EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Alternative Rock
  • Pop
  • Rock

Maasho returns with pop-rock anthem "Sad Machine"

  • March 22, 2021
  • Madeleine Sirois
Total
0
Shares
0
0

Maasho returned this week with a pop-rock antidote to cure the pandemic blues. Since he began experimenting with music in 2019, the young artist has amassed over 13 million global streams and even garnered the attention of 24kGoldn. After spending the past few months working hard to craft his new sound, the single "Sad Machine" is finally out. 

Driven by a combination of hard-hitting drums and heavy sub-bass, the track is practically begging to be blasted through your car speakers. Distorted guitar riffs reverberate behind the kind of wailing melody that could entice even the shiest of wallflowers to sing along at the top of their lungs. The line "I think I've got a sad machine / pointed just at me" captures the frustration many are feeling as technology takes over more and more of our lives. Luckily for us, we have this song's massive energy to vent to. 

Serving as the lead single for his upcoming album ABESWRLD, this anthem is an impressive beginning for the suburban rockstar's new era. 

Connect with Maasho: Website | Instagram | Spotify

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • ABESWRLD
  • Maasho
  • Sad Machine
Madeleine Sirois

Mainer who likes her public lands clean and her guitars even cleaner.

Previous Article
  • Post-Punk

Squid explore the reflective side of post-punk on "Paddling"

  • March 22, 2021
  • Mark Salisbury
View Article
Next Article
  • Glitch-Hop
  • Hip-Hop
  • Rap

yl shares fresh new visual for "on ice" [Video]

  • March 22, 2021
  • Jacob Saltzberg
View Article
You May Also Like
Casey Lipka
View Article
  • Americana
  • Feature
  • Folk
  • Mainstage
  • Pop
  • Reviews

Casey Lipka explores the art of meaningful connection on new EP "Giving It Time"

  • June 1, 2026
Samantha LaPorta
View Article
  • Feature
  • Mainstage
  • Pop

Samantha LaPorta turns memory into a living atmosphere on "Flora-Bama"

  • June 1, 2026
The Librarian Sisters
View Article
  • Feature
  • Rock
  • Shoegaze

The Librarian Sisters channel reflection and emotion in new single "Sorrow"

  • June 1, 2026
e.lissa faden
View Article
  • Alt-Pop
  • Feature
  • Mainstage
  • Rock

"Just Might" by e.lissa faden shines bright as an anthem of identity, confidence, and joy

  • June 1, 2026
Drew Davies
View Article
  • Alternative Rock
  • Feature
  • Indie Rock

"La Revanche" marks a bold new era for Drew Davies

  • June 1, 2026
Erik Neimeijer
View Article
  • Alternative Rock
  • Feature
  • Folk Rock
  • Indie Rock
  • Mainstage
  • Pop

Erik Neimeijer captures youthful ambition and drive on "Green Eyed Soul"

  • June 1, 2026
Leaone
View Article
  • Feature
  • Pop
  • Rock

Leaone blends memory and isolation into a statement on "My Lover Threw Me Under A Bus"

  • June 1, 2026
Ian Stahl
View Article
  • Alternative Rock
  • Feature
  • Mainstage
  • Rock

Ian Stahl channels rock memory and hope on new release "Peer Pleasure"

  • June 1, 2026
Popular Music
  • Casey Lipka
    Casey Lipka explores the art of meaningful connection on new EP "Giving It Time"
    • June 1, 2026
  • Samantha LaPorta
    Samantha LaPorta turns memory into a living atmosphere on "Flora-Bama"
    • June 1, 2026
  • The Librarian Sisters
    The Librarian Sisters channel reflection and emotion in new single "Sorrow"
    • June 1, 2026
  • e.lissa faden
    "Just Might" by e.lissa faden shines bright as an anthem of identity, confidence, and joy
    • June 1, 2026
  • Drew Davies
    "La Revanche" marks a bold new era for Drew Davies
    • June 1, 2026
Recent Scoops
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.