EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Pop

Sabiyha asserts her self-worth in powerhouse single "Love Me Alone"

  • June 25, 2020
  • Margarita Bassova
Total
0
Shares
0
0

We're calling it now: Sabiyha is set to be the next big thing in pop. Her tracks resonate a kindred spirit with womxn around the world in their tales of self-empowerment, worth and love. "Love Me Alone" is no exception, as it necessitates reclaiming oneself in the midst of a toxic relationship. 

The Dancehall beat drives the up-tempo gusto of the track with relentless force. All the while, Sabiyha’s honeyed soul and R&B vocals dominate above the melodic bass-line. In essence, the effective simple production concedes to the strength of Sabiyha's intimate lyricism, co-written by Andrew James. Notably, the hook rings: “I’m over them, I’m over this. I’ll love me alone”. Sabiyha comments on the meaning behind the track:

“I'm someone who embraces sexuality, however, that does not give people a free pass to treat me like an object. The behaviour of the men I was meeting made me feel 'like poison'… This song basically says “I'm over this bullshit, I'm not letting this affect my self-worth; I'll love me”. We all have moments where our self esteem waivers, and we question ourselves as people. This doesn't indicate weakness, but the many shades of light and dark that we experience and how we can work through it.”

In many ways "Love Me Alone" follows in intention from Sabiyha's debut track "Choorlie". While through the prism of more industrial-folk pop, "Choorlie" reclaims the Guyanese term now often used derogatorily towards women perceived to be too loud or assertive. Clearly, both tracks captivate through their thorough sociocultural examinations. Therefore, they suggest a new movement forward with the feminist anthem one guiding block in the step to progress. It's exciting to see what the rest of 2020 has in store for Sabiyha, whose style is already taking on a voice of its own. 

You can stream "Love Me Alone" on Spotify, Apple Music and Pandora. 

Connect with Sabiyha on: Facebook | Twitter | Instagram

 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • andrewjames
  • LoveMeAlone
  • Sabiyha
Margarita Bassova

Music journalist, DJ and bedroom producer. Currently lovin' leftfield pop, emotional drum & bass and hardcore. Of course, my real loyalties lie with the vivacious nu-soul, jazz & electronic scene here in Naarm (Melbourne) ~ The land that I write and create on is the sovereign land of the Wurundjeri and Boon Wurrung people of the Kulin Nation. I pay my respects to their Elders past, present and emerging. Sovereignty has never been ceded.

Previous Article
  • Alternative R&B
  • Indie
  • Mainstage
  • Neo-Soul

Artist Profile: Carrie Baxter on influence and her debut EP Placebo

  • June 25, 2020
  • Tanis Smither
View Article
Next Article
  • Indie
  • Indie Rock
  • Music Videos

Indie rock group, Momma, releases fundraiser news alongside a stop-motion music video.

  • June 25, 2020
  • Sienna Estrada
View Article
You May Also Like
View Article
  • Disco
  • Mainstage
  • Music Videos
  • Pop

Jessie Ware creates dreamy atmosphere in 'I Could Get Used to This' [Video]

  • January 26, 2026
View Article
  • Dreampop
  • Indie
  • Indie Pop
  • Music Videos
  • New Music
  • Pop

Grace Inspace floats towards EP release with "Helium Balloon" [Video]

  • January 26, 2026
View Article
  • Alt-Pop
  • Alternative Rock
  • Electro Pop
  • Electronic
  • Indie
  • Indie Pop
  • Indie Rock
  • Interviews
  • New Music
  • Pop

[Interview] Culi. talks fairytales and creativity on his debut album

  • January 25, 2026
View Article
  • Alt-Pop
  • Indie
  • New Music
  • Pop

Evann McIntosh goes over (and over and over) the pain of spiraling on "Mull It Over"

  • January 23, 2026
View Article
  • Indie
  • Pop
  • R&B
  • Soul

Misha and BeMyFiasco’s quiet R&B revolution in “Back to Myself”

  • January 23, 2026
View Article
  • Electronic
  • Indie
  • Pop

Electronic music falls in love again in Donna Lewis and David Lowe’s “Meet Me”

  • January 23, 2026
View Article
  • Indie
  • Pop
  • Uncategorized

Siri Neel release new single, "I Think I Said Something"

  • January 23, 2026
View Article
  • Electronic
  • Indie
  • Pop

Tallisker teams up with Umut Timur for international hit "GAZOLE"

  • January 23, 2026
Popular Music
  • Grace Inspace floats towards EP release with "Helium Balloon" [Video]
    • January 26, 2026
  • Jessie Ware creates dreamy atmosphere in 'I Could Get Used to This' [Video]
    • January 26, 2026
  • Misha and BeMyFiasco’s quiet R&B revolution in “Back to Myself”
    • January 23, 2026
  • Lucas Burn releases cinematic rap single "Uncertain"
    • January 23, 2026
  • Electronic music falls in love again in Donna Lewis and David Lowe’s “Meet Me”
    • January 23, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.