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Mamalarky ponders love in new single "How To Say"

  • May 6, 2020
  • René Cobar
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Many of us seem to have a little more time on our hands these days, allowing for deep diving into the waters of our mind, so cavernous and all—the latest single from charming indie-pop group Mamalarky, "How To Say," is a byproduct of just that. Thoughts about love and its complexities float in a rich mixture of jingle-jangle electric guitars, and energetic drum fills, that with a robust bassline leading from underneath, create a tranquility-inducing potion you can't help take in again and again.

The gentle vocals of lead singer, and ex-Cherry Glazerr bassist, Livvy Bennett add a creamy texture to the new single: slow, smooth, and cool, they explore love's layers playfully. Devin says of the song: "I'm bored. We're all bored. We wrote and recorded a song during this boring time. Here is exactly what it sounds like as a waveform. It's about falling in love and not knowing exactly how to say it yet." So, an innocent yet complex subject, fun and serious, all wrapped in psych-pop silk real colorful too, and it all came from a period of boredom: art.

The music video for "How To Say," directed by Michael Hunter and Livvy Bennett, adds to the fun and comforting experience the music provides with a first-take-only approach and a lo-fi aesthetic so fitting. As an entire product, "How To Say" is telling of our wandering thoughts, of our desires, floating about, and of our ever-present emotions, stimulated or suppressed by a changing world we may or may not recognize in due time.

Connect with Mamalarky: Instagram | Twitter | Facebook

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René Cobar

Rene Cobar is a writer and musician currently residing in Austin, TX. After receiving a Bachelor of Arts degree in creative writing from New England College in Henniker, NH, Rene set out to pursue his passions and has lived in cities like New York and Las Vegas. After spending two years in an indie rock band, he learned to appreciate the sacrifices groups must make to stay together. Rene loves the marriage of literature and music, from the prose of Oscar Wilde to the guitar riffs of The Darkness, he calls them influences all the same.

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