EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Album Reviews
  • Alt-Pop
  • Indie Pop
  • Interviews
  • Mainstage
  • Pop

Oh Wonder shifts their perspective on "No One Else Can Wear Your Crown" [Interview]

  • February 7, 2020
  • Meghan O'Neil
Total
0
Shares
0
0

Oh Wonder's magnetic intimacy is front and centre on their third full-length album, No One Else Can Wear Your Crown. “I think it took this album to realize that it’s not about getting the perfect take, it’s about capturing the perfect energy,” said Josephine Vander Gucht, one half of the alt-pop duo.

EARMILK caught up with Vander Gucht and Anthony West one week before their album release. A 10-track offering, this project invites listeners inside an “are they or aren’t they” relationship, confirming what many fans have speculated for years. Despite a past desire to keep their romance under wraps, this album is the clear voice behind every soft whisper—a push and pull that settles into a quiet comfort. “I guess its acceptance and defiance. I guess those are the two themes of the album,” said Vander Gucht.



Oh Wonder started racking up streams in 2014 with their first track “Body Gold” which garnered over 100,000 in the first three days of its release. Featuring their now trademark soft vocals and poetic lyrics, it leans a bit heavier on the alternative side of pop with musical experiments that are now replaced with more calculated risks.

Constantly developing their sound, West and Vander Gucht released their first full-length album in 2015. This eponymous offering featured festival-ready hits like “Lose It” and “Without You”, putting them on some of the biggest summer stages like Bonnaroo and Lollapalooza—and they didn’t stop there. 2017 saw the release of their second full-length, Ultralife, which was written on the road and took them promptly around the world again. But when new material called, they returned to London, slowed down and found their rhythm again. “We always write together,” said Vander Gucht over the phone. “We sit at a piano and we both kind of sing melodies at each other.”

The lyrics come last for the duo but arguably have the biggest impact. “Dust”, the first track on the new album, is conversational and soft. It’s the first track the duo wrote and the album title is taken from the sweetly penned lyrics. “It just sums up that cozy intimate feeling that the album has,” said Vander Gucht.

The idea of bringing other songwriters into this intimate process wasn’t something that was often entertained prior to this project, but West admits that it was time for a challenge. The duo had sessions with writers in L.A. and New York, including Sasha Sloan, who contributed to the fourth single, “Happy”.

“[Other songwriters] kind of had a musical vocab that we didn’t have ourselves. They had melodies that we couldn’t think of,” said West. “It was amazing and we definitely wouldn’t have some of the songs on the album without other people which is really special.”

Being open to new perspectives also opened the door to new writing methods. West credits “How It Goes” as a stand out for him. “It was the first time we’d ever written with drums in the room and so the song actually starts on a beat which is really fun because it’s very unlike how we normally write,” said West. “And I just have super fun memories of how we wrote this.”

“We built a studio at the end of our garden and this whole album was literally recorded in that one room,” said Vander Gucht. “So things could flow and things were personal and it just felt kind of isolated in a lovely way. We could be super vulnerable.”

Whether it was the location, the timing or a mix of both, Oh Wonder have decided to release the pressure to be perfect with an honest new album. “I don’t know, I think there’s something that comes with a really deep love when you feel just really strong—and it’s a shame to hide that,” said Vander Gucht.

Connect with Oh Wonder: Facebook | Twitter | Instagram

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Anthony West
  • DUST
  • Happy
  • How It Goes
  • Josephine Vander Gucht
  • No One Else Can Wear Your Crown
  • oh wonder
  • Sasha Sloan
Meghan O'Neil

Montreal-based writer and eavesdropper | oneilmegs@gmail.com

Previous Article
  • Hip-Hop
  • Music Videos
  • Rap

Rockie Fresh introduces us to "Maria" in his new video

  • February 7, 2020
  • Tayo Odutola
View Article
Next Article
  • Ambient R&B
  • R&B

Paul Chin and Desirée Dawson pen a heartfelt reflection on "Take It Or Leave It"

  • February 7, 2020
  • Celeste Daniella Ceres
View Article
You May Also Like
View Article
  • Feature
  • Interviews
  • Mainstage
  • Pop
  • R&B
  • Uncategorized

Estelle on Stay Alta, Embracing Transformation, and entering a new, purposeful Era [Interview]

  • December 24, 2025
Paul Hennessy
View Article
  • Indie
  • Pop

Paul Hennessy turns time into art on "The Cost Of The Escape" [Album]

  • December 22, 2025
View Article
  • Pop

Yash Kapoor shares hypnotic, layered offering "Secrets In Your Eyes"

  • December 22, 2025
Saynt Ego
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Saynt Ego’s “Voices” turns quiet reflection into cinematic power

  • December 22, 2025
David J Boswell
View Article
  • Indie
  • Mainstage
  • Pop

David J Boswell turns uncertainty into art on hypnotic new single “I KNOW WHAT I SAW”

  • December 22, 2025
Neurolapse
View Article
  • Electronic
  • Indie
  • Mainstage
  • Pop

Neurolapse returns with his most intimate body of work yet on "Be Like Anyone" [Premiere]

  • December 22, 2025
The Venice Kid
View Article
  • Hip-Hop
  • Indie
  • Mainstage
  • Rap

The Venice Kid ushers in a bold new era with “Say Less”

  • December 21, 2025
Zeek Wonderlen
View Article
  • Indie
  • Mainstage
  • Pop
  • R&B

Zeek Wonderlen’s “Seasons” is a smooth R&B reflection on love, loss, and becoming

  • December 21, 2025
Popular Music
  • Paul Hennessy
    Paul Hennessy turns time into art on "The Cost Of The Escape" [Album]
    • December 22, 2025
  • Saynt Ego
    Saynt Ego’s “Voices” turns quiet reflection into cinematic power
    • December 22, 2025
  • David J Boswell
    David J Boswell turns uncertainty into art on hypnotic new single “I KNOW WHAT I SAW”
    • December 22, 2025
  • Neurolapse
    Neurolapse returns with his most intimate body of work yet on "Be Like Anyone" [Premiere]
    • December 22, 2025
  • The Venice Kid
    The Venice Kid ushers in a bold new era with “Say Less”
    • December 21, 2025
Recent Scoops
  • Origins Inconclusive partner with DiscoverNü (DNÜ) marking new chapter for UK emerging artist culture
    • December 17, 2025
  • The Architect of Independent Empire: Rob Terell named among the world’s Top 10 Global A&R Executives
    • December 11, 2025
  • Ultra Music Festival's RESISTANCE unveils stacked 2026 lineup led by rare B2B Pairings
    • December 4, 2025
  • Cenyc : A rising artist building soundscapes laden with legacy and discipline
    • December 1, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.