling easier to process. And it allowed me to get the upper hand—to actually gain something from the whole experience rather than just feeling the loss.”

Connect with Ryan Wright: Instagram

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Lorde
  • Ryan Wright
  • Screw U
  • The Japanese House
  • U Were Never Mine
Sienna Estrada

Previous Article
  • Music Videos
  • Pop

Calyco shares visuals for their single "LMK"

  • September 18, 2021
  • Tayo Odutola
View Article
Next Article
  • Alt-Pop
  • Indie

Tedious & Brief drops groovy breakup track “Not That Deep"

  • September 19, 2021
  • Malvika Padin
View Article
You May Also Like
View Article
  • Electronic
  • Indie
  • Interviews

Wavewulf chats 'Oscillation', his love for Depeche Mode, grief and more [Interview]

  • January 15, 2026
View Article
  • Folk
  • Folk Rock
  • Indie
  • Interviews
  • Nu-Jazz
  • Singer/songwriter

Sariyah Idan chats new live album, busking, Leonard Cohen and more [Interview]

  • January 15, 2026
View Article
  • Funk
  • Jazz Fusion

Redtenbacher’s Funkestra release new album ‘Funkopia’

  • January 15, 2026
GMDCASH
View Article
  • Hip-Hop
  • Indie
  • Pop
  • Rap

GMDCASH reclaims the narrative with his comeback single “I’m The Product”

  • January 15, 2026
View Article
  • Feature
  • Indie
  • Mainstage
  • New Music
  • Pop

Windrift’s “I’m All Yours” turns valentine’s day tension into a heartfelt coming-of-age moment

  • January 15, 2026
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Windrift drift into Valentine’s Day with the warm, coming-of-age glow of “Way Far Out”

  • January 15, 2026
View Article
  • Indie
  • Mainstage
  • Pop

The Fritz Gambit rewinds the clock with “Back To School,” a dancefloor reflection on memory and meaning

  • January 15, 2026
Kid Camus
View Article
  • Feature
  • Indie
  • Mainstage
  • Pop

Kid Camus charts emotional gravity on the reflective EP "Half-Mooned Orbit"

  • January 15, 2026
Popular Music
  • JUJO shares a groove-rich, uniquelt soulful look into disco on "Currents" – via Sidekick music
    • January 16, 2026
  • Wavewulf chats 'Oscillation', his love for Depeche Mode, grief and more [Interview]
    • January 15, 2026
  • Sariyah Idan chats new live album, busking, Leonard Cohen and more [Interview]
    • January 15, 2026
  • Modern Woman announces new album 'Johnny's Dreamworld,' drops new single "Dashboard Mary"
    • January 15, 2026
  • pastel..
    pastel.. finds his groove with “window,” a track that defines his lane
    • January 15, 2026
Recent Scoops
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.